Favorite memories while working on the National Lampoon films

Well, my best memory is having worked with Harold Ramis, who unfortunately passed away earlier this year. He was also in GHOSTBUSTERS, but he directed me in CADDYSHACK and the original VACATION! And he gave me the character of Clark Griswold. And loved working with Eric Idle in EUROPEAN VACATION. When I was speaking what i thought was French to the waiter, and he was just making obscene... and working with Imogene Coca was great, because she really tied me into - and I'd worked with Sid Caesar too, but i really grew up on him, so it was terrific. I loved the scene, I think my favorite scene of all of 'em, is the scene between me and Jim Teach who's playing the motorcycle cop who stops my c...

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My favorite memory of the movie was Chris Farley, because we had him play a guy whose nose was bit off by a Saigon whore. So he did all the scenes with no nose, and he would improvise all his dialogue, he would ask first if it was alright, and I would say "sure," because he was just the funniest guy ever. It was really sad with Chris because he would always say he wanted to be as funny as John Belushi, and I would say that he funnier than John Belushi, but he never knew how funny he was. Sad.
One of the few times I almost broke character is when Chris Farley got hung up on the Weekend Update letters behind us as he was supposed to be hoisted up on a cable and flown over the audience. Too funny!
I will say that off the top of my head, the two favorite sketches that I was a part of had to have been the Harry Caray space show with Jeff Goldblum and, of course the cowbell sketch with Christopher Walken. My favorite cast member to work with was Julia Louis-Dreyfus.
It was a blast. First movie I ever did. Major memories: Danny McBride and I watching the Tyra Banks Show at lunch everyday and the stuntman breaking his leg for real in the opening scene!
I loved making FLETCH. Probably was my second most favorite movie to make, just because I was allowed to make up so much of the dialogue. I can't even remember learning any dialogue! I was just given the right by Michael Ritchie, a terrific director who's passed away, I'm sad to say, but he let me just go. And that's why I had such a good time doing it, and you know, looking back on that, I don't think I've ever been funnier in some ways!
Too many to name. I would say the very very late nights writing with Marika Sawyer and Simon Rich. We would laugh and laugh and laugh. It was so fun. I cannot express in words how fun it was.
Ben and Tom are having lunch with a drunk Joan Calamezzo who is creepily hitting on Tom and we have this exchange: Joan: I'm going to go to the bathroom and powder my nose... amongst other things. Ben: Dude, is she gonna go powder her vagina? Probably the hardest scene I've ever had to get through without breaking. Adam and I just had to skip doing it for the first few takes. It's on the blooper real I believe. Also, props to Mo Collins, who always brings it as Joan.
I loved it when Conan came in and interrupted us from working to make us laugh for hours while production was waiting for us to write a sketch. Conan wasted more time than anyone on that show, but it was a lot of fun.
"The Ben Stiller Show" was a crazy ton of fun. In fact, when it ended I had the very conscious thought that it was the most fun I would or could ever have in showbiz and my goal from that point on would be to try to replicate it. "Mr. Show" could have been more fun if I hadn't been such a tight-ass, but we still had a ton of laughs.
One, the first time I met him he kept saying he was thinking about quitting comedy and playing baseball, and I thought he was joking. I know that doesn't read too funny, but...Now I'm paranoid like, Brody's looking down at me telling boring stories about him and being like "thanks Todd! hundreds and literally hundreds of stories, and THAt's what you choose to share with people. NOT me at my best."
Sorry no actual update. I've heard for years there's a movie being developed, but never from anyone actually connected with it. Personally I love the movies, that character, and all the people involved. It's some of the most fun I've had, and most the most widely received movie I've been a part of. Not sure Mike is really looking to make a new one, but I'm sure if he did, everyone would show up for it.
Being on Curb was the most fun I've ever had other than watching my twin boys clown around for me. It was like comedy fantasy camp. Larry David is another mega-hero for me. I auditioned and got cast as Yari, the vaguely foreign softball coach/mechanic. But I didn't know until I showed up for the shoot that they wanted me to do a speech to the team. So I asked Larry Charles, the director, if it's okay to curse. And he gave me the answer I wanted to hear. So I had about ten minutes to write a couple of things down that made me laugh. Then we shot it and Larry didn't know what was coming. I've heard he's an easy laugher but still, seeing him crack up felt like alley-ooping to Michael Jordan. I'...
John and I on the party planning committee for Kelly's party. Hanging the brown and grey balloons. We COULD NOT STOP LAUGHING.
On a scale of 1-10 I would have to give it a perfect 10. Playing blind was particularly fun, especially the fact that Ron is the most petulant blind person you'll ever come across.
Wow. There are so many Chris Farley stories to tell. I try not to overdo it, because they are very personal, but they are so funny, people should hear them. I just told one on Howard Stern this morning that was ridiculous. But I will say here's one: Me, Him and Adam Sandler were walking to dinner, during SNL, and this cute girl was getting in a cab, and we commented how pretty she was, so Chris ran over and climbed in the cab with her, and said "hey, you goin' downtown? Let's share a cab!" and she started yelling at him and kicking him. And he finally came back, and we said "Chris, if they don't know who you are, you are just a crazy fat guy trying to climb in a cab with them." And then we ...
He returned to host the show when I was a cast member. And I did a character that pinched girls's asses, and said "YOU LOVE IT." And he's a great fan of it and thought it was going to be a huge character. And then it didn't get past dress rehearsal. And he said, "That's showbiz."
Best job ever. The excitement of starting a whole new show to replace my hero Letterman's, of doing it with one of my best friends hosting it, and working with hilarious young writers, it far outweighed how hard it was and how many people tore into it. Too many memories to list but Louis CK used to throw shit out the 30 Rock window a lot. He would throw money, and attach a note to it - stuff like "You fucking pathetic moron." So we got to watch people scurry to pick up dollar bills and the read the note. Even though they were ant-sized, their body language was enough to have us laughing for hours.
I love that movie. Getting to play that part was such a gift for me. We had a real balance of genuine emotional resonance, with highly stylized high school life. It's all subject matter and humor that I love. Plus everyone on set and in production knew each other, or were aware of each other over the years, so filming was kind of like a party. GREAT TIME.
One time Bob despised a sketch of mine so much at a readthru, he told me what was wrong with it for a full ten minutes before concluding, "So I guess I'm saying I hate this sketch and it's trying to kill me," as he dropped it on the ground.