What he learned while filming The Monuments Men

Well probably the most horrifying thing was that there was something called Nero Edict that was distributed by the Fuhrer, Hitler, which said that if the Reich should fall, or if Hitler was killed or taken, that all the art that was stolen should be destroyed. And a fair amount of the art was burned, things were burned that will never be returned, a lot was burned even before the Nero Edict because of the modern art, that was degenerate. In the hunt for the art, they found hidden in the salt mines where the art was hidden, they found the ENTIRE gold supply of Germany. ENTIRE. Like they had moved their gold, their Fort Knox, into a mine, and this small group of guys searching for art in a m...

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[Tommy Wiseau] also financed it at the tune of $6 million. It does not look like it was made for $6 million. It looks like it was made for about $60. It came out in 2003, and Tommy intended it to be a great drama. He wrote on the original poster that it was a Tennessee Williams-level drama. It's a very simple story. [Wiseau] casts himself as Johnny, this great guy, all American guy, and he has a girlfriend and best friend named Mark. And basically the plot of the movie is his girlfriend and his best friend have an affair and betray him, and — spoiler alert — he commits suicide at the end. And that's kind of it. But that says nothing about all the bizarre creative decisions — the weird side...
I have to say that the only good reviews I've gotten in my movie life were for The Emperor's New Groove. I really, really liked that movie. It was very hard to do (which sounds crazy, because it's only the voice) but the backstory was, it was originally called Empire of the Sun. And it was myself and Owen Wilson as sort of a prince and a pauper trading places type thing. And we got a year and a half into it, and Michael Eisner from Disney looked at a rough cut and said "I don't like it." And they got rid of everybody but Spade, and they had this dopey llama idea. It sounds like they just made it up on the spot, and he liked it, and somehow those guys put together a whole new idea, and it was...
My main takeaway was hire extreme proffesionals to surround you and point like you have a lot of confidence and know what you're doing. Would I do it again? I think I might.....but I also wanna work with Chivo, Bob Richardson...tons of others...
It’s very important that what you do is specific to the medium in which you’re doing it. And that you utilize what’s specific about that medium to do the work. And if you can’t think about why it should be done this way or needs to be done this way, then it doesn’t need to be done this way and then you should figure out what it is about this – if you want to do it – that needs to be told in the form of a movie.
Question: You wrote and directed Pootie Tang, as I'm sure you are aware. Do you plan on Writing and Directing anymore more films in the near future? Because that would be fantastic. Answer: I would love yo make more movies. That is a FUCKING HARD JOB though, dude. Just to get it made. You can't even do anything else while you're tyring to get it made and then you probably won't. It's heart breaking. Then it takes a good 2 years to make and finish the movie then it maybe won't come out and then maybe it gets changed and worse than the movie not getting made, you made it, then it got changed into something you hated and then came out. yeah. that's hard. if i can get a deal to make a movie th...
Question: You've been listed as a video editor on most of your projects. What program do you use to edit and why have you decided to take on this role? Answer: I love editing. I have used Avid in the past but I exclusively use Final Cut Pro now, though I am concerned about the future... You always have to put three dots after the future... editing is part of the process. it's how you form everything. In some ways not editing yourself would be like a sculptor dropping some clay off at a guys house and saying "Make a naked lady chasing a bull. and do it nice."
Loved having the breasts on my head. The make up dept. really made them authentic. Filled with condoms full of water. Everyone wanted to feel them, guys and women. At the end of the day when they were removed no one cared about me. It was then I realized how powerful it was to have breasts!
Seth Rogen and myself are really good friends. We started out in the business together, so he was calling friends for favors, he wanted me to do a cameo and I agreed. It was a funny cameo; he explained the premise to me and I agreed.

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Oh yes, Alec Majerison. That whole thing was unfortunate Victoria. What happened was I bought a puppet that was originally belong, originally belonged to Edgar Bergen, and he was a crusty old fella. He was a curmudgeon, ya know? Well pretty early on it became clear to me that he was a vehement Holocaust denier. But this is the point I'm trying to make: he's just plain wrong. And you know, I know he was born in a different time, but he's just plain wrong. He's in a musty old suitcase in my basement. And that's where he'll stay.