I like making short films. You can do anything you want in a short film because it doesn’t have the weight of a feature [film] where every moment has to serve the entire film.
If you have a weird little idea you can just go out and make a short film about it and people can watch it for a short time and then move on to whatever the next thing is they’re doing in their lives.
So I just always encourage people to make short films because it’s the one thing in film that you can always do. There are people laying all over the streets who are great and qualified and talented filmmakers, directors of photography and editors who have nothing to do and they are always eager to jump on a project wit...
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Related posts tagged 'Filmmaking'
It was a joy. I didn't have to deal with any of the pressures and anxieties that I'm sure are a constant over there. Stepping off an elevator into a lobby with a giant MARVEL logo is already insane, it feels like you're being brought into the Pentagon. Then to finally meet the mucky mucks over there like Kevin Feige was so refreshing and uplifting....I've been pitching and babbling about high concept stuff for twenty years and I'd gotten so used to this dichotomy of the "suits," who loved sports and couldn't wait to leave work and who barely cared about the medium, versus the writers, who were the only nerds on a movie, constantly irritating the suits with their logical points about the orig...
Sorry no actual update. I've heard for years there's a movie being developed, but never from anyone actually connected with it. Personally I love the movies, that character, and all the people involved. It's some of the most fun I've had, and most the most widely received movie I've been a part of. Not sure Mike is really looking to make a new one, but I'm sure if he did, everyone would show up for it.
I love the new movie and can't wait for the second part. That book is a favorite of mine, and King one of my favorite authors. It was a really big deal for me to get that role, and insane to get to work with all those stars. I'd loved both Tim Curry and John Ritter for years, and taken tremendous influence from their careers and performances. Everyone was so cool and gracious- it really set a tone of epic collaboration. The director Tommy Lee Wallace was so clear in his vision, and really able to communicate. It showed me a lot about what a director can and should be.
Every time Burt said ‘Neverthless,’ I kept noticing something was happening to Ricky’s face. I said ‘What’s going on?’
And he said, ‘I can’t… I’m suppressing laughter when he says Nevertheless.’
I asked why, and he told me this great story, of being at a football game where this woman is being introduced to sing the national anthem, and her name is Helen Forrest or whatever it is. And the announcer says, ‘And now to sing the National Anthem, Helen Forrest.’
And somebody in the stands screams, ‘HELEN FORREST SUCKS COCK.’
And the announcer [without missing a beat] says, ‘Nevertheless…’
I like the very moment when you think of a great idea. I also like the first time you show an audience the film, but only if it works. That also can be the worst moment of your life.
Chris was always doing that bit to me at work. We shared an office, and you had to walk through our office to get to Chris Rock & Adam Sandler's office, so these 2 microscopic offices were back to back, and Chris' desk was behind mine, and he didn't really know how to write, or read, really (kidding!) but he would come in bored, because I would have to write my sketches to try to get on but they would always let him on, so he would get behind me and be bored, everyone would write him sketches, and he would say "Davey… turn around" and I said "if this is Fat Guy in a Little Coat I'm not turning around, it's not funny anymore." And he would say "no, i've got a whole new thing I'm doing."
And ...
When you do a movie, and you use a song, or a band, or an image on a t-shirt of a band, there's a quiet clause stating that you can't say anything negative about them. And it's sort of just understood if they're selling you a song, or letting you use a t-shirt, you're going to be respectful. So that line was not in the script, but I asked Kid Rock to yell it to me when I ran off, so I could make an extra whimper, like that was a real dagger. And so when we did it, we couldn't put it in the movie yet until I talked to Def Leppard's manager to make sure that was okay. So I called someone, cuz we originally couldn't put it in, and said "hey, is there any way we can do this" and i had to explain...
It was a blast. First movie I ever did. Major memories: Danny McBride and I watching the Tyra Banks Show at lunch everyday and the stuntman breaking his leg for real in the opening scene!
