I started when i was 17. I got a good head start, skill-building wise, but I sometimes think I missed out on a lot of “Life” that I could be drawing from now. Try to go to college and get some knowlege. If you don’t do that, make a deliberate attempt to read a lot and educate yourself, so that you don’t just become a siv for American pop culture.
If you spend all your time on stage talking about the cover of People magazine, you won’t go far, you won’t last, and you’ll be bored before you get good. Take advantage of the head start you’re giving yourself by stopping as often as possible to live your life, explore America and grow as a person.
When you go to some shit town to do a one-nighte...
You will probably be copying something you think is cool. At first, I was just trying to be loud. My early stand-up was stupid and goofy and loud. A little immature. At 21, you think you know a lot of things. At 25, you think you know a lot of things. At 46, you think you know a lot of things. Turns out, you never know anything.
That guy, when I was in my early 20s, he’s not listening to advice…. [There’s] this story I’ve told before: I might have been about 18, and I was playing the Fort Lauderdale Comic Strip, and Rodney Dangerfield shows up. And he bumps everybody. So I go, “Mr. Dangerfield, can you stay and watch my act?” He’s like, “Uh, yeah, sure, kid.” So he does his show [and] I go up after Dangerfield—everybody’s scared to go up. And I fucking killed after Dangerfield, right? Then I came backstage and was like, “Hey, what did you think?” And Rodney was like, “Eh, I don’t know, kid, you talk that language, where are you going to go with that, talking about race stuff?” I was just shattered! Rodney had just s...
A lot of people want to get into comedy and talk about it, but you don’t realize the first step to getting into comedy is actually going to do it. You can’t do things that you don’t put actions behind. So sit down, take a piece of paper, write out your thoughts and then go to an amateur night and try them. If it doesn’t go well, see what worked, what didn’t work and go back and try it again. But don’t be a talker, be a doer.
some things don't change. You need to get on stage as much as possible and vary your stage experience as much as possible and not quit and take care of yourself and always question why you say the things you say and enjoy yourself. The context of history and technology just is what it is.
Question: how do you organize and develop your material and various jokes? Do you have notebooks full of detailed notes and jokes, or do you just sketch them out and wing it on stage?
Answer: I believe in detailed notes and jokes, and also winging it onstage. But, not for your first open mic. For your first open mic, my advice to you would be to make sure you have what you're gonna do memorized, to the point that one of your friends can gently slap you across the face, and you'll still be able to get it out of your mouth.
1 get on stage as much as you can 2 do the comedy that would make YOU laugh 3 ask yourself WHEN would i laugh if i was listening to myself? if the answer is "i don't know" then neither will the audience 4 hang with people who don't tear you down or break your spirit 5 listen to the greats, let them influence you, then shed them when you find your voice 6 don't be a dick!
I think moving to LA was huge for my career. For those young people, eventually you go to either NY or LA. Listen to your gut. If you're in NY and think it's where you should be, you should be there. Don't believe the crap about NY. LA isn't full of plastic or phony people. I've met some of the best people in LA. If you hang in and work your ass off, you'll one day pick your head up and have made progress.
Start a show. Host the show. at a bar or any space. then you have guaranteed stage time and you do other comics favors by giving them spots so then they will give you spots on their shows. also hang out a lot at comedy clubs.
Go to the open mic and befriend whoever intimidates you the most and just work as hard as they do. It’s what helped me. I always had this group of people I could call and be like, should I stay at home and write? And they’d be like, you’re bullshitting yourself. Stop avoiding it and go to the mic.
Alright. Here would be my advice. Ok, I don't know how comedians start nowadays , right?
But what I would suggest is just start.
And once you start, you can't really stop, no matter what happens. No matter how bad it gets, no matter what people say. you know what I mean? Because comedy is weird like that.
You know why I hate watching other comedians do comedy? Not because I hate other comedians, but because I love comedy so much. Its like watching somebody else fuck your girl. And I say 'I fuck her better than that'.
Best advice was when I asked Paul Reiser, "How do you get started in comedy?" I asked him that when I was in college. He said, "Well. You've just got to do it."
The best thing you can do is write, write, write, and write. And read. A lot. And fail. The more you fail the better you'll get. At SNL you could have an amazing show and then just BOMB the following Wednesday at the table read. Stay tough. Don't compare yourself to other people. Just follow your path and have fun.
Louis CK