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Posts - Page 15
I love any comedian in front of me. Seriously, I am a big fan of comedians, in general- in LA, a young man named Vince Caldera is just great -coming out of Glassel Park, I love Vance Sanders- a comedian working in LA for 25 years who has run a show here for as many years and always has new, fresh topical material at his show BARK in Pasadena, a great show called GENTRIFICATION hosted by Danielle Perez in Highland park. Seriously, Google comedy and your zip code and you may find your next favorite comic!
Nope. I'd be in to maybe coming to your college and doing a magician show. My illusionist skills are on point.
Putting a kid in a hole to protect him from kidnappers has come in handy a few times. But for the most part I just think about doing exactly the opposite of whatever Kenny Powers would do and that pretty much gets the child rearing done.
Q: I just want to let you know, to the right crowd, Your Highness was an absolute success. Also, for some time, I used "I can feel it down in my plums" as a ringtone.
A: Thank you, thank you. The right crowd is the only crowd I care about. The rest can suck it. Suck them plums. Thanks for watching.
One of the best times I've ever had making a movie. Kind of hard not to have fun with that crew. Anything Craig Robinson says makes me laugh. I think Channing Tatum is most like his character.
We have a zero tolerance policy. If the kids or their parents aren't cool with what we do then they can't work on the show. Not trying to be dicks or anything, but we put it out there so we don't have to watch our mouths at all. You'd be surprised at how cool most people are.
Doing these other things [in art school] was a release, and I think it made me a better actor. Because when I was only acting, I was trying to do all of these things as an actor. I was on my own mission. I was acting for myself — to do a great performance for me, not for the movie. But that’s not my job as an actor. My job as an actor is to help the director achieve his or her vision. As soon as I got to direct my own films or escape the film world and into these other realms, when I came back to the film world, I could be pure about it. I don’t think my performance in Spring Breakers could’ve happened if I didn’t do all this other stuff.
I couldn’t have lent myself to that if I didn’t have...
It’s the freedom of making something that doesn’t need to entertain, that isn’t going to be tallied up in the box-office tolls. And it’s something that, frankly, I’ve done longer than I’ve been making films. My public life and my professional life started in film, and so that’s what I’m known as. But there’s the making of the work, and then there’s the showing of the work.
I know just from my own reaction to celebrities doing certain things — that it’s so fucking annoying, and it is repellent in a lot of ways, and it’s just gross a lot of times. But I’ve done everything that I can to respect these professions that I’m interested in. I’ve gone to all these schools. I went to the art school that so many of my favorite artists have gone to. But when an actor goes into music, when an actor writes a book, when an actor goes into the art world — before it even is made, people are considering it bad.
He goes, "Yeah, I approve, 99.9 percent." And I'm like, "Wow, and what's the 0.1 percent?" And you think he's going to say, "You know, I never said that," or whatever, and he goes — director to director — he goes, "Yeah, James, I think you should look at lighting in the beginning of [the] movie." And I'm like, "Oh man, I'll tell my cinematographer to watch The Room for pointers."
But then we realize only later that he had been wearing his shades through the whole movie, so it's like, "Yeah, of course the lighting is off." ...
I realized in that screening ... when [the audience was] cheering for him, they were cheering his story. They were cheering him on and the will it took to get his mov...
Tommy Wiseau is the master rewriter of history, because when he was making The Room I think he was completely sincere. He was aiming for [Marlon] Brando and James Dean and came out with something completely different. But when he realized that people were laughing at his film, he then rewrote his whole script [of his life]. ... He came out and said, "Oh, I intended it to be comedy." Whereas, in fact, he had kept it in theaters — on his own dime — for two weeks to qualify for the Oscars.
[Tommy Wiseau] also financed it at the tune of $6 million. It does not look like it was made for $6 million. It looks like it was made for about $60. It came out in 2003, and Tommy intended it to be a great drama. He wrote on the original poster that it was a Tennessee Williams-level drama. It's a very simple story.
[Wiseau] casts himself as Johnny, this great guy, all American guy, and he has a girlfriend and best friend named Mark. And basically the plot of the movie is his girlfriend and his best friend have an affair and betray him, and — spoiler alert — he commits suicide at the end.
And that's kind of it. But that says nothing about all the bizarre creative decisions — the weird side...
When we did Freaks and Geeks I remember sitting around Seth Rogen and Jason Segel, the four of us was just like, THIS IS IT! WE MADE IT! HOLLYWOOD HERER WE COME! Even though that show was so good, when it first came out a not a lot of people watched it, so we kind of had that moment and it kind of was taken away, and then it was given back to us when it played reruns
I want to sell a show. I’m working on a show now about introverts—it’s called The Introvert’s Survival Guide, and each show is a different scenario, and how to deal with it. It’s a fun idea. Introverts have no spokesperson—I want to be that guy.
Definitely. I have a joke where I say ‘you ever forget your headphones at home and have to walk around without them? Boy, thoughts are no good. Turns out I love music, I hate my brain,’ and in other places, people don’t get it. That’s because they don’t walk, they drive everywhere. So I had to change it to ‘you ever had your stereo stolen?’ and it’s like ‘eh, it’s not the same. I’ve got to adjust according to where I am. It’s tough because if the joke works in NY, I want to keep it.
I think 90% of comics are introverts. It’s a lot of defense mechanism. Comedy is just preparing funny things, and that’s what we [introverts] have been doing our whole lives, preparing something to say to everyone we have to go meet. That’s all stand-up is, just professionally.
Of course, all the time! I have really bad anxiety and I’m an introvert, and as a comic sometimes you can’t find it up there and you lose it for a second. You’re just telling words to an audience but there’s no connection, and that’s when you bomb.
Oh yeah. The thing is, you’re so scared, but every day you’re just dreaming of doing Conan or doing a special on Comedy Central, so when it comes, it’s terrifying but great. You know, as a guy you’re scared to have sex but you want it so bad, you do it. Also, as a comic, you realize how hard getting on TV is, that you’re not going to pass it up out of fear. When you’re at Conan behind the curtain waiting to go out, and they pull it open and say ‘you ready?’ you see the lights, the crowd—it’s crazy.
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