90% improvised and about 10% scripted. we sort of write out a storyline, and then we do our own dialogue.
Related posts tagged 'Making a show'
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Related posts tagged 'Making a show'
On navigating the the challenges of having a main cast member pass away (in the show Silicon Valley)
On navigating the the challenges of having a main cast member pass away (in the show Silicon Valley)
The loss of CEW was fucking hard. I saw him with @rosepetalpistol at a place on the east side days before he passed away, his wife and beautiful daughter were there and we talked for 40 minutes about life, the show, and him. It was a huge blow to the show, he was the funniest person on it. So he's irreplaceable and I think that everyone felt that, and I felt worst for the writers and editors, seeing him over and over, writing him out of the show, the whole lot of it. But in the most disgusting and at the same time beautiful way, "the show must go on."
I think that saying means something bigger than most people think. The show is the most important thing in many ways, because it is for the w...
Each season has had its difficulties in producing them - and let me just say that I am really proud of the episodes in the second half of season three. I think they're super funny. There is a story to why I think they're a little inconsistent in production:
For season two, we wrote all 20 episodes before we started shooting, and we shot them all out of sequence. I think the christmas episode with Zach was one of the first ones we shot, and I know the Halloween ep with Pee-wee was in our second week. So we really got to figure out an order after the fact that made sense.
For season three, we had an earlier premiere date, but we started at the same time. So, even though we still wrote everyth...
No, no. It was never mentioned. I never thought of it. Jerry never thought of it - furthest thing from my mind. And by the way, I couldn't have done it anyway. There's no way that I could have. First of all, they wouldn't have let me do it (laughter). But even had they let me do it, there's no way that I could have done that and also been the executive producer of the show. It would have been way too hard. I mean I had a 24/7 job just on the writing end of it and the producing end. So there's no way I could have been in it.
The audition process for Drake and Josh was very extensive. Three auditions and a screen test. I KID! I auditioned at the Nickelodeon Studios and like every actor's first onscreen role, I shared a scene with a watermelon lamp that my character built for a science fair.
I like that the show goes in different and unexpected places. It's sometimes fun to set thing up then take a step back if the business owner starts having their own ideas or pushing things forward. Later this season, I encounter a business owner that actually gets more into the idea than I am. But yeah, I like a variety of responses or reactions.
I tried not to ever think of it as replacing Steve Carell. No character or person is replaceable. Everyone is different and we all bring our own set of strengths, skills, and foibles to the table. That mindset was really liberating and allowed me to focus simply on Andy and how he, as a character, would adjust to the new job. And that was definitely a big challenge. But a really fun and exciting one.
Related posts tagged 'Improv'
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Related posts tagged 'Improv'
The second rule of improvisation is to not only say “yes” but “yes and” … you’re supposed to agree and then add something of your own … “if I start a scene and say “it’s so hot in here” and you just say “yeah”, we’re kind of at a standstill … to me, “yes and” means don’t be afraid to contribute, it’s your responsibility to contribute … always make sure you are adding something to the discussion … your initiations are worthwhile …
When I first started taking improv classes (2003), I never used my own voice once in a scene. I really didn't feel comfortable doing that. I was a distinct character in every improv scene I did until I moved to NYC and started taking UCB classes (2008). So all of that character practice was great, but dropping them was also huge for me because it was easier for my performance style to translate to TV work.
the poker scene in season 1 was very written but then i let the guys go off and fuck around. i used some of that. I don't generally let people improvise though. That works for shows where you have two cameras that are just sort of following the action. i shoot my show like a movie and it would be all fucked up if folks just said things.
The first rule of improvisation is “agree” always agree and say “yes” … when you are improvising this means you are required to agree with whatever your partner has created … so if we’re improvising and I say “freeze I have a gun” and you say “that’s not a gun, it’s your finger” our improvised scene has ground to a halt … now in real life you are obviously not going to agree with everything everyone always says but the “rule of agreement” gets you to at least start from an open minded place … start with a “yes” and see where that takes you … as an improvisor I always find it jarring in real life when I meet someone who’s first answer is “no” …
The next rule is “make statements” which is a positive way of saying don’t ask questions all the time … if we’re in a scene and I say “who are you?” or “where are we?” or “what’s in that box?”, I am putting all of the pressure on you to come up with the answers … in other words, whatever the problem, be part of the solution … don’t just sit around raising questions and putting up obstacles.
i would use that money to maybe produce shows and perform as much as possible. reading books by Keith Johnstone or Del Close could give you some theory, but nothing will teach you like the stage and performing as much as you can! Watch great improv, it will help you do great improv. Maybe take the team to chicago for a few shows? That will be hugely helpful! Good luck
I started to take improv classes with Washington Improv Theater at the exact same time I started going around to open mics in DC to watch and if lucky perform. Took about a month of watching before I really got to get on the microphone at any of the shows. So that month of foundations of improv learning with the great Dave Johnson really influenced my approach to standup. Not that I wanted to get up and improvise but the moments of not being funny on stage was easier to cope with after having learned to relax and build from nothing in class.
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