Related posts tagged 'Inside baseball'
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Related posts tagged 'Inside baseball'
The first time we did it, Fred just starting doing that voice ("Whaaaaaat are you doing here?!") and Kristen and I were like "What?" It was so funny. I hadn't heard him do it before. Man o man it made me laugh. Then it became a game of who could stretch out the vowels in their sentences the most. It got crazy.
Q: I’ve recently been watching Jerry Seinfeld’s new show Comedians in Cars Getting Coffee. In Tina Fey’s segment she mentions how she, Louis C.K., and a few other comedians helped you re-write a movie over a weekend. As a thank you, you gave them all a Rolex with the inscription “Thanks for your help Mother Fucker.” At the end of the story she says “I like that someone had to a Rolex store and ask for 5 watches inscribed with that phrase”. Who did the other 3 Rolex’s go to and what movie was it they helped you re-write? I'm familiar with the work you have done with Louis, but I can't find Tina Fey's name attached to anything you have done outside of SNL.
A: I'm not sure. It was either "Head...
My favorite Stefon thing ever was "three screaming babies in mozart wigs" because it made my wife laugh really hard.
John Krasinski is one funny bastard. He could make me laugh at the drop of a hat. I would say everyone is generally much more low key than their characters. Except for Oscar. He has a very natural energy on the show its pretty close to who he is. But he's a lot less judgmental and more friendly in real life!
It might be surprising but keeping a straight face in many of the situations we get into on the show is quite difficult for me. I began to realize that I'll sometimes do this thing where I act like I'm picking a piece of food out of my back teeth to cover the fact that I'm smiling. Then if I can't get it together within a few seconds, I might ask for some dental floss or something because I've clearly been picking at this tooth for 20 seconds or so.
Some moments that stand out off the top of my head would be the Gas Station episode where the owner told me that he drinks his grandson's urine to ward off fear. I often laugh when I feel uncomfortable too, so I remember having to turn my head a...
i think we are "on" on the show. it can be exhausting to be like that 100 percent of the time. We usually take it down a notch or two in private.
Really fun, and kind of surreal. I remember Garry Shandling coming up to me after we filmed a take. He had a note for me, but made a point of saying "only do this if you think it's funny." I was impressed by that.
Yes I do. I'm constantly talking to my phone. Whenever an idea occurs. Sometimes I don't say enough. I'll dictate "large coffee cup" and have no idea of what I thought was funny about that subject.
Each season has had its difficulties in producing them - and let me just say that I am really proud of the episodes in the second half of season three. I think they're super funny. There is a story to why I think they're a little inconsistent in production:
For season two, we wrote all 20 episodes before we started shooting, and we shot them all out of sequence. I think the christmas episode with Zach was one of the first ones we shot, and I know the Halloween ep with Pee-wee was in our second week. So we really got to figure out an order after the fact that made sense.
For season three, we had an earlier premiere date, but we started at the same time. So, even though we still wrote everyth...
Related posts tagged 'Making a show'
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Related posts tagged 'Making a show'
The audition process for Drake and Josh was very extensive. Three auditions and a screen test. I KID! I auditioned at the Nickelodeon Studios and like every actor's first onscreen role, I shared a scene with a watermelon lamp that my character built for a science fair.
I think the best Seinfeld episode idea I ever contributed was that George pretending to be a marine biologist would find Kramer's golf ball in the blowhole of the whale. Believe it or not, we were doing both of those stories without seeing any connection that Kramer was gonna hit golf balls at the beach, and George was gonna be pretending to be a marine biologist. And it was in the middle of the week that it suddenly hit me of a way to connect the two stories.
So, I think that's probably the best joke I ever thought of on the series. But, I love when people say "regift" or "giddyup", or "yadda yadda". The real and spectacular...I was a very big fan of the show.
Hannibal and I have very different approaches. I write stuff beforehand; he drifts in and out of consciousness.
Well, I always felt especially bad that Charlie was disappointed by the show because he uprooted from LA and was definitely expected the show to be innovative and groundbreaking. Now, lots of people think it was, and if you check it out, there are plenty of sketches like Grandma the Clown, First Ladies as Dogs, Waiters Who Get Nauseated by Food, The Stupid Pranksters, and, yeah, the first Ace and Gary cartoon, and I'd say those and others were smart and original. We also had a legendary star performer who did amazing impressions and had beloved characters. So writing to the star's strengths, which included writing for his Regis, Perot etc. was always going to be an important ingredient. I ki...
I thought it was really funny. They flagged our cutaway setups, which had been getting a little fast and loose at the time. Props for that. RE: the cutaways themselves, though, they were off the mark a bit. The cutaways are actually the hardest things to write on the show. Story-centric jokes come a little easier, but when you have to conceive and invent a whole independent little sequence several times in a episode, it's challenging as hell. Like doing a Far Side cartoon 10-12 times an episode.
It's a reference to the utterly haphazard nature of old variety shows. You'd do a sketch and then cut to a musical number with zero segue. So... basically Family Guy.
It was very taxing, because we didn't get to move around a lot, and we would work 15, 16 hours a day sometimes, and right into early Sunday morning. So it was not easy work. I can tell ya. It's tough to cover 8 people around a table without moving the camera, moving the camera, moving the lights, it takes FOREVER, and you have to do it over, and over, and make it look fresh, so if people realized that - it can be very taxing and very tough work.
producing the music is maybe my favorite part of the whole thing. I go into a studio with Matt Kelmer and a handful of great musicians that work under the title "Sweet pro" and we just fuck around. I get to cheat and make music without the training. I ask them for different moods and sounds and they try it. or we'll say let's go with cello and piano for a while and try a few things there. The cello player, wish i fucking knew his name, is tremendous. he creates whole pieces by himself and I use them ALL.
Dan had the idea. He liked the idea of a guy who took the time to look ridiculous and then having the guy hating being called ridiculous.
The pin really did slip from my fingers and catch on my sweater. That was not something that was planned. But what we didn't show in the episode is that I had a second backup pin taped behind my ear with a band aid (skin color so you couldn't really see it). In practicing, the pin was really easy to drop, so I wanted a backup. If the pin hit the ground, I would have gone for my backup pin.
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