My main takeaway was hire extreme proffesionals to surround you and point like you have a lot of confidence and know what you're doing. Would I do it again? I think I might.....but I also wanna work with Chivo, Bob Richardson...tons of others...
Question: When I think of dialog, it sounds good in my head. But when I put it on paper it becomes garbage. How would you solve this problem?
Answer: hmmmmmm. good question. what's it sound like when you say it out loud? it doesn't need to look good on the paper if it's a script....a novel maybe, but a script is just a temporary thing....good for the actors, not for reading....
It was so much fun. I loved working with my little Blackmagic camera and filming people pay music...it was stress free and inspiring...more of a home movie than a documentary.
Well, the first time we shot spherical was on the Master...it seemed like a good fit, evoking the old 50s films like Vertigo and North By Northwest...large format films but in a boxy frame....it was a nice change from the earlier films....I wanna shoot scope again though...maybe next time...
The best comedy advice in the beginning of my career was get onstage every night, as many times as possible. It’s the only way to get better. You can’t practice stand-up alone in your room. You can’t find out if a joke works by asking two of your friends.
A lot of people seek out spiritual travel-sites without any ties to a specific religion: When they’re in Israel and they’ll go to the Western Wall and feel so spiritual there; a month later they’re in Thailand and they’ll go to a Buddhist retreat. They just glom on for a minute and play pretend.
Very fun. I got paid to travel across Canada and stay in fancy hotels and all I had to do was come up with lines for the host like "The temperature may be ice cold here in Winnipeg, but things are really heating up in the judging room."
Intuition mostly. I trust the writers I work with and my own instincts. If we all feel like something is hilarious or fresh, I have to assume it is. And those are the things that tend to be well received.
Oh man there were so many. I actually had butterflies in my stomach during a lot of those dates. Rachel, who doesn't like wearing socks, was tough to get a read on. But a fascinating person. LA, the lady who was trying to promote her album, was also a delight. Lais, who tried to kiss me.. that was a really intense one for me. It was very surreal how seriously competitive the women were getting. Actually, a fight broke out (verbal, not physical) between two of the women over how much time they were getting with me. We ended up cutting it from the episode because it felt a bit too much like a moment you'd actually see in The Bachelor, but it was a very crazy moment and a very surreal night.
I'm a big fan of Chris Morris. When I first began doing comedy a friend of mine introduced me to Brass Eye and I was blown away. It was so dense and visual. The pedophilia episode with the guy dressed as a school... oh man. So hilarious. He's definitely been an influence on the stuff I do. Among many others.
I like that the show goes in different and unexpected places. It's sometimes fun to set thing up then take a step back if the business owner starts having their own ideas or pushing things forward. Later this season, I encounter a business owner that actually gets more into the idea than I am. But yeah, I like a variety of responses or reactions.
Paul Thomas Anderson