Biggest influence on her acting career

Emma Thompson. Writer performers, in general.

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Related posts tagged 'Acting'

Doing these other things [in art school] was a release, and I think it made me a better actor. Because when I was only acting, I was trying to do all of these things as an actor. I was on my own mission. I was acting for myself — to do a great performance for me, not for the movie. But that’s not my job as an actor. My job as an actor is to help the director achieve his or her vision. As soon as I got to direct my own films or escape the film world and into these other realms, when I came back to the film world, I could be pure about it. I don’t think my performance in Spring Breakers could’ve happened if I didn’t do all this other stuff. I couldn’t have lent myself to that if I didn’t have...
It's a challenge. From the first time I played the role I was amazed at the amount of talking the character does, and in order to know those speeches I have learned about reading them over and over and deconstructing them a little, something most comic sketches do not require. But it's very rewarding. A character like Cal Mackenzie Goldberg who I play in "Let's Do This!" (please do check it out on Adult Swim.com) is a more heightened character who I can improvise in. Saul takes some contemplation.

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Well, we didn't part well. I was sort of ambitious thinking that I could hire someone that had the intelligence to do a job but didn't have necessarily speech or couldn't quite hear or spoke in sign language. She was a bright person and witty but she had never been away from her home before and even though I tried to accommodate more than I understood when I first hired her, she was very young in her emotional self and the emotional component of being away from her home was lacking. I tried my best, but I was working all day. She was lovely and very smart, but there's a lot of frustration when you meet people who can't speak well. Being completely disabled in that area causes a great amount ...
NO I do not improvise on the set of Breaking Bad. I don't need to. I approach it as a classically trained actor. I watch James Lipton interview someone, then I read the script, then I memorize the script, then I watch more James Lipton, then I put my make-ups on, then I take them off, then I act my pants off. Then, in post, they put pants back on me. The expense of putting pants back on me in post is killing the show. Send me pants, save Breaking Bad!

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I tried not to ever think of it as replacing Steve Carell. No character or person is replaceable. Everyone is different and we all bring our own set of strengths, skills, and foibles to the table. That mindset was really liberating and allowed me to focus simply on Andy and how he, as a character, would adjust to the new job. And that was definitely a big challenge. But a really fun and exciting one.
I had a good time working on Dogma, with Kevin and the guys. The only thing I remember about it was being naked for a LOOONG time on the ground... I fall out of the sky naked, so...
We have a zero tolerance policy. If the kids or their parents aren't cool with what we do then they can't work on the show. Not trying to be dicks or anything, but we put it out there so we don't have to watch our mouths at all. You'd be surprised at how cool most people are.

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You may find out about my experiences on There Will Be Blood via my hilarious standup special LABORING UNDER DELUSIONS or Matt Gourley's amazing podcast I WAS THERE TOO.
BLACK SWAN used to be the most physically demanding part I'd ever done, until JUPITER ASCENDING. We trained for 3 months before production, and I learned how to be in en pointe, and how to be a ballerina. And then for JUPITER, you do maximum amounts of wirework training every day. So for BLACK SWAN, I trained by dancing every day for 3 months, and learning how to get en pointe in 3 months. Ultimately, it was all about learning how to pretend to be a ballerina. And I mimicked my ballet instructor more than anything.

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The scripts is one of the greatest conceptual scripts I've ever seen. It's a script that was so unique, so original, and yet it got not acclaim. To me it was no question that it was the greatest script of the year. To this day people are talking about it, but they forget no one paid any attention to it at the time. The execution of the script, there were great people in it. It was a difficult movie to shoot because we shot in winter outdoors. If you ever get to go to Puxatawney, you should go, it is one of the few things that is BETTER than advertised. It's really something to see. But doing the movie, shooting the scenes over and over, it's like an acting challenge. It's like doing a play a...
I think I am sometimes a poster child for arrested development in terms of I'm fascinated with toys and games. And I'm spontaneous. But no food fights. I'm gluten free. No, not really.

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someone asked "what movie was the most fun to act in" and deleted their comment, so here goes: Well, I did a film with Jim Jarmusch called Broken Flowers, but I really enjoyed that movie. I enjoyed the script that he wrote. He asked me if I could do a movie, and I said "I gotta stay home, but if you make a movie that i could shoot within one hour of my house, I'll do it." So he found those locations. And I did the movie. And when it was done, I thought "this movie is so good, I thought I should stop." I didn't think I could do any better than Broken Flowers, it's a film that is completely realized, and beautiful, and I thought I had done all I could do to it as an actor. And then 6-7 mont...

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Absolutely. Weirder still was that my brain, slowly bleeding from a minor hemorrhage caused by an AVM (different from an AMA) was causing me to go insane, so that added to the madness. You truly don't even question your sanity when you are losing it. It's such a bizarre thing....
My brother Brian was my first great influence. He made much of what I am possible. To this day, if I have a question about something ethical or about being an actor or entertainer or a person or something like that, he's a person who helped form me. Shooting scenes with him is delightful. The idea that the two of us get to entertain is a kick.

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That every moment in life is precious? That the gifts of your relationships with others, don't miss it. That was one of the hardest movies I think I ever did in my whole career. Every day was literally hell, because of the nature of the subject matter, dealing with death and being in hell literally. When I watched the final movie, I felt it was extraordinarily beautiful but I felt disappointed by the ending. There was a different ending that they shot that I felt was much more true to the story. It was about reincarnation, basically, that they were going to meet again. The movie ended with two babies being born simultaneously, one in Bombay and one in the United States, and they held them up...
It's hard to pick, it's like saying pick your favorite child, I can't. I like doing both comedies and dramas, so it's very difficult to say which one I prefer. I've been very blessed to have had the chance to explore such a variety of characters.

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And how was it making out with Natalie? I mean... when you have a kissing scene in a film it's not something you think about as a kissing thing. You have all these crew around. But she's a lovely kisser, very polite. But here's a little-known fact: there's one person in the world that both Ashton and I have kissed, and that's Natalie Portman.
I think playing Oliver Sachs in Awakenings was a gift because I got to meet him, and got to explore the human brain from the inside out. Because Oliver writes about human behavior subjectively and that for me was the beginning of a fascination with human behavior.