On the bit where he would go to a subway and continuously order toppings for a sandwich

The funny thing about the sandwich bit, is it is only getting recognized now on Youtube. It was basically a throwaway bit that many people never saw until now. We actually used to do that when we were kids. Skating and hungry we would get three meals for the price of one by simply piling on tomatoes and pickles forever. Watch all the old bits on tomgreen.com

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Related posts tagged 'Coming up with ideas'

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Related posts tagged 'Coming up with ideas'

All of my jokes happened to me. Sometimes I will change details (names or where I saw something happen - saying "someone I dated" instead of "my current boyfriend" etc) to protect people I have relationships with but the material is true.
That would be me, Robert, when I was EPing Dana Carvey's prime time variety show in 1996. We wanted to to do cartoons on the show, and pretty much anything that make it feel different than SNL. The great writer and deviant Dino Stamatopoulos pitched me something entirely different - what if characters like Wallace and Gromit were clearly having a sexual relationship? I didn't know much about what would be acceptable to the ABC audience watching after Home Improvement but I correctly identified that as unacceptable. Anyway, for some reason, the AGD idea just came to me at the end of that conversation. What if we did two superheroes and everyone suspects they're gay? It was always more about t...
There's no rhyme or reason. I take an idea or story and write it or try it on stage. I'll remember what worked and try to fix what didn't. The length of time varies based on the bit.
i usually just think of one funny grain of the character's identity and let it build from there. with hoho, for instance, i just wanted to be an elf who delivers toys to naughty kids.
Yes I do. I'm constantly talking to my phone. Whenever an idea occurs. Sometimes I don't say enough. I'll dictate "large coffee cup" and have no idea of what I thought was funny about that subject.
Ideas exist outside of man. And drift into one's consciousness if one allows it. None of these ideas are mine, I only take them from the ether and put them back out in a more solid form.
I like the very moment when you think of a great idea. I also like the first time you show an audience the film, but only if it works. That also can be the worst moment of your life.
I try to sit down and write, but I don't do that a lot. I tend to think of an idea, then work it out on stage. But I should do more homework.
Those New No-No's come from such a deep dark angry place within me that I can just access it on the spot. J/K!!! I usually search on the internet for gripes people have and then I'll write a few words on some paper and go from there. So definitely not off the dome. But it's fun to keep things open and loose though cuz Scott is so fun to goof around with
Intuition mostly. I trust the writers I work with and my own instincts. If we all feel like something is hilarious or fresh, I have to assume it is. And those are the things that tend to be well received.
And you look at it, go, 'I don't see a dinosaur. I don't see a dinosaur. I don't see a dinosaur. Oh! Oh I see it.' That's what jokes are like. You look at life. You look at it the same way everybody else does. But for a comedian, every once in a while you see a dinosaur. You see a joke. You go: 'Hey, there's a joke there.'
Question: how do you organize and develop your material and various jokes? Do you have notebooks full of detailed notes and jokes, or do you just sketch them out and wing it on stage? Answer: I believe in detailed notes and jokes, and also winging it onstage. But, not for your first open mic. For your first open mic, my advice to you would be to make sure you have what you're gonna do memorized, to the point that one of your friends can gently slap you across the face, and you'll still be able to get it out of your mouth.
From a drunken Scottish friend. I think his idea was "What the fuck is that sport" and I just took it from there. I don't play. I was once at a driving range with my son, I hit 2 balls, and he said "Dad, that's enough."
I come up with a few bits on TEAS a lot of the time, those are my genuine reactions to what's happening. He does some weird stuff on that show and it throws me off sometimes.
It’s just a series of steps that take place haphazardly. The file cabinet contains most of the things that are sort of in waiting, ready to be transformed into a usable language, you know? That’s the holding pen. The observations keep coming and the comparisons that the observations represent that are, you know you have a world view and it’s like your matrix and so, when you see things happen, you’re comparing those things to what you already know and how you already feel. That produces your impression. So those are things I write down, those impressions that I get from the world. So, some of them are in half form states, some of them are just ideas, just highlight, the key words, patterns, ...
I think everyone gets tired of who they are, or their own brains sometimes. I think the important thing is to keep pushing through into unexplored territories - new ways to express ideas or new jokes. that's when I feel really good- hitting on something new.
It comes to me. Part of my leaving the media on all day is a way of…my mind has trained itself to have a very sensitive system of radar about certain words, expressions, topics, and areas of discussion that come up. There are things that interest me more than others, and then there are things that jump out. There’s one thing I learned about the mind as a young man, when I quit school. I read a book - half of it, anyway - called Psycho-Cybernetics. The author said that the brain is a goal-seeking and problem-solving machine, and if you put into it the parameters of what it is you need or want or expect, and you feed it, it will do a lot of work without you even noticing. Because the brain doe...