The most common question I see here on Twitter is if I have any advice on being a comedian. I have never given any but I will. It is said that you must write what you have experienced, that great comedy comes from truth, or from tragedy. All of this is nonsense. I am crushed by the time, gone and irrevocable, that these 300 pages have cost me. But here are a couple of stand-up tips. I am not sure if this can be done by the novice, but if I could go back and do stand-up differently, I would. The big problem, oddly enough, when a comedian performs, are the laughs. Stand-up comedy, as it is customarily produced, is a craft and not an art. Here is the reason. The stand-up comedian must create a ...
Question: I worked as a PA at a show of yours in Toronto. You were doing two shows that night and during the break a girl came to the stage door and when you came out she said (in front of half a dozen other fans, and myself who was holding the door for you) that she lived nearby and wanted to have sex with you before the next show started. You laughed and said thank you, and when you came back inside you told me this never happens. That was a few years ago. Does it happen a lot now?
Answer: haha. i remember that. are you female? Because the funny thing is I remember there was a young working woman standing there with a walkie on her hip as this kind of desperate (not uncute) young girls i...
I think one of the best things that's ever happened to my stand up is the podcast because now I no longer have any motivation to send a "message" in a joke form. I just want my shit to be funny. If I can make points and be funny at the same time, awesome. I'm all for it, but most importantly it has to be interesting and funny to me. I can explore ideas until the end of time on the podcast and never need it to be funny, but for me as a fan at least, the comedy that I truly enjoy is the comedy that makes me laugh the most. In the past comics didn't have something like a podcast where they could go into great depth about a fuck load of different subjects, so to get their ideas across and expres...
It's a tough question.
What we're talking about here is comics who are way too undeveloped on stage to be where they're at in their careers. The same thing happened with some of the roasts. It elevated features into headliners. That doesn't hurt standup, that just exposes audiences to standup who are less developed than they'd normally be exposed to.
On one hand, though, people leave those shows thinking the whole art form isn't that great. So that does hurt the perception of standup.
On the other hand, those people bring in new audiences to shows. People who would normally never have seen anything. And they'll then be fans of the craft and many will see other shows. So that's really grea...
I had stopped doing standup because it had stopped being fun, and the reason it stopped being fun was it was harder to write — and this is before the internet — it was harder to write new stuff. It had gotten so crazy. Like if I went to the club and tried out a bit, the next day it could be like “Oh I saw Eddie was onstage at the so-and-so and he said yada yada” and I’d be like “Man, I ain’t even finished that bit yet!” And it’d be people talking about it: “What’d you think of that new joke?” And it was like “What the f*ck?” And this was years ago it started, so it was like “ Maybe I’ll take a little break from stand-up.” And then the break got longer, then the whole Def Jam thing started wi...
The best part is standing on the stage with your comedy being able to turn a passive audience into an unruly mob. The worst part of standup comedy is the insane pressure on the spine and lower back from standing up for so many hundreds of hours.
Norm Macdonald