As I move through time, things change. I change, the world changes, the way the world sees me changes. I age, I fail, I succeed, I am lost. I have a moment of calm. The remnants of who I have been, however, hover, embarrass me, depress me, make me wistful. The inkling of who I will be depresses me, makes me hopeful, scares me, and embarrasses me. And here I stand at this crossroads, always embarrassed, wistful, depressed, angry, longing, looking back, looking forward.
I may make a decision and move from that crossroads, at which point I find myself instantly at another crossroads. Therefore there is only movement. A screenplay is movement. It is written in time and expresses a passage of ti...
Tommy Wiseau is the master rewriter of history, because when he was making The Room I think he was completely sincere. He was aiming for [Marlon] Brando and James Dean and came out with something completely different. But when he realized that people were laughing at his film, he then rewrote his whole script [of his life]. ... He came out and said, "Oh, I intended it to be comedy." Whereas, in fact, he had kept it in theaters — on his own dime — for two weeks to qualify for the Oscars.
The scripts is one of the greatest conceptual scripts I've ever seen. It's a script that was so unique, so original, and yet it got not acclaim. To me it was no question that it was the greatest script of the year. To this day people are talking about it, but they forget no one paid any attention to it at the time. The execution of the script, there were great people in it. It was a difficult movie to shoot because we shot in winter outdoors. If you ever get to go to Puxatawney, you should go, it is one of the few things that is BETTER than advertised. It's really something to see. But doing the movie, shooting the scenes over and over, it's like an acting challenge. It's like doing a play a...
It was incredible. The most exciting condensed period of my life and I can't imagine I'll ever do anything more exciting and I'm actually fine with that -- I don't know what could top that fantasy-camp of a filmmaking experience. The only stressful part was when we'd all go out drinking after a day on set, and I'd ask Quentin Tarantino a question, and he'd start to answer, and I'd feel this enormous pressure to REMEMBER EVERY SINGLE SYLLABLE because film history was literally being dictated to my brain, and I was the only witness, and I was two drinks in and feared I wasn't going to remember a sentence that a friend or historian would ask me for someday. It was the coolest thing ever, quite ...
Well probably the most horrifying thing was that there was something called Nero Edict that was distributed by the Fuhrer, Hitler, which said that if the Reich should fall, or if Hitler was killed or taken, that all the art that was stolen should be destroyed. And a fair amount of the art was burned, things were burned that will never be returned, a lot was burned even before the Nero Edict because of the modern art, that was degenerate.
In the hunt for the art, they found hidden in the salt mines where the art was hidden, they found the ENTIRE gold supply of Germany.
ENTIRE. Like they had moved their gold, their Fort Knox, into a mine, and this small group of guys searching for art in a m...
when i did pootie tang i signed a deal that i served at their pleasure and had no creative control. It was worth it because I got to direct a studio movie at a young age and I learned. I don't sign deals like that anymore though.
No, it’s not. There are so many pitfalls when a movie comes out that it’s hard to enjoy it when it comes out. Obviously if a movie does well and is critically well received I like it, but I’m so needful of it, that kind of response that it doesn’t feel good. It just feels less bad, you know? Because it feels really bad when people say mean things. Really, it feels bad. And I kind of wish that it didn’t, but it does for me.
Finish them! DOn't be the guy that writes half a script. Write a full script or make a film and post it! you have so many cool avenues these days! But no matter what, finish! Even if it's bad, then you have something finished to work off of and show others and get their thougths! Finish, then show others and take their precious free thougths!
He goes, "Yeah, I approve, 99.9 percent." And I'm like, "Wow, and what's the 0.1 percent?" And you think he's going to say, "You know, I never said that," or whatever, and he goes — director to director — he goes, "Yeah, James, I think you should look at lighting in the beginning of [the] movie." And I'm like, "Oh man, I'll tell my cinematographer to watch The Room for pointers."
But then we realize only later that he had been wearing his shades through the whole movie, so it's like, "Yeah, of course the lighting is off." ...
I realized in that screening ... when [the audience was] cheering for him, they were cheering his story. They were cheering him on and the will it took to get his mov...
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