Oh yeah. The thing is, you’re so scared, but every day you’re just dreaming of doing Conan or doing a special on Comedy Central, so when it comes, it’s terrifying but great. You know, as a guy you’re scared to have sex but you want it so bad, you do it. Also, as a comic, you realize how hard getting on TV is, that you’re not going to pass it up out of fear. When you’re at Conan behind the curtain waiting to go out, and they pull it open and say ‘you ready?’ you see the lights, the crowd—it’s crazy.
no you just have to have the fright and do it anyway. avoiding it is rational and smart. if you have a competing desire then you'll overcome the fear. but the fear aint going anywhere.
I used to have terrible stage fright, the best way to get over it is to just get onstage so much that it becomes second nature and not at all a big deal.
I was about to interview him at the Open Your Heart In Paradise retreat in Hawaii in front of the entire retreat. We were back stage and he looked up at me and smiled and I said "I'm so nervous!!!" and he said "Me too!!!!!!!" and we laughed and it was just the best. I miss him so much!
You have to really want it and/or believe deep down you can do it. And/or hit rock bottom with your alternate career choice. I was coming apart at college, sucking as a predental student, and I heard about a standup contest. I wrote an act and went for it, and if I had bombed I may have given up right then. Fortunately I won and the validation made me unstoppable, as far as knowing what I wanted to do from then on. Not that unfamiliar a story, insecure actor/writer is self-effacing, scared to assert himself, gets a little success and shifts in animal mode.
I don't know how badly you want to do this for a living, but if you do, go for it hard, take chances, and if you're not as lucky early o...
I do get nervous. And that's not a bad thing. What I try to do (and this sounds very cheesy, but it's helpful) is to acknowledge my fear, and then it doesn't dominate me.
I do get nervous. And that's not a bad thing. What I try to do (and this sounds very cheesy, but it's helpful) is to acknowledge my fear, and then it doesn't dominate me.
The first minute with Frank Sinatra - Jackie Gleason had arranged the interview for me, I was nervous. It was the first time I was nervous. But I got over it in a minute. And Frank eventually became a friend.
I was about to interview him at the Open Your Heart In Paradise retreat in Hawaii in front of the entire retreat. We were back stage and he looked up at me and smiled and I said "I'm so nervous!!!" and he said "Me too!!!!!!!" and we laughed and it was just the best. I miss him so much!
I think in the presence of a monster I get a little nervous, I think that's natural. To be humbled by someone who is "better" than you. I'm sure I make other comics nervous but all they have to do is say hi and be cool and I'll be cool. I should remember my own advice.
One time at some old theatre somewhere I was holding a dude's phone to read his text messages and it slipped from my hand and fell through a crack in the floor and went into some deep, deep basement and broke. (I bought him a new phone).
It’s a weird balance of listening to yourself, so you can kind of be driving the car, but also listening to the audience so you can also see the road. Whenever I have a bad set it’s usually because I’m not doing one of those things at all. I’m either not paying attention to the crowd or I was over-confident with what I was going to do. Whenever there’s a night where I’m dialed in and I have the most fun, it’s usually because I’m right fifty-fifty on listening to the crowd and myself.
It was pretty crazy. I already had a whole rhythm to my week as a writer, so it took a while to change it up and focus more on performing than on writing. Here's what helped a ton: Rob Klein and Bryan Tucker took over most of the Head Writer job and they're two of the funniest writers I've ever met. Rob and Bryan and I write a lot together for the show. Also Dennis McNicholas who used to be one of the head writers with Tina Fey and Adam McKay started producing WU last year and that was awesome. And our WU writers are the best and made our jobs a lot more fun: Pete Schultz (Leslie calls him "Franklin), Josh Patten (Leslie calls him "Clarence"), Katie Rich (Leslie calls her "Rachel"), and Mega...
It was my first sketch I did on SNL. It was mind-boggling because you had two conversations going at the same time and it was SNL and it was live and oh, please don't remind me...
I’ve definitely seen some crazy shit. I saw this one show where a guy goes up and somehow picks himself up in a plastic garbage bag. It was so upsetting. I’ve also seen a guy in L.A. jump up and land on thumbtacks. Someone from Chicago, Ian Abramson, did sort of break the mold of a stand-up comic—he found himself performing on Conan, and he did his bit where he wears a shock collar.
I started to take improv classes with Washington Improv Theater at the exact same time I started going around to open mics in DC to watch and if lucky perform. Took about a month of watching before I really got to get on the microphone at any of the shows. So that month of foundations of improv learning with the great Dave Johnson really influenced my approach to standup. Not that I wanted to get up and improvise but the moments of not being funny on stage was easier to cope with after having learned to relax and build from nothing in class.
I think just reminding myself to quit thinking that there’s some kind of perfect show to capture; to remind myself constantly that it is comedy and mistakes are funny. Anything that is too perfect—it kind of becomes too sterile and then it does not feel genuine. If it doesn’t feel genuine then there’s no possible way people are going to feel they saw you.
Todd Barry