I have full control. Sure, there are limits to the format I've chosen, but I think brilliant stuff comes out of working with limitations. One liners are very limiting, but that's what drew me to them in the first place.

when i did pootie tang i signed a deal that i served at their pleasure and had no creative control. It was worth it because I got to direct a studio movie at a young age and I learned. I don't sign deals like that anymore though.

a lot of them stay which is weird. why would you stay. it's a fucking nightmare in there

The Christmas episode where Michael asked Kevin to sit on his lap, and Steve had to pretend to be crushed under his weight. I think I'm laughing on camera.

Adrian Brody. Met him at a party afterward as he was not amused.

It was amazing fun. I discovered Louie online and cast him in The Invention of Lying. We became great friends and he returned the favour by letting me work on his first series of Louie. He said I could ad lib , so what was I meant to do but insult the big, fat, sweaty, bald, ginger slob? [I love him]

Question: You come from a very affluent family – are you a reformed “rich dick” or are those characters informed by people you went to school with? Or both? Or neither? Answer: All of my characters are informed by who I am and people that I've come into contact with, as well as everyone else involved in making the show - like in the case of Rich Dicks, John Daly and people that he knew.

It might be surprising but keeping a straight face in many of the situations we get into on the show is quite difficult for me. I began to realize that I'll sometimes do this thing where I act like I'm picking a piece of food out of my back teeth to cover the fact that I'm smiling. Then if I can't get it together within a few seconds, I might ask for some dental floss or something because I've clearly been picking at this tooth for 20 seconds or so. Some moments that stand out off the top of my head would be the Gas Station episode where the owner told me that he drinks his grandson's urine to ward off fear. I often laugh when I feel uncomfortable too, so I remember having to turn my head a...[Read more]

Yes. I think it was a really great final episode, and I love that the final episode acknowledged the impact that the documentary crew had on everyone's lives, and also continued the story with the characters. And on a personal level I loved that Ryan literally ran off into the sunset with Kelly -- but abandoned a baby in order to do so. So funny and dark and happy perfect. Greg Daniels deserves all the credit in the world for wrapping up the series the way he started it out.

yes but then we go hard and i'll attempt to take a shit on the desk.

Being on Curb was the most fun I've ever had other than watching my twin boys clown around for me. It was like comedy fantasy camp. Larry David is another mega-hero for me. I auditioned and got cast as Yari, the vaguely foreign softball coach/mechanic. But I didn't know until I showed up for the shoot that they wanted me to do a speech to the team. So I asked Larry Charles, the director, if it's okay to curse. And he gave me the answer I wanted to hear. So I had about ten minutes to write a couple of things down that made me laugh. Then we shot it and Larry didn't know what was coming. I've heard he's an easy laugher but still, seeing him crack up felt like alley-ooping to Michael Jordan. I'...[Read more]

Intuition mostly. I trust the writers I work with and my own instincts. If we all feel like something is hilarious or fresh, I have to assume it is. And those are the things that tend to be well received.