A lot of it is bragging. It used to drive me crazy when I knew that a stand-up’s agenda was about showing how smart they were. The last character you want to be is a guy who’s smarter than the audience. But there’s some hole inside that these stand-ups have to fill. It has nothing to do with making people laugh.

I just tell jokes about my own life and try to make it relatable enough for as many people to enjoy as possible.

I think there's a million ways to do things. there was a pitcher for the Yankees once named Orlando Hernandez or "el Duque" he was a cuban exile. A thing they said about him was he was hard to hit cause he had so many arm angles and release points. a hitter studies a pitcher and watches for the ball so he can time it, but with el duque, you don't even know where the fucker is coming from. Nine o clock? Eleven? And does he let go of it up top or out front? Impossible. I sometimes think of comedy in those terms.

I'm considered a "clean comedian" or "family friendly comedian," but that's just how it comes out. There's no incredible calculation behind being clean or family friendly; comedians talk about what they can get away with. Chris Rock or Lewis Black are just gonna do the type of comedy that they're going to do. If you know them, it makes sense what type of comedy that they're doing. I'm always hesitant to be identified as a clean comedian because all comedians, whether they be clean, female or African American or transgender, the only adjective they want is to be funny. I sometimes I feel as though "clean" is this asterisk that kind of disqualifies some of my success. People are not coming to...[Read more]

I just noticed that audiences didn't want to laugh at me because of the way I looked, so I just went with that. It seemed fun to play a villain on stage and I wanted my jokes to be so good that I could just calmly tell them on stage. I didn't want to show any neediness. It was important to me to be cool up there.

Question: How annoying is it to be compared to daniel tosh all the time? Answer: Great question. It's a little annoying, but I understand it. We're both tall white dudes on comedy central who say edgy shit. But we're very different. I think people compare us because they just like comparing things. I used to get Mitch Hedberg a lot, even though I couldn't be more different. But we both told one liners, so there you go. I also think some people just don't know that much about comedy. It would be like a person who didn't know anything about football thinking all offensive linemen are the same.

I did swear a little bit in the beginning and then I didn't like how easy it was. It felt like cheating, so I stopped.

I don’t understand that term. I mean, I do those rooms that are called alternative comedy. In the 80’s, there was a formula that started happening with the airline jokes, just a person with a microphone, doing very conventional material. But everything before that was alternative comedy. Like when Albert Brooks used to go on Johnny Carson and literally read the phone book. Or Steve Martin would do those great bits. I guess I am. I really don’t know. I’m alternative (he says with raised eyebrows). I lead an alternative lifestyle. (laughs)

I like all of it. I mean... comedy's not a brand. You can't just be standup or sketch. There's a lot of great people out there doing really funny work. So I'm up for all of it.

I was slightly observational at first, going back to my early, early open mics. I was just writing any joke, because I wanted to be a real comedian. But my personality was always there and some of my material naturally became about me — about looking Jewish or hairy or whatever — and people liked that. Your voice and your persona will come out of that, the more you're comfortable with it. So when I tried to fit myself into a Seinfeld mold and I didn't get the laughs, that brought me out. And then comedians said, "Keep doing that." And then it was all about honing it and writing jokes for it. But if you ask me, honestly, I wish I could just go up and do jokes. Boom boom boom bing bing and I'm...[Read more]

It was at the end of the show after the other comedians were done. The audience was walking out. It was not an easy atmosphere. But I figured: I'm going to learn something every time I get on stage.

I was doing five, six open-mics a night, grinding it out, and then I did a show one night and got noticed by one Amy Schumer. I bombed, but she goes ‘hey, I liked that one joke you had, do you want to open for me at the Atlanta Punchline?’ And I was like ‘Oh my God, I’ve never been on the road or opened for somebody.’ She asked if I had about 30 minutes of material, and I said ‘sure’—meanwhile I had about eight, and the eight wasn’t good. But I said yes to it, and then I started thinking about it and I was like ‘I don’t know this girl, do I have to hang out with her? I don’t have thirty minutes of comedy.’ I wussed out and called her and told her I couldn’t do it because my parents were com...[Read more]

Comedy is the weirdest thing in the world. You can’t practice it in your bedroom. You can’t explain timing. You can’t explain any of it. But it was the late, great Patrice O’Neal who said to me back then, “Dude, that’s not you up there.” I was like, “I know, I know.” Then all of the sudden I started telling my real stories and talking the way I really talked and people were saying, “What is he doing? He’s blowing it.” Twenty-six years later …