When I was in first grade on the last day of school, Mrs. Stafford, our teacher, said, "I want to give out a special present today, to a kid in the class who has tried so hard to improve his handwriting." And she's going through this whole speech about this kid; I'm staring at this kid that I knew that she liked, and I just hated him, and I was getting more and more angry. And then at the end, she said it was me! The present was a Dr. Seuss book, The 500 Hats of Bartholomew Cubbins, that I have since thrown out. But I remember it was in purple cellophane wrapping, and I still consider it the greatest honor to have received that gift. So, that was my favorite book.
Larry David and I discovered that we were both obsessed with superman and admired him and also found him very funny at the same time, so that is why he came up a lot. Are you related to the hot dog Kobayashi in Coney Island?
That was the most fun I ever had. The coolest part of that episode, that you couldn't see, was the head of the secret service explaining to me what was going to happen if someone started shooting at us. What they would do to the president and where they were going to throw me in the back of a van. That was really exciting Bourne Identity stuff.
I place no limit on the amount coffee I can drink. I allow myself an infinite amount and I like it hot with cream. Sometimes cappuccino, sometimes americana, but nothing fancier than that
I still say "hey" to greet a lot of people like we did on the show, and I still will do thumbs up, like Kramer did. And I still say hello to people the way I said, "Hello Newman."
Question: Jerry, I love the show, especially all the trips through the Hudson Valley and West Connecticut. What's your favorite drive through South NY or West Connecticut?
Answer: The best drive, of course, is the Taconic, other then that anything in Westchester off the main highway is pretty good. I just love driving honestly, I don't really care where I am.
There's tons of those. Chaplain, George Burns, George Carlin, Joan Rivers...
Believe it or not, the idea has been explored to do some kind of CGI effect, using footage of dead comedians to get them in the car, and then we would write dialog around it. It was a total disaster, but you're not the first person to think of it!
Believe it or not, this is something I think about a lot. I have often wondered if there's a way to teach being funny or comedy, and George Stephanopoulos actually got me wound up enough at one point that we were going to contact, I think his name was Lee Bollinger, the president of Columbia, and we were gonna go in there, and I was going to teach a course on comedy. Because I know a lot about it, but I just don't know if it's teachable. I'm still wrestling with the idea if you can teach someone to be funny.
I think the best Seinfeld episode idea I ever contributed was that George pretending to be a marine biologist would find Kramer's golf ball in the blowhole of the whale. Believe it or not, we were doing both of those stories without seeing any connection that Kramer was gonna hit golf balls at the beach, and George was gonna be pretending to be a marine biologist. And it was in the middle of the week that it suddenly hit me of a way to connect the two stories.
So, I think that's probably the best joke I ever thought of on the series. But, I love when people say "regift" or "giddyup", or "yadda yadda". The real and spectacular...I was a very big fan of the show.
Someone asked "will there be a Garfield 3?"
I don't think so. I had a hilarious experience with Garfield. I only read a few pages of it, and I kind of wanted to do a cartoon movie, because I had looked at the screenplay and it said "Joel Cohen" on it.
And I wasn't thinking clearly, but it was spelled Cohen, not Coen.
I love the Coen brothers movies. I think that Joel Coen is a wonderful comedic mind.
So I didn't really bother to finish the script, I thought "he's great, I'll do it." So then it was months before i got around to actually doing it, and I remember i had to go to a screening room in somewhere, and watch the movie and start working. And because they had had trouble contacting ...
The scripts is one of the greatest conceptual scripts I've ever seen. It's a script that was so unique, so original, and yet it got not acclaim. To me it was no question that it was the greatest script of the year. To this day people are talking about it, but they forget no one paid any attention to it at the time. The execution of the script, there were great people in it. It was a difficult movie to shoot because we shot in winter outdoors. If you ever get to go to Puxatawney, you should go, it is one of the few things that is BETTER than advertised. It's really something to see. But doing the movie, shooting the scenes over and over, it's like an acting challenge. It's like doing a play a...
The oddest… well, I was eating at a sushi bar. I would go to sushi bars with a book I had called "Making out in Japanese." it was a small paperback book, with questions like "can we get into the back seat?" "do your parents know about me?" "do you have a curfew?"
And I would say to the sushi chef "Do you have a curfew? Do your parents know about us? And can we get into the back seat?"
And I would always have a lot of fun with that, but that one particular day, he said "would you like some fresh eel?" and I said "yes I would." so he came back with a fresh eel, a live eel, and then he walked back behind a screen and came back in 10 seconds with a no-longer-alive eel. It was the freshest thin...
My brother Brian was my first great influence. He made much of what I am possible. To this day, if I have a question about something ethical or about being an actor or entertainer or a person or something like that, he's a person who helped form me. Shooting scenes with him is delightful. The idea that the two of us get to entertain is a kick.
someone asked "what movie was the most fun to act in" and deleted their comment, so here goes:
Well, I did a film with Jim Jarmusch called Broken Flowers, but I really enjoyed that movie. I enjoyed the script that he wrote. He asked me if I could do a movie, and I said "I gotta stay home, but if you make a movie that i could shoot within one hour of my house, I'll do it."
So he found those locations. And I did the movie.
And when it was done, I thought "this movie is so good, I thought I should stop." I didn't think I could do any better than Broken Flowers, it's a film that is completely realized, and beautiful, and I thought I had done all I could do to it as an actor. And then 6-7 mont...
Question: how do you organize and develop your material and various jokes? Do you have notebooks full of detailed notes and jokes, or do you just sketch them out and wing it on stage?
Answer: I believe in detailed notes and jokes, and also winging it onstage. But, not for your first open mic. For your first open mic, my advice to you would be to make sure you have what you're gonna do memorized, to the point that one of your friends can gently slap you across the face, and you'll still be able to get it out of your mouth.
Jerry Seinfeld