NO I do not improvise on the set of Breaking Bad. I don't need to. I approach it as a classically trained actor. I watch James Lipton interview someone, then I read the script, then I memorize the script, then I watch more James Lipton, then I put my make-ups on, then I take them off, then I act my pants off. Then, in post, they put pants back on me. The expense of putting pants back on me in post is killing the show. Send me pants, save Breaking Bad!

It was incredible. I have a movie coming out called The King of Staten Island. Steve plays my superior in a fire house. He was such a nice guy. We were trying to be respectful but eventually asked him a ton of questions about Reservoir Dogs. He's just one of those guys that can raise half an eyebrow and steal the whole scene. I've seen everything he's ever done. He's had one of the greatest careers in Hollywood. Amount of work and level of quality.

We have a zero tolerance policy. If the kids or their parents aren't cool with what we do then they can't work on the show. Not trying to be dicks or anything, but we put it out there so we don't have to watch our mouths at all. You'd be surprised at how cool most people are.

Well, we didn't part well. I was sort of ambitious thinking that I could hire someone that had the intelligence to do a job but didn't have necessarily speech or couldn't quite hear or spoke in sign language. She was a bright person and witty but she had never been away from her home before and even though I tried to accommodate more than I understood when I first hired her, she was very young in her emotional self and the emotional component of being away from her home was lacking. I tried my best, but I was working all day. She was lovely and very smart, but there's a lot of frustration when you meet people who can't speak well. Being completely disabled in that area causes a great amount ...[Read more]

I would do it, but I’d have to be a Seinfeld or a Ray