he always teaches me so much. i worry I'm a boring guest because I'm always just trying to soak in his knowledge and process it all. i made the mistake this last time of smoking weed before the show so i blacked out and don't remember anything. he's the best
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sometimes it just naturally goes in directions people didn't expect - i'm thinking of pam murphy and will hines on a recent episode. when we take a break, I'll usually ask, "Is there somewhere else you were thinking of going with it, and can i lead you back there?" Most improvisers don't care about where it ends up, because the journey is more important than the destination.
The one that aired was great. Very rarely does my brain come through for me at just the right time. In that case, it did. Marc is very smart, but sometimes he can use his intelligence to be reductive and disrespectful. That's what I felt he did on the WTF episode that I asked him not to air. One of the things about my career is, I used to work the door at a comedy club in the early 90's. Some of the guys from that era (Marc, Attell, Jeff Ross) had to adjust to me becoming a comedian/writer. They still see me as a doorman at times.
I think the first year of the podcast still holds up. I think everyone hates their first 10 episodes, and a lot of people actually take them down and don’t put them back up—mine are up there. But I don’t know, I think the thing the podcast taught me that I wish I knew 10 years before the podcast was how to be a little bit more in the moment of my comedy career. When I first started, I think I was, like, [viewing] myself as more of a craftsman or a writer, and a lot of my performances were very intricately written and not in the moment. I think what the podcast taught me was truly to just be in the moment and not plan anything and know that comedy is essentially meant to be stupid and silly a...
The first few episodes, I would have my host prepare their end of it and I would prepare a character, but I found it was more cohesive when they planned both. They don't tell me what they're gonna do until we start recording. I love that built-in element of surprise.
I am a huge fan of James Adomian's Tom Leykis, Lauren Lapkus' Traci Reardon, and anything Andy Daly ever does.
The thing that I love about Scott is that he is not an agent of chaos, but he is an agent of mischief. He loves to paint other people into a corner. And it’s fun, it’s really fun. You know, there are times when it’s frustrating because you might have a thing that you wanted to do but now because you did screw up a word or something, he jumps on that — but, you know, everyone is in agreement. ... It’s entirely up to the improviser, to the guest, to say, 'You know what, yes, I am going to go along with this idea, this very challenging idea that he has pushed me into, because it’ll be fun to try to get out of it. It’ll be fun to try to make sense of this.'
And, ultimately, that’s one of the th...
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Like working with your grandpa. You have to yell a lot, lot of stories about the good old days, but you love him in the end.
The one that aired was great. Very rarely does my brain come through for me at just the right time. In that case, it did. Marc is very smart, but sometimes he can use his intelligence to be reductive and disrespectful. That's what I felt he did on the WTF episode that I asked him not to air. One of the things about my career is, I used to work the door at a comedy club in the early 90's. Some of the guys from that era (Marc, Attell, Jeff Ross) had to adjust to me becoming a comedian/writer. They still see me as a doorman at times.
OH MY GOSH. I think that there will never be anybody as funny as a standup, because he was so ACTIVE on the stage. And he did so many great impressions of real people, you know? Like the guy from the bar, all that stuff, and Richard and I were very good friends, I loved working with him, it enabled me to write one of the least attractive sketches on SNL, which was called "Job Application," in which I'm asking him a few questions as he's applied for a job, but all of my questions just break down into... what's the word? They all just become more and more racist, you know, and this is just a word association test Mr. Pryor or whatever your name is, so if I say "apple," you say "house," hahaha!...
I remember Harris was the first person WHO TOLD ME ABOUT REDDIT! He was explaining it to me in a backyard and saying "Yeah people talk about our band etc." and I was hooked. I think that's more how I remember Harris... not in big funny stories but in those small details that bring back a fond memory. R.I.P.
Chris was always doing that bit to me at work. We shared an office, and you had to walk through our office to get to Chris Rock & Adam Sandler's office, so these 2 microscopic offices were back to back, and Chris' desk was behind mine, and he didn't really know how to write, or read, really (kidding!) but he would come in bored, because I would have to write my sketches to try to get on but they would always let him on, so he would get behind me and be bored, everyone would write him sketches, and he would say "Davey… turn around" and I said "if this is Fat Guy in a Little Coat I'm not turning around, it's not funny anymore." And he would say "no, i've got a whole new thing I'm doing."
And ...
We like to tell each other about bits after they've been developed a bit. Usually it's because we are excited about the bit. But we generally don't share new bits/premises for fear of crossover and both of us are very private in our "incubation" phase. I hadn't heard any of Tom's stuff until his last taping in Denver. It's also more fun that way. We collaborate a lot of YMH so that's the space where we come together.
I loved it when Conan came in and interrupted us from working to make us laugh for hours while production was waiting for us to write a sketch. Conan wasted more time than anyone on that show, but it was a lot of fun.
Tina Fey had probably the biggest influence on me other than my parents. She's just not afraid. I loved watching her work cause she was so brave. I was really scared when I got to 30 Rock, she was like "I don't give a fuck. Be you. If it's funny, it's in the script." and And watching 30 Rock, there's so much Tina there that it made me see how I should start being me more too. Started putting out more music and started not being as afraid to be me. Tina is a true gangsta. She don't give a FUUUUUUUCCCCKKKKKK. I put her against any chick in the game.
EDIT: "Against ANYONE in the game." She'd destory anything. If she started rapping, I'd quit. I don't want that.
Dino is one of my favorite people to work with. We connect on a very base and childish level and he's an amazing giggler. It's hard to find people who still giggle like babies at this age, Dino and Sandler (and me) are the best. It's hard to think of a single story because being around that guy is always fun and easy, so nothing jumps out. It's just one long, funny story.
No! I had Bill tied up with a phone cord, so he can't swing a golf club at me anymore, hahaha! He invites me to play golf with him, but he's so good, I don't even see him after the first hole - he's usually WAY at the 9th hole, too far for me to catch up!
We're friends.
I think he's remarkable - and by the way, I just St. Vincent with Billy in it, and I thought That's an Oscar caliber performance, really great. So it's nice to see his growth, and it's nice not to have to smell his breath.
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