Posts - Page 29

How he connected with his role of the adult Peter Pan in Hook

I think I am sometimes a poster child for arrested development in terms of I'm fascinated with toys and games. And I'm spontaneous. But no food fights. I'm gluten free. No, not really.

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Family and friends. And a good pet. For pure loyalty there is nothing like a pug.
That every moment in life is precious? That the gifts of your relationships with others, don't miss it. That was one of the hardest movies I think I ever did in my whole career. Every day was literally hell, because of the nature of the subject matter, dealing with death and being in hell literally. When I watched the final movie, I felt it was extraordinarily beautiful but I felt disappointed by the ending. There was a different ending that they shot that I felt was much more true to the story. It was about reincarnation, basically, that they were going to meet again. The movie ended with two babies being born simultaneously, one in Bombay and one in the United States, and they held them up...
I think playing Oliver Sachs in Awakenings was a gift because I got to meet him, and got to explore the human brain from the inside out. Because Oliver writes about human behavior subjectively and that for me was the beginning of a fascination with human behavior.
To be honest, I'm kind of challenged in terms of new music. I listen to a lot of Jazz, specifically Keith Jarrett piano solos. And for me, if you want just wonderful ballads and love songs, Tom Waits. I might also have to throw in Radiohead, but I can't quote specific lyrics. AND PRINCE! For those special nights.
There was a shop in San Francisco that sold laserdisks - that's how far back it goes - and then later on I found a wonderful bookstore in San Francisco called Green Apple that would sell DVDS of Anime shows.
Ghost in the Shell. Akira. Blood: The Last Vampire. But mostly Ghost in the Shell.
That was so surreal because it was a bit like a bad drug flashback. And the joy about doing that movie was creating a character that lived vicariously through other people's lives. And now we have networks that do that.

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Just please make sure that you really love doing it. Because that will get you through the hard times. And the good times.
It's hard to pick, it's like saying pick your favorite child, I can't. I like doing both comedies and dramas, so it's very difficult to say which one I prefer. I've been very blessed to have had the chance to explore such a variety of characters.

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Him being such a great friend to me at Juillard, literally feeding me because I don't think I literally had money for food or my student loan hadn't come in yet, and he would share his food with me. And then later after the accident, just seeing him beaming and just, seeing what he meant to so many people.
He is SO good, and such a method actor, that Oliver Sachs wanted to hook him up to an EEG to see if he actually duplicated the brainwaves of the actual patients. No joke.
Initially they came in and I was just doing the scripted lines and I asked "Do you mind if I try something?" and then 18 hours of recording later, they had the genie. I just started playing, and they said "just go with it, go with it, go with it." So I improvised the character. I think that in the end, there were something like 40 different voices that I did for that role.
They definitely shaped how I am now. They really made me deeply appreciate human contact. And the value of friends and family, how precious that is.
A woman in the Dallas airport came up to me and literally said "Be zany." Like she had walked up to Baryshnikov and said "dance." I didn't know how to respond. I just went "thank you! And Lincoln freed everyone."
Q: What was it like working with Jonathan Winters? I remember him being one of my father's favorite comedians and you were mine so we kind of bonded over Mork & Mindy in a slightly bizarre way. A: It was a joy. I believe i said in the Academy Awards it was like dancing with Fred Astaire but it was even better than that, because being around him, he would perform for anybody. There was no audience too small. I think I once saw him do a cat for a beagle. And I had the same experience watching the Tonight Show with my dad. Watching and laughing at Jonathan with my dad helped us become closer, very much so. My favorite Jonathan Winters one liner is "Have you ever undressed in front of a dog?"
Growing up, it was The Lion, The Witch and The Wardrobe - I would read the whole C.S. Lewis series out loud to my kids. I was once reading to Zelda, and she said "don't do any voices. Just read it as yourself." So I did, I just read it straight, and she said "that's better."
I think I only called him once, maybe twice. I called him when I was representing People for the Valdheimers Association. A society devoted to helping raise money to help older Germans who had forgotten everything before 1945. I remember him laughing and going "thank you."