The situation certainly is. Half my family growing up were carers of some sort, mostly retirement homes (stroke, Alzheimers), and Derek is like my fictional superhero of an everyday gentle outsider. I suppose they're all little fables about kindness. And possibly, a love letter to my lovely, poor and humble family growing up.
Tags:
Related posts tagged 'Relationship between art and life'
sure, i think it naturally boxes me in. One fun thing is to always try to working outside of boxes though... and i think people have gotten a little too concerened about things like genres and labels. I'm hoping this record is additive to my body of work and makes me a more interesting person to pay attention to.
I separate their work completely from their transgressions. Everything about their work is extraordinary. Everything about their transgressions is utterly ordinary.
Monuments Men has a great script and a fascinating story that no one has ever heard before. And there are a whole bunch of great actors in the movie. You hate to say that a film is an important film but I think it's a movie that people will say enlightened them about something that was forgotten, and it's a situation that exists around the world now. For example when we invaded Iraq, we weren't really taking care of business and a bunch of criminals went in and looted the museums. It's what's happening in Syria now. It's far worse than stealing gold or diamonds. It's stealing a culture, a mystery, and if those works of art are stolen, we are losing the ability to learn about culture and abou...
I definitely play up certain parts of my personality and exaggerate vulnerabilities I have for the sake of comedy. I feel like the Nathan on the show has a much tougher time reading social cues and is way less self aware than the real me. He's also much more confident. So yeah, it's different, but at the same time it's not like in my real life I'm strollin' around scorin' babes. It all comes from a real place. A lot of the time I feel like I'm emulating a younger version of myself.
i don't talk in person the way i do on stage because it's a performance and it's disstilled and the language is more deliberate. I make the same kind of jokes with my friends and family for sure and i have safe relationships where I can float a crazy or wrong idea and find out where it goes just as a life excercize and some times those things end up on stage.
I guess the most detail I can go into with recounting my life would be, I'm having fun. I believe art is using shock and awe to give you a slice or microcosm of what life is. My albums are what life seems like to me:fair, unfair, whatever. I don't want to be a "rap star". I want people to be me for however long the album is when they listen to it. There are a lot of questions on the EP and Culdesac that you should be asking yourself/I ask myself. But....yeah.
I think it's that Community and Rick and Morty don't punish obsession. I remember Megan Ganz coming to work on Community and she seemed kind of bummed out and told us that her therapist, having listened to all of her frustrations about working on Community, finally said, "but isn't it just a show?" And the reason Ganz was bummed out by that was because she knew right then and there that she now had to go and find another therapist. Nobody that worked on Community or that works on Rick and Morty has the capacity to regard the show as unimportant - people that feel that way quit - and I think you can feel through the screen that if you were to approach someone working on Rick and Morty with a ...
The audition process for Drake and Josh was very extensive. Three auditions and a screen test. I KID! I auditioned at the Nickelodeon Studios and like every actor's first onscreen role, I shared a scene with a watermelon lamp that my character built for a science fair.
The first time we did it, Fred just starting doing that voice ("Whaaaaaat are you doing here?!") and Kristen and I were like "What?" It was so funny. I hadn't heard him do it before. Man o man it made me laugh. Then it became a game of who could stretch out the vowels in their sentences the most. It got crazy.
"The Ben Stiller Show" was a crazy ton of fun. In fact, when it ended I had the very conscious thought that it was the most fun I would or could ever have in showbiz and my goal from that point on would be to try to replicate it. "Mr. Show" could have been more fun if I hadn't been such a tight-ass, but we still had a ton of laughs.
plotting can be tough because you're never quite sure you're doing it right - it's usually kind of like an exploration. You try something, and figure out what it needs. For instance, one episode we were plotting last night, I felt like it was all things happening, and no emotional connection from our charaters. So we figured out what my own personal connection to the plot would be, and that actually helped us figure out the things that would happen more easily. It's also helpful if your characters can have opposite points of view about what's occuring.
To motivate, I would try to outline as much as you can before you ever start writing a line of dialogue. If you're having trouble plotting, ...
Best job ever. The excitement of starting a whole new show to replace my hero Letterman's, of doing it with one of my best friends hosting it, and working with hilarious young writers, it far outweighed how hard it was and how many people tore into it. Too many memories to list but Louis CK used to throw shit out the 30 Rock window a lot. He would throw money, and attach a note to it - stuff like "You fucking pathetic moron." So we got to watch people scurry to pick up dollar bills and the read the note. Even though they were ant-sized, their body language was enough to have us laughing for hours.
The Christmas episode where Michael asked Kevin to sit on his lap, and Steve had to pretend to be crushed under his weight. I think I'm laughing on camera.
Ricky Gervais