Best advice was when I asked Paul Reiser, "How do you get started in comedy?" I asked him that when I was in college. He said, "Well. You've just got to do it."
Related posts tagged 'Advice for aspiring comedians'
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Related posts tagged 'Advice for aspiring comedians'
Start a show. Host the show. at a bar or any space. then you have guaranteed stage time and you do other comics favors by giving them spots so then they will give you spots on their shows. also hang out a lot at comedy clubs.
The thing I try to remember with hecklers is just to take my time and listen to them. I believe it was Chappelle who said, "A heckler's first punch is their best punch." They're generally not clever people. You don't see a lot of scientists going to comedy clubs and heckling. They're just drunk. And mostly women. So you just have to take your time and then eviscerate them.
Find other people who make you laugh and spend as much time with them as you can. They'll make you better and keep you motivated.
You will probably be copying something you think is cool. At first, I was just trying to be loud. My early stand-up was stupid and goofy and loud. A little immature. At 21, you think you know a lot of things. At 25, you think you know a lot of things. At 46, you think you know a lot of things. Turns out, you never know anything.
I think moving to LA was huge for my career. For those young people, eventually you go to either NY or LA. Listen to your gut. If you're in NY and think it's where you should be, you should be there. Don't believe the crap about NY. LA isn't full of plastic or phony people. I've met some of the best people in LA. If you hang in and work your ass off, you'll one day pick your head up and have made progress.
i don't think standup is a place for networking or getting discovered too quickly. it's really something you need to spend a lot of time on before getting good, and it's a good idea to hold off before exposing people to your work. there are a couple of times when it felt like a break, but you can't tell a break when it happens to you. you just hope people see your work and like it. And keep doing it. About 4 years into comedy is when i got filed from my mail-sorting job and relied on comedy. it still feels like a frightening risk.
Finish them! DOn't be the guy that writes half a script. Write a full script or make a film and post it! you have so many cool avenues these days! But no matter what, finish! Even if it's bad, then you have something finished to work off of and show others and get their thougths! Finish, then show others and take their precious free thougths!
Tell your life stories and add the jokes in. You will be original. All you have in stand up is you and the way you view things.
stop fuckin around. just get on stage. there's nothing else to do if you want to do stand up. you need to get on stage. figure that out and the rest will follow.
First of all, sit your parents down, and tell them that you want to be paid for something the rest of your life that you have passion for. And tell them, "Let's make a deal. If this doesn't work for the first five years, then I'll go and be a doctor." That's kind of like the deal I had with my dad, because I was on full athletic scholarship, and I wanted to quit to become a comedian. Basically... I just quit and became a comedian and he didn't approve. But he DID approve after he saw how funny I was.
In saying that, if you want to be a writer, then concentrate on being a writer. If you want to be an actor, concentrate on being an actor, because they're two different things. I got hired as a...
Alright. Here would be my advice. Ok, I don't know how comedians start nowadays , right?
But what I would suggest is just start.
And once you start, you can't really stop, no matter what happens. No matter how bad it gets, no matter what people say. you know what I mean? Because comedy is weird like that.
You know why I hate watching other comedians do comedy? Not because I hate other comedians, but because I love comedy so much. Its like watching somebody else fuck your girl. And I say 'I fuck her better than that'.
Well, it didn't seem like I had much of a choice. I don't think that - you know, I don't think that my hand would have cooperated with my brain if my brain was telling my hand to write something it didn't really want to write. But I remember when there was some interference from NBC with "Seinfeld" when we first started doing it. And fortunately I didn't have a family at the time. So it's - it was very easy for me to say to them, no, I'm quitting; I'm not going to do that. I don't want to do that, and I can't do it.
And for me, it wasn't a big deal to just pack up and go home. Like I said, I hadn't - I didn't have a family. It's much harder. That's the first piece of advice I'll give anybod...
Go to the open mic and befriend whoever intimidates you the most and just work as hard as they do. It’s what helped me. I always had this group of people I could call and be like, should I stay at home and write? And they’d be like, you’re bullshitting yourself. Stop avoiding it and go to the mic.
The advice we always give to anyone is, if you want to make comedy or any other kind of film, or TV, or whatever you're interested in, the best advice we can give is to just start doing it, and don't wait to have people give you permission to do it, or wait for huge budgets, or huge crews. You can shoot on your phone now, and edit on your laptop, and start getting whatever is your style is, going. And that seems to work really well for people.
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