yes but then we go hard and i'll attempt to take a shit on the desk.
Related posts tagged 'Making a show'
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Related posts tagged 'Making a show'
Question: I've always wondered how you managed to get so many big name guest stars on Robot Chicken. Was it all purely professional negotiation, or was there a lot of getting friends to spend an afternoon doing you a solid?
Answer: A little of both. I asked a lot of favors in our first season, but as the show became popular, we got approached by performers who wanted to play with us. We always ask, and are thrilled when people say yes. I think it's lots of fun, so I always present it to performers that way.
In the pilot when Bill is up in the tree and the big kids are throwing stuff at him. That happened to me and my best friend, minus the fireworks. We were hanging on and crying. That was just such a regular day back then. No supervision, no cameras, didn't even dawn on me to tell my mom what happened. There's also a scene when Kevin sneaks out of the house w/ his amp and guitar, and he falls on his face to save his gear. That was my friend Dave Kushner, it happened to him. He does all the music for F is for Family. He was the rhythm guitarist for Velvet Revolver, I can't believe I even know the guy! He landed face first and knocked all his teeth out. The next morning he drank a 40 through a s...
"The Ben Stiller Show" was a crazy ton of fun. In fact, when it ended I had the very conscious thought that it was the most fun I would or could ever have in showbiz and my goal from that point on would be to try to replicate it. "Mr. Show" could have been more fun if I hadn't been such a tight-ass, but we still had a ton of laughs.
Best job ever. The excitement of starting a whole new show to replace my hero Letterman's, of doing it with one of my best friends hosting it, and working with hilarious young writers, it far outweighed how hard it was and how many people tore into it. Too many memories to list but Louis CK used to throw shit out the 30 Rock window a lot. He would throw money, and attach a note to it - stuff like "You fucking pathetic moron." So we got to watch people scurry to pick up dollar bills and the read the note. Even though they were ant-sized, their body language was enough to have us laughing for hours.
I definitely play up certain parts of my personality and exaggerate vulnerabilities I have for the sake of comedy. I feel like the Nathan on the show has a much tougher time reading social cues and is way less self aware than the real me. He's also much more confident. So yeah, it's different, but at the same time it's not like in my real life I'm strollin' around scorin' babes. It all comes from a real place. A lot of the time I feel like I'm emulating a younger version of myself.
No, no. It was never mentioned. I never thought of it. Jerry never thought of it - furthest thing from my mind. And by the way, I couldn't have done it anyway. There's no way that I could have. First of all, they wouldn't have let me do it (laughter). But even had they let me do it, there's no way that I could have done that and also been the executive producer of the show. It would have been way too hard. I mean I had a 24/7 job just on the writing end of it and the producing end. So there's no way I could have been in it.
The audition process for Drake and Josh was very extensive. Three auditions and a screen test. I KID! I auditioned at the Nickelodeon Studios and like every actor's first onscreen role, I shared a scene with a watermelon lamp that my character built for a science fair.
I was credited as a STORY EDITOR but that's more of a title than an actual job description. I was in the writers' room pitching jokes and ideas for scripts. I got to work with some real-deal TV veteran writer geniuses who I learned a lot from. Oh! And in season 4 when Jeff Garlin sneaks through a second-story window, the group of people watching him from afar are all the writers in the writers room. THAT IS THE ONLY EASTER EGG THAT'S EVER EXISTED ON ARRESTED DEVELOPMENT.
On navigating the the challenges of having a main cast member pass away (in the show Silicon Valley)
On navigating the the challenges of having a main cast member pass away (in the show Silicon Valley)
The loss of CEW was fucking hard. I saw him with @rosepetalpistol at a place on the east side days before he passed away, his wife and beautiful daughter were there and we talked for 40 minutes about life, the show, and him. It was a huge blow to the show, he was the funniest person on it. So he's irreplaceable and I think that everyone felt that, and I felt worst for the writers and editors, seeing him over and over, writing him out of the show, the whole lot of it. But in the most disgusting and at the same time beautiful way, "the show must go on."
I think that saying means something bigger than most people think. The show is the most important thing in many ways, because it is for the w...
The first time we did it, Fred just starting doing that voice ("Whaaaaaat are you doing here?!") and Kristen and I were like "What?" It was so funny. I hadn't heard him do it before. Man o man it made me laugh. Then it became a game of who could stretch out the vowels in their sentences the most. It got crazy.
I did. I write about this a great deal in my book. McKenzie had a brilliant sense of being unhinged and taking himself completely seriously. I just outright stole that. He's amazing. I love watching him and I was thrilled to take the mantle of that character from Gareth to Dwight.
90% improvised and about 10% scripted. we sort of write out a storyline, and then we do our own dialogue.
Well, I always felt especially bad that Charlie was disappointed by the show because he uprooted from LA and was definitely expected the show to be innovative and groundbreaking. Now, lots of people think it was, and if you check it out, there are plenty of sketches like Grandma the Clown, First Ladies as Dogs, Waiters Who Get Nauseated by Food, The Stupid Pranksters, and, yeah, the first Ace and Gary cartoon, and I'd say those and others were smart and original. We also had a legendary star performer who did amazing impressions and had beloved characters. So writing to the star's strengths, which included writing for his Regis, Perot etc. was always going to be an important ingredient. I ki...
I like animated shows better because I hate living people who act. They always make fun of my crooked teeth.
I think he liked it. Steinbrenner was unfamiliar with the show. His grandchildren watched it, and his grandchildren talked him into letting us use his name. The last episode I think of the '96 season, we came up with the idea to actually fly him in and put him on the show because up to that point, we'd only been seeing the back of his head, and I was doing his voice. And then we thought it would be fun if he was - if he actually made a real appearance.
So we called him up, and he said, yeah, he would do it. So we flew out to do it. He did the show. We started editing the show. And as I watched it, I'm going, oh, my god, this is not good. And we thought it's so much better to just see the ba...
I was told later that Stephen was uncomfortable but I didn't mean to. The conversation just flowed to British children's entertainers being largely pedophiles and I don't know why Stephen Merchant was tiptoeing around it.
Her name was Tracy and I accidentally named Traci Reardon the same name - I came into the studio planning to name Traci Reardon Brittney Reardon and I just told Scott my name was Traci on accident! I did the original "tracy" again but changed her name to Amanda Calzone. You can hear her on the first Betsy Sodaro ep of WSGLL.
Netflix gave 8 alt comics the chance to do whatever we want for 30 min, and it really was so wide open. They didn't give many notes during the process and were very cool with us sticking to our guns if we preferred something a specific way. Almost all of the characters in my special are from my podcast or CBB.
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