It takes 10 years to become funny, first of all. You don't start thinking about your voice until you REALLY realize that you're funny. I pretty much know who I am as a person, so that's why my voice is so real. Because I'm honest. It took me a long time to accept myself, people, and once I did, it was on and crackin.'
I do have advice. Fill a page every day with notes on possible sketches. Don't write 'em up yet...just make notes and try to expand on them. Then, the next day, look back at your notes and take a run at one of the sketch ideas. That distance can help, and too often young writers just dive in to writing a sketch (or feature, or spec tv show, etc) without first picking their best idea or taking the time to find the best angle in.
Question: how do you organize and develop your material and various jokes? Do you have notebooks full of detailed notes and jokes, or do you just sketch them out and wing it on stage?
Answer: I believe in detailed notes and jokes, and also winging it onstage. But, not for your first open mic. For your first open mic, my advice to you would be to make sure you have what you're gonna do memorized, to the point that one of your friends can gently slap you across the face, and you'll still be able to get it out of your mouth.
I never had a plan. I just sort've ambled along, doing exactly what I wanted every day of my life. It turned out well. I could easily be sleeping in a ditch now. I'd say always follow your passions. Even if you fail, you've had a great time trying.
I think moving to LA was huge for my career. For those young people, eventually you go to either NY or LA. Listen to your gut. If you're in NY and think it's where you should be, you should be there. Don't believe the crap about NY. LA isn't full of plastic or phony people. I've met some of the best people in LA. If you hang in and work your ass off, you'll one day pick your head up and have made progress.
Louis CK once told me to never let go of a bit. I tend to throw away a lot of ideas if they're not working, but now I think I'm going to go back to stuff I once believed in, and see if I still find it funny and can maybe re-shape it into something good.
Alright. Here would be my advice. Ok, I don't know how comedians start nowadays , right?
But what I would suggest is just start.
And once you start, you can't really stop, no matter what happens. No matter how bad it gets, no matter what people say. you know what I mean? Because comedy is weird like that.
You know why I hate watching other comedians do comedy? Not because I hate other comedians, but because I love comedy so much. Its like watching somebody else fuck your girl. And I say 'I fuck her better than that'.
i don't think standup is a place for networking or getting discovered too quickly. it's really something you need to spend a lot of time on before getting good, and it's a good idea to hold off before exposing people to your work. there are a couple of times when it felt like a break, but you can't tell a break when it happens to you. you just hope people see your work and like it. And keep doing it. About 4 years into comedy is when i got filed from my mail-sorting job and relied on comedy. it still feels like a frightening risk.
1 get on stage as much as you can 2 do the comedy that would make YOU laugh 3 ask yourself WHEN would i laugh if i was listening to myself? if the answer is "i don't know" then neither will the audience 4 hang with people who don't tear you down or break your spirit 5 listen to the greats, let them influence you, then shed them when you find your voice 6 don't be a dick!
I started when i was 17. I got a good head start, skill-building wise, but I sometimes think I missed out on a lot of “Life” that I could be drawing from now. Try to go to college and get some knowlege. If you don’t do that, make a deliberate attempt to read a lot and educate yourself, so that you don’t just become a siv for American pop culture.
If you spend all your time on stage talking about the cover of People magazine, you won’t go far, you won’t last, and you’ll be bored before you get good. Take advantage of the head start you’re giving yourself by stopping as often as possible to live your life, explore America and grow as a person.
When you go to some shit town to do a one-nighte...
A lot of people want to get into comedy and talk about it, but you don’t realize the first step to getting into comedy is actually going to do it. You can’t do things that you don’t put actions behind. So sit down, take a piece of paper, write out your thoughts and then go to an amateur night and try them. If it doesn’t go well, see what worked, what didn’t work and go back and try it again. But don’t be a talker, be a doer.
Well, it didn't seem like I had much of a choice. I don't think that - you know, I don't think that my hand would have cooperated with my brain if my brain was telling my hand to write something it didn't really want to write. But I remember when there was some interference from NBC with "Seinfeld" when we first started doing it. And fortunately I didn't have a family at the time. So it's - it was very easy for me to say to them, no, I'm quitting; I'm not going to do that. I don't want to do that, and I can't do it.
And for me, it wasn't a big deal to just pack up and go home. Like I said, I hadn't - I didn't have a family. It's much harder. That's the first piece of advice I'll give anybod...
getting paid does NOT make you any better at standup, trust me. i wish it did. it's all about getting as much stage time as possible. it took me 2 years - my first gig, i got paid $20 and i drove 8 hours to do it. worth it.
advice: get onstage, however possible. there are no shortcuts. you need to put in the time.
That guy, when I was in my early 20s, he’s not listening to advice…. [There’s] this story I’ve told before: I might have been about 18, and I was playing the Fort Lauderdale Comic Strip, and Rodney Dangerfield shows up. And he bumps everybody. So I go, “Mr. Dangerfield, can you stay and watch my act?” He’s like, “Uh, yeah, sure, kid.” So he does his show [and] I go up after Dangerfield—everybody’s scared to go up. And I fucking killed after Dangerfield, right? Then I came backstage and was like, “Hey, what did you think?” And Rodney was like, “Eh, I don’t know, kid, you talk that language, where are you going to go with that, talking about race stuff?” I was just shattered! Rodney had just s...
If you want to do stand up, just do it.
Broad City is fun and I'm excited for the second season.
Eric Andre is weird and talented and the show is insane and not for everyone .
Chozen is one of the easiest jobs that I have in my life.
I developed my delivery through trial and error and performing over and over.
I will destroy you in NBA 2k14
All is Lost Starring Robert Redford is not a good movie
Good comedians to check out Lil B, Don Rickles Michael Che, Jerrod Carmichael, Sean Patton, W. Kamau Bell, Bridget Everett, Nick Vatterott, Jon Laster, Kara Klenk
To all of you that didn't have a question and just wanted to say something nice, thank you.
I got started in comedy writing because i would write serious things and people laughed. My advice is growing up exactly like me with my brain and body.
Colin Quinn