This is a very common problem for most comedians. Lemme ask you this - How bad was your childhood? If it was really bad, chances are you're already comfortable with feeling like a failure. So you're actually ahead of the game!
Stand up is You vs You so tell that scared little bitch to calm down. You aren't fighting in Afghanistan or battling cancer. You're just telling shit jokes to strangers. Good luck and godspeed. Go for it!
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Related posts tagged 'Advice for aspiring comedians'
I never had a plan. I just sort've ambled along, doing exactly what I wanted every day of my life. It turned out well. I could easily be sleeping in a ditch now. I'd say always follow your passions. Even if you fail, you've had a great time trying.
Well, it didn't seem like I had much of a choice. I don't think that - you know, I don't think that my hand would have cooperated with my brain if my brain was telling my hand to write something it didn't really want to write. But I remember when there was some interference from NBC with "Seinfeld" when we first started doing it. And fortunately I didn't have a family at the time. So it's - it was very easy for me to say to them, no, I'm quitting; I'm not going to do that. I don't want to do that, and I can't do it.
And for me, it wasn't a big deal to just pack up and go home. Like I said, I hadn't - I didn't have a family. It's much harder. That's the first piece of advice I'll give anybod...
Find other people who make you laugh and spend as much time with them as you can. They'll make you better and keep you motivated.
I think moving to LA was huge for my career. For those young people, eventually you go to either NY or LA. Listen to your gut. If you're in NY and think it's where you should be, you should be there. Don't believe the crap about NY. LA isn't full of plastic or phony people. I've met some of the best people in LA. If you hang in and work your ass off, you'll one day pick your head up and have made progress.
A lot of people want to get into comedy and talk about it, but you don’t realize the first step to getting into comedy is actually going to do it. You can’t do things that you don’t put actions behind. So sit down, take a piece of paper, write out your thoughts and then go to an amateur night and try them. If it doesn’t go well, see what worked, what didn’t work and go back and try it again. But don’t be a talker, be a doer.
I started when i was 17. I got a good head start, skill-building wise, but I sometimes think I missed out on a lot of “Life” that I could be drawing from now. Try to go to college and get some knowlege. If you don’t do that, make a deliberate attempt to read a lot and educate yourself, so that you don’t just become a siv for American pop culture.
If you spend all your time on stage talking about the cover of People magazine, you won’t go far, you won’t last, and you’ll be bored before you get good. Take advantage of the head start you’re giving yourself by stopping as often as possible to live your life, explore America and grow as a person.
When you go to some shit town to do a one-nighte...
Louis CK once told me to never let go of a bit. I tend to throw away a lot of ideas if they're not working, but now I think I'm going to go back to stuff I once believed in, and see if I still find it funny and can maybe re-shape it into something good.
Question: how do you organize and develop your material and various jokes? Do you have notebooks full of detailed notes and jokes, or do you just sketch them out and wing it on stage?
Answer: I believe in detailed notes and jokes, and also winging it onstage. But, not for your first open mic. For your first open mic, my advice to you would be to make sure you have what you're gonna do memorized, to the point that one of your friends can gently slap you across the face, and you'll still be able to get it out of your mouth.
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Related posts tagged 'Bombing'
It’s a tricky thing [delivering a speech]; no-one wants to come up here and bomb. It’s really, literally the stuff of nightmares. I’ve had that nightmare a lot of times, and I know you want to be entertained, so for me to calculatedly not entertain you in order to be true seems sort of selfish. So I find myself in this push-pull relationship with my opposing desires, which I think is a big part of what characters are and what characters do in real life – people in real life, characters in movies.
One time a guy threw a donut at me and I just opened my mouth and ate and swallowed the whole thing within one second.
It was the first sketch I ever did. I got confused with stage direction, and literally did not know what color I was on the cue cards, so I just froze! Hey people, it's live TV, and the experience has made me a better performer. AND took away the fear of being in sketches!
Of course, all the time! I have really bad anxiety and I’m an introvert, and as a comic sometimes you can’t find it up there and you lose it for a second. You’re just telling words to an audience but there’s no connection, and that’s when you bomb.
I once had half the crowd walk out on me in Seattle when I asked an obese journalist student if she was getting into food criticism.
Before I did the "my creeeeepies" bit on Comedy Bang Bang, I did it onstage at UCB and it ate shit so hard. One would think I then wouldn't do it again on a podcast for a much larger audience but I couldn't resist!
On 3 different occasions I've had women attempt and sometimes succeed at coming on stage to show me their boobs. I know it doesn't sound like the worst thing but one woman had such a big rack that I was seriously scared I was gonna suffocate to death. Good thing she was so wasted that she almost fell of the stage and another audience member was able to catch her and pull her down. In the end when she was kicked out and I realized my life was no longer in Jeopardy it became one of the best shows I've ever had. We'd all been through so much together and were bonded.
I’ve always enjoyed the challenge of getting out of my comfort zone. I think that’s what you should do. I understand the temptation if you’re an alternative comic to just do alternative rooms. Or if you were a club comic to just do club rooms. Or if you’re a white comic just to do white rooms. It’s because bombing is so humiliating that you want to avoid it. But humiliation is where the growth is. This is also like why I enjoy drinking and I don’t like pot. I feel like with drinking you have to earn it. You gotta get those drinks down.
I don't know about you [David Letterman], but I find any little thing I do, if it doesn't go well, I just carry that bomb juice on me for days. I had to do something the other night at a charity thing, and I was promised I didn't have to write any jokes, and every year I forget that when I introduce the band, it takes them two-and-a-half minutes to bring the banjos out and stuff. And so it was like, "I'm here. I have nothing." And I'm dying. And I don't even have the wherewithal to improvise anymore. I just stood there. And then for three days, I was in a bad mood because I bombed.
The thing I try to remember with hecklers is just to take my time and listen to them. I believe it was Chappelle who said, "A heckler's first punch is their best punch." They're generally not clever people. You don't see a lot of scientists going to comedy clubs and heckling. They're just drunk. And mostly women. So you just have to take your time and then eviscerate them.
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Christina Pazsitzky