One time Bob despised a sketch of mine so much at a readthru, he told me what was wrong with it for a full ten minutes before concluding, "So I guess I'm saying I hate this sketch and it's trying to kill me," as he dropped it on the ground.
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John and I on the party planning committee for Kelly's party. Hanging the brown and grey balloons. We COULD NOT STOP LAUGHING.
Sorry no actual update. I've heard for years there's a movie being developed, but never from anyone actually connected with it. Personally I love the movies, that character, and all the people involved. It's some of the most fun I've had, and most the most widely received movie I've been a part of. Not sure Mike is really looking to make a new one, but I'm sure if he did, everyone would show up for it.
I love that movie. Getting to play that part was such a gift for me. We had a real balance of genuine emotional resonance, with highly stylized high school life. It's all subject matter and humor that I love. Plus everyone on set and in production knew each other, or were aware of each other over the years, so filming was kind of like a party. GREAT TIME.
I loved it when Conan came in and interrupted us from working to make us laugh for hours while production was waiting for us to write a sketch. Conan wasted more time than anyone on that show, but it was a lot of fun.
Wow. There are so many Chris Farley stories to tell. I try not to overdo it, because they are very personal, but they are so funny, people should hear them. I just told one on Howard Stern this morning that was ridiculous. But I will say here's one: Me, Him and Adam Sandler were walking to dinner, during SNL, and this cute girl was getting in a cab, and we commented how pretty she was, so Chris ran over and climbed in the cab with her, and said "hey, you goin' downtown? Let's share a cab!" and she started yelling at him and kicking him. And he finally came back, and we said "Chris, if they don't know who you are, you are just a crazy fat guy trying to climb in a cab with them."
And then we ...
Being on Curb was the most fun I've ever had other than watching my twin boys clown around for me. It was like comedy fantasy camp. Larry David is another mega-hero for me. I auditioned and got cast as Yari, the vaguely foreign softball coach/mechanic. But I didn't know until I showed up for the shoot that they wanted me to do a speech to the team. So I asked Larry Charles, the director, if it's okay to curse. And he gave me the answer I wanted to hear. So I had about ten minutes to write a couple of things down that made me laugh. Then we shot it and Larry didn't know what was coming. I've heard he's an easy laugher but still, seeing him crack up felt like alley-ooping to Michael Jordan. I'...
One, the first time I met him he kept saying he was thinking about quitting comedy and playing baseball, and I thought he was joking. I know that doesn't read too funny, but...Now I'm paranoid like, Brody's looking down at me telling boring stories about him and being like "thanks Todd! hundreds and literally hundreds of stories, and THAt's what you choose to share with people. NOT me at my best."
My favorite memory of the movie was Chris Farley, because we had him play a guy whose nose was bit off by a Saigon whore. So he did all the scenes with no nose, and he would improvise all his dialogue, he would ask first if it was alright, and I would say "sure," because he was just the funniest guy ever. It was really sad with Chris because he would always say he wanted to be as funny as John Belushi, and I would say that he funnier than John Belushi, but he never knew how funny he was. Sad.
Ben and Tom are having lunch with a drunk Joan Calamezzo who is creepily hitting on Tom and we have this exchange:
Joan: I'm going to go to the bathroom and powder my nose... amongst other things.
Ben: Dude, is she gonna go powder her vagina?
Probably the hardest scene I've ever had to get through without breaking. Adam and I just had to skip doing it for the first few takes. It's on the blooper real I believe. Also, props to Mo Collins, who always brings it as Joan.
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Q: What was it like working with Jonathan Winters? I remember him being one of my father's favorite comedians and you were mine so we kind of bonded over Mork & Mindy in a slightly bizarre way.
A: It was a joy. I believe i said in the Academy Awards it was like dancing with Fred Astaire but it was even better than that, because being around him, he would perform for anybody. There was no audience too small. I think I once saw him do a cat for a beagle.
And I had the same experience watching the Tonight Show with my dad. Watching and laughing at Jonathan with my dad helped us become closer, very much so. My favorite Jonathan Winters one liner is "Have you ever undressed in front of a dog?"
It was very fun. Amy is a joy to watch work. I learned a lot from seeing her on set. She is involved with every part of the shoot and she is extremely upbeat and charismatic at 5'oclock in the morning even if she didn't want to be because she knew it was important for everyone involved in the shoot.
Only worked with him that one day on Chappelle. I really loved Patrice. But he had complicated energy. I sort of diffused on chappelle by whispering to him, "I know you don't listening to people, but..." And he was like, "Nahh...Where'd you hear that?" Meanwhile, he hated listening to people. One things about Patrice: He's the only person in my entire life who ever called me on the phone out of the blue just to tell me he thought I was funny. Another thing: I wanted to act in a pilot I co-wrote and was directing with Dov Davidoff. This is in 2009. I call Patrice. I go, "Dude, I want you to be in this pilot. But are you gonna be a pain in the ass?" He's like, "Neal, how the fuck you gonna cal...
I had an easy time working with him because I wasn't in many shows and got to go home early when he was being an asshole.
I wouldn't want to ruin someone else's act. I have to say when I was on Lucky Louie I loved acting with Pamela Adlon. That was like being a comedy team. She had all the skills.
Like working with your grandpa. You have to yell a lot, lot of stories about the good old days, but you love him in the end.
I would LOVE to tour with Kevin, that would be a lot of fun. I don't know what we would call it. It would probably NOT be "Between a Rock and a Hart Place." But if Kevin wants to tour, I'd get ready.
It did, in that I met people I respect and continue to work with, like John Mulaney, Mike Birbiglia, Alison Becker, Brian Donovan, Ed Herro, etcetera.
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