Posts tagged 'Filmmaking' (57)

Making short films

I like making short films. You can do anything you want in a short film because it doesn’t have the weight of a feature [film] where every moment has to serve the entire film. If you have a weird little idea you can just go out and make a short film about it and people can watch it for a short time and then move on to whatever the next thing is they’re doing in their lives. So I just always encourage people to make short films because it’s the one thing in film that you can always do. There are people laying all over the streets who are great and qualified and talented filmmakers, directors of photography and editors who have nothing to do and they are always eager to jump on a project wit...

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when i did pootie tang i signed a deal that i served at their pleasure and had no creative control. It was worth it because I got to direct a studio movie at a young age and I learned. I don't sign deals like that anymore though.
Question: You wrote and directed Pootie Tang, as I'm sure you are aware. Do you plan on Writing and Directing anymore more films in the near future? Because that would be fantastic. Answer: I would love yo make more movies. That is a FUCKING HARD JOB though, dude. Just to get it made. You can't even do anything else while you're tyring to get it made and then you probably won't. It's heart breaking. Then it takes a good 2 years to make and finish the movie then it maybe won't come out and then maybe it gets changed and worse than the movie not getting made, you made it, then it got changed into something you hated and then came out. yeah. that's hard. if i can get a deal to make a movie th...
Question: You've been listed as a video editor on most of your projects. What program do you use to edit and why have you decided to take on this role? Answer: I love editing. I have used Avid in the past but I exclusively use Final Cut Pro now, though I am concerned about the future... You always have to put three dots after the future... editing is part of the process. it's how you form everything. In some ways not editing yourself would be like a sculptor dropping some clay off at a guys house and saying "Make a naked lady chasing a bull. and do it nice."
The scripts is one of the greatest conceptual scripts I've ever seen. It's a script that was so unique, so original, and yet it got not acclaim. To me it was no question that it was the greatest script of the year. To this day people are talking about it, but they forget no one paid any attention to it at the time. The execution of the script, there were great people in it. It was a difficult movie to shoot because we shot in winter outdoors. If you ever get to go to Puxatawney, you should go, it is one of the few things that is BETTER than advertised. It's really something to see. But doing the movie, shooting the scenes over and over, it's like an acting challenge. It's like doing a play a...
Someone asked "will there be a Garfield 3?" I don't think so. I had a hilarious experience with Garfield. I only read a few pages of it, and I kind of wanted to do a cartoon movie, because I had looked at the screenplay and it said "Joel Cohen" on it. And I wasn't thinking clearly, but it was spelled Cohen, not Coen. I love the Coen brothers movies. I think that Joel Coen is a wonderful comedic mind. So I didn't really bother to finish the script, I thought "he's great, I'll do it." So then it was months before i got around to actually doing it, and I remember i had to go to a screening room in somewhere, and watch the movie and start working. And because they had had trouble contacting ...
It was a blast. First movie I ever did. Major memories: Danny McBride and I watching the Tyra Banks Show at lunch everyday and the stuntman breaking his leg for real in the opening scene!
Those were not based on my testicles. However, Oscar winning actor Daniel Day-Lewis allowed his balls to be examined for the prosthetic balls to be made. Side note: Those are, no joke, $10,000 worth of prosthetic balls that you see in that movie.
Oh my gosh I learned so much. Hard to put into words because it's so many things about so many things. With making Robot Chicken for several years, I've gotten lots of experience not just working with actors, but also helping a large crew all work together for a shared goal. I really appreciate every individual's personal contribution to the whole, and know that people need encouragement. I've learned to be direct without making someone feel punished, and I really focus on surrounding myself with superior talent wherever possible. I really work to take nothing personally, and give space for everyone to do their best work. I think I'll direct another movie, but I need it to be something I lov...
Sorry no actual update. I've heard for years there's a movie being developed, but never from anyone actually connected with it. Personally I love the movies, that character, and all the people involved. It's some of the most fun I've had, and most the most widely received movie I've been a part of. Not sure Mike is really looking to make a new one, but I'm sure if he did, everyone would show up for it.
At several points, there can be dozens of people who need you to have an answer. Your job as director is to tell everyone if what they're doing is within your vision. You always have to be able to convey that vision to everyone making the movie with you. The question could be about an actor's character, and if their improv or idea works in context with the overall story, or your beliefs about their character. It could be making the decision to move to a cover set because the forecast is rain. I make sure to surround myself with smart and highly competent professionals, and then take everyone's advice. I like the idea that's best for the movie, even if it's not mine.
I love the new movie and can't wait for the second part. That book is a favorite of mine, and King one of my favorite authors. It was a really big deal for me to get that role, and insane to get to work with all those stars. I'd loved both Tim Curry and John Ritter for years, and taken tremendous influence from their careers and performances. Everyone was so cool and gracious- it really set a tone of epic collaboration. The director Tommy Lee Wallace was so clear in his vision, and really able to communicate. It showed me a lot about what a director can and should be.
I have to say that the only good reviews I've gotten in my movie life were for The Emperor's New Groove. I really, really liked that movie. It was very hard to do (which sounds crazy, because it's only the voice) but the backstory was, it was originally called Empire of the Sun. And it was myself and Owen Wilson as sort of a prince and a pauper trading places type thing. And we got a year and a half into it, and Michael Eisner from Disney looked at a rough cut and said "I don't like it." And they got rid of everybody but Spade, and they had this dopey llama idea. It sounds like they just made it up on the spot, and he liked it, and somehow those guys put together a whole new idea, and it was...
The Joe Dirt wig was itchy. And one time, I walked away from the set at a TV studio when we were doing some Dennis Miller stuff, and I got lost, and I had my janitor's uniform on, and the security guard wouldn't let me back into where I was supposed to go, and I didn't have a cell phone, so I had to sit there for 15 minutes until some PA came to look for me, and I had to explain to them that I was dressed as a janitor with a wig on, and that was an actual story, that sounds fake but it was funny to me. Long story short: I loved the wig, I thought it was hilarious, it was hard to wear all summer but it cracks me up. I think it's in some vault somewhere in the Smithsonian right now, surrounded...
Chris was always doing that bit to me at work. We shared an office, and you had to walk through our office to get to Chris Rock & Adam Sandler's office, so these 2 microscopic offices were back to back, and Chris' desk was behind mine, and he didn't really know how to write, or read, really (kidding!) but he would come in bored, because I would have to write my sketches to try to get on but they would always let him on, so he would get behind me and be bored, everyone would write him sketches, and he would say "Davey… turn around" and I said "if this is Fat Guy in a Little Coat I'm not turning around, it's not funny anymore." And he would say "no, i've got a whole new thing I'm doing." And ...
When you do a movie, and you use a song, or a band, or an image on a t-shirt of a band, there's a quiet clause stating that you can't say anything negative about them. And it's sort of just understood if they're selling you a song, or letting you use a t-shirt, you're going to be respectful. So that line was not in the script, but I asked Kid Rock to yell it to me when I ran off, so I could make an extra whimper, like that was a real dagger. And so when we did it, we couldn't put it in the movie yet until I talked to Def Leppard's manager to make sure that was okay. So I called someone, cuz we originally couldn't put it in, and said "hey, is there any way we can do this" and i had to explain...
Absolutely. Weirder still was that my brain, slowly bleeding from a minor hemorrhage caused by an AVM (different from an AMA) was causing me to go insane, so that added to the madness. You truly don't even question your sanity when you are losing it. It's such a bizarre thing....
Finish them! DOn't be the guy that writes half a script. Write a full script or make a film and post it! you have so many cool avenues these days! But no matter what, finish! Even if it's bad, then you have something finished to work off of and show others and get their thougths! Finish, then show others and take their precious free thougths!