As I move through time, things change. I change, the world changes, the way the world sees me changes. I age, I fail, I succeed, I am lost. I have a moment of calm. The remnants of who I have been, however, hover, embarrass me, depress me, make me wistful. The inkling of who I will be depresses me, makes me hopeful, scares me, and embarrasses me. And here I stand at this crossroads, always embarrassed, wistful, depressed, angry, longing, looking back, looking forward.
I may make a decision and move from that crossroads, at which point I find myself instantly at another crossroads. Therefore there is only movement. A screenplay is movement. It is written in time and expresses a passage of ti...
I think Hitchcock had a good idea - he said shoot Love scenes like Murder Scenes and Murder Scenes like Love Scenes..maybe he felt that falling love was scary as shit.....? I think we've all felt that way sometime...
I think what might make this form of endeavour exciting for writers is that they find themselves in an environment where they’re encouraged to use their powers to explore the world, their minds and the form itself. Think about the staggering possibilities of the marriage of light, vibration and time. I think craft is a dangerous thing. I saw a trailer for a movie, I don’t want to say what the movie is, but it’s coming out soon. And it was gorgeous, it was... gorgeous. And it made me really depressed, and I was trying to figure out why.
I think there was an amazing amount of craft and skill on the part of the filmmakers in this movie. And yet it was the same shit. I know that this movie is g...
One of the best times I've ever had making a movie. Kind of hard not to have fun with that crew. Anything Craig Robinson says makes me laugh. I think Channing Tatum is most like his character.
Chris was always doing that bit to me at work. We shared an office, and you had to walk through our office to get to Chris Rock & Adam Sandler's office, so these 2 microscopic offices were back to back, and Chris' desk was behind mine, and he didn't really know how to write, or read, really (kidding!) but he would come in bored, because I would have to write my sketches to try to get on but they would always let him on, so he would get behind me and be bored, everyone would write him sketches, and he would say "Davey… turn around" and I said "if this is Fat Guy in a Little Coat I'm not turning around, it's not funny anymore." And he would say "no, i've got a whole new thing I'm doing."
And ...
[Tommy Wiseau] also financed it at the tune of $6 million. It does not look like it was made for $6 million. It looks like it was made for about $60. It came out in 2003, and Tommy intended it to be a great drama. He wrote on the original poster that it was a Tennessee Williams-level drama. It's a very simple story.
[Wiseau] casts himself as Johnny, this great guy, all American guy, and he has a girlfriend and best friend named Mark. And basically the plot of the movie is his girlfriend and his best friend have an affair and betray him, and — spoiler alert — he commits suicide at the end.
And that's kind of it. But that says nothing about all the bizarre creative decisions — the weird side...
That was on Louie ck's first short film called "Caesar's Salad" I played the part of "crazy pumpkin head" where I charged a group of people with a knife. Nick was one of them. We used a real knife and I dropped it on nick's foot in the scene. Went through his shoe and everything. He had to go the hospital. But he did get a bit out of it.
I really love the way Wes writes with his collaborators, I like the way he shoots, and I like HIM. I've become so fond of him. I love the way that he has made his art his life. And you know, it's a lesson to all of us, to take what you love and make it the way you live your life, and that way you bring love into the world.
Loved having the breasts on my head. The make up dept. really made them authentic. Filled with condoms full of water. Everyone wanted to feel them, guys and women. At the end of the day when they were removed no one cared about me. It was then I realized how powerful it was to have breasts!
It’s very important that what you do is specific to the medium in which you’re doing it. And that you utilize what’s specific about that medium to do the work. And if you can’t think about why it should be done this way or needs to be done this way, then it doesn’t need to be done this way and then you should figure out what it is about this – if you want to do it – that needs to be told in the form of a movie.
Oh, that's a good question. If Hitler had a time machine, who do you think he'd go back and kill. Hmm. Well, boy oh boy, that's a funnier question than I can deliver an answer to I think. In a related story I sent Adam Eget in a time machine back to kill Hitler, and he became mesmerized by Hitler's black eyes. Adam says his eyes were deep black and inviting. So he came back with all sorts of decorations on him that Hitler had put him on for god knows what, he didn't get back for four years, I thought he'd be back in a day, but yeah, so Adam Eget, he can show you a few goose-steps now.
But that's not really answering the question: OH I know he would kill! The greatest man who ever lived, and...
- Do as good a job as Trent Reznor scoring “The Social Network”
- Play against the Lakers and juke NBA point guard Steve Blake
- Hit an NBA 3-pointer
- Play right field in a Major League Baseball game, and catch a pop-up, and easily throw it back to the infield
- Act as well as any actor
- Every girl has, at minimum, a 20% crush on him
Q: What is the best way that you used humor to defuse a potentially dangerous situation?
A: Haha, not sure what you mean here bud? Do you imagine a scenario where I'm in a dangerous situation with friends getting mugged and I'm like "Guys, I got this" and start doing bits and the robbers start laughing and let us go? That would be kinda cool, but hasn't happened so far.
Paul Thomas Anderson