Question: how do you organize and develop your material and various jokes? Do you have notebooks full of detailed notes and jokes, or do you just sketch them out and wing it on stage?
Answer: I believe in detailed notes and jokes, and also winging it onstage. But, not for your first open mic. For your first open mic, my advice to you would be to make sure you have what you're gonna do memorized, to the point that one of your friends can gently slap you across the face, and you'll still be able to get it out of your mouth.
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I wish I could. i have a lot of journals with one page half written in.
I sometimes will write myself a quick email on my bb when I think of something.
I don’t go, “I’m gonna write a joke.” I just go through the world and see stuff. It’s like I exercised the part of my mind of noticing things, to the point where I’m now noticing things without even trying to notice them.
Q: The greatest comedic novels (Don Quixote, Tristram Shandy, Pale Fire, Based on a True Story) all make heavy use of metafictional elements. I'm leaving out A Confederacy of Dunces because I hated that book. Anyway, were you consciously drawing upon that tradition in BoaTS? Or did the story you wanted to tell naturally take you in the direction of metafiction? I ask because you have claimed to hate meta.
A: I love all those books. I do hate meta but I was forced into by the scriptures of convention. I was hired to write a memoir, but secretly wrote a novel so I had to use the techniques of meta to mask it. I did it so well the New York Times called it a nonfiction.
The best thing you can do is write, write, write, and write. And read. A lot. And fail. The more you fail the better you'll get. At SNL you could have an amazing show and then just BOMB the following Wednesday at the table read. Stay tough. Don't compare yourself to other people. Just follow your path and have fun.
They were all fun for different reasons. Sometimes when writing the history of UCB or the times at SNL were fun, because they reminded me of all those stories, and I would start laughing thinking of all the ridiculous people I surrounded myself with. I was just texting with Fred Armisen, and telling him that i wrote nice things about him int he book, and he was very touched, and then I reminded him that his lawyers made me do it, and I said "His lawyers will sue you if you don't write nice things about him in your book."
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Intuition mostly. I trust the writers I work with and my own instincts. If we all feel like something is hilarious or fresh, I have to assume it is. And those are the things that tend to be well received.
I can't sit down and write jokes. I just flows in from some maddeningly elusive place. Believe me if i had an alaska in my brain i would drill baby drill and I'd cum right on Sarah's back while I was there.
I wish I could. i have a lot of journals with one page half written in.
I sometimes will write myself a quick email on my bb when I think of something.
The funny thing about the sandwich bit, is it is only getting recognized now on Youtube. It was basically a throwaway bit that many people never saw until now. We actually used to do that when we were kids. Skating and hungry we would get three meals for the price of one by simply piling on tomatoes and pickles forever. Watch all the old bits on tomgreen.com
Dan had the idea. He liked the idea of a guy who took the time to look ridiculous and then having the guy hating being called ridiculous.
It comes to me. Part of my leaving the media on all day is a way of…my mind has trained itself to have a very sensitive system of radar about certain words, expressions, topics, and areas of discussion that come up. There are things that interest me more than others, and then there are things that jump out. There’s one thing I learned about the mind as a young man, when I quit school. I read a book - half of it, anyway - called Psycho-Cybernetics. The author said that the brain is a goal-seeking and problem-solving machine, and if you put into it the parameters of what it is you need or want or expect, and you feed it, it will do a lot of work without you even noticing. Because the brain doe...
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Alright. Here would be my advice. Ok, I don't know how comedians start nowadays , right?
But what I would suggest is just start.
And once you start, you can't really stop, no matter what happens. No matter how bad it gets, no matter what people say. you know what I mean? Because comedy is weird like that.
You know why I hate watching other comedians do comedy? Not because I hate other comedians, but because I love comedy so much. Its like watching somebody else fuck your girl. And I say 'I fuck her better than that'.
I got started in comedy writing because i would write serious things and people laughed. My advice is growing up exactly like me with my brain and body.
I can't help you at all. The only road to good shows is bad ones. Just go start having a bad time and if you don't give up you will get better.
The advice we always give to anyone is, if you want to make comedy or any other kind of film, or TV, or whatever you're interested in, the best advice we can give is to just start doing it, and don't wait to have people give you permission to do it, or wait for huge budgets, or huge crews. You can shoot on your phone now, and edit on your laptop, and start getting whatever is your style is, going. And that seems to work really well for people.
I think moving to LA was huge for my career. For those young people, eventually you go to either NY or LA. Listen to your gut. If you're in NY and think it's where you should be, you should be there. Don't believe the crap about NY. LA isn't full of plastic or phony people. I've met some of the best people in LA. If you hang in and work your ass off, you'll one day pick your head up and have made progress.
I do have advice. Fill a page every day with notes on possible sketches. Don't write 'em up yet...just make notes and try to expand on them. Then, the next day, look back at your notes and take a run at one of the sketch ideas. That distance can help, and too often young writers just dive in to writing a sketch (or feature, or spec tv show, etc) without first picking their best idea or taking the time to find the best angle in.
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