In the pilot when Bill is up in the tree and the big kids are throwing stuff at him. That happened to me and my best friend, minus the fireworks. We were hanging on and crying. That was just such a regular day back then. No supervision, no cameras, didn't even dawn on me to tell my mom what happened. There's also a scene when Kevin sneaks out of the house w/ his amp and guitar, and he falls on his face to save his gear. That was my friend Dave Kushner, it happened to him. He does all the music for F is for Family. He was the rhythm guitarist for Velvet Revolver, I can't believe I even know the guy! He landed face first and knocked all his teeth out. The next morning he drank a 40 through a s...
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producing the music is maybe my favorite part of the whole thing. I go into a studio with Matt Kelmer and a handful of great musicians that work under the title "Sweet pro" and we just fuck around. I get to cheat and make music without the training. I ask them for different moods and sounds and they try it. or we'll say let's go with cello and piano for a while and try a few things there. The cello player, wish i fucking knew his name, is tremendous. he creates whole pieces by himself and I use them ALL.
I thought it was really funny. They flagged our cutaway setups, which had been getting a little fast and loose at the time. Props for that. RE: the cutaways themselves, though, they were off the mark a bit. The cutaways are actually the hardest things to write on the show. Story-centric jokes come a little easier, but when you have to conceive and invent a whole independent little sequence several times in a episode, it's challenging as hell. Like doing a Far Side cartoon 10-12 times an episode.
99% of the time, David and I agreed on what should go on, and why, and what was good. That's one reason the show was so great. I never just wrote off a sketch and thought "You don't like it, but I do..we'll put it on." However, the sketch about the waiter dropping food in the guy's lap and offering to pay for half the dry-cleaning never really worked and everyone agreed "Date With the Queen" was a huge clusterfuck of incomplete thinking. Those two sketches were real stinkers. Some writers hated "Hunger Strike," which i loved. http://www.youtube.com/watch?v=FTdyMBtuDYI . I'm not sure everyone liked "The Story of Everest." That's a sketch that divides people. It's probably my favorite, though....
Well, I always felt especially bad that Charlie was disappointed by the show because he uprooted from LA and was definitely expected the show to be innovative and groundbreaking. Now, lots of people think it was, and if you check it out, there are plenty of sketches like Grandma the Clown, First Ladies as Dogs, Waiters Who Get Nauseated by Food, The Stupid Pranksters, and, yeah, the first Ace and Gary cartoon, and I'd say those and others were smart and original. We also had a legendary star performer who did amazing impressions and had beloved characters. So writing to the star's strengths, which included writing for his Regis, Perot etc. was always going to be an important ingredient. I ki...
The situation certainly is. Half my family growing up were carers of some sort, mostly retirement homes (stroke, Alzheimers), and Derek is like my fictional superhero of an everyday gentle outsider. I suppose they're all little fables about kindness. And possibly, a love letter to my lovely, poor and humble family growing up.
It's a reference to the utterly haphazard nature of old variety shows. You'd do a sketch and then cut to a musical number with zero segue. So... basically Family Guy.
sort of answered above, but PFT and i discussed, and i really wanted the show not to be so impenetrable, you know? Like, this is the first time people are listening, so why can't I show them the difficulty involved in putting together this show, so they can appreciate it? It's like how Bernie Brillstein advised bob and david to come out as themselves at the top of Mr. Show - then people could appreciate how they were doing all the characters.
As mean as that was, I thought that was incredibly poetic for a guy like him. Very unexpected. But I guess there are many sides to all of us.
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I collect booze in my stomach some nights? But when I was a kid, I was into coin collecting, rock collecting, and chess.
I also played bridge, and whist, I think is the name. It's a weird game.
I grew up in Brooklyn in a - it was in Sheepshead Bay. I lived right under the Belt Parkway. And there were four buildings, which was my little universe. My friends - my five, six, seven, eight friends - we all lived in this building. And it was a very happy childhood as far as I remember. We played sports all the time, walked to school, came home from school, played ball in the winter. We'd play basketball in freezing temperatures and every possible - we would invent games. And not too many girls in my life, I must say, though.
The Twilight Zone, All In The Family, Star Trek of course, The Larry Sanders Show was always a favorite
I didn’t start coming into my own as a guy until I was 12 years old. I can actually remember the moment. I went to a party. I was scared to go to this party, but I ended up going anyway. And when I got there, it was like I could tell everyone was really happy I came. And then a kid explained to me, "Man, it’s not as much fun when you’re not here." And I was like, Oh, I didn’t know that. I didn’t realize that kids thought I was funny—that I had actual friends. Even at 14, when I started doing stand-up, I was always a pack animal. I’d like to be a lone wolf, but I’m just not.
I loved listening to John Williams music as a teenager. (nerd) I loved Oingo Boingo, X, The Specials, The Motels -- all the great new wave stuff here on KROQ in Los Angeles.
I loved Diner, Fast Times, Richard Pryor Live in Concert, Being There, Monty Python movies, The Jerk, all the SNL spin off movies and of course Harold and Maude. Say Anything. Beverly Hills Cop.
Q: You once recalled a story about when you were a very shy and very young boy and had to take your dad's friend (who was blind) to a store. The blind friend requested that you describe the world around him, what the grass was like, the street lights, etc. The friend was happy and loved that you were describing such things to him. You said for the first time this made you look outward at the world, not inward, and that you fell into a kind of hysteria, laughing uncontrollably. Another time you were talking to a homeless guy who was saying he knew John D. Rockefeller, was at John D. Rockefeller's funeral and all this insane stuff and again you fell deep into laughter.
I had a similar experie...
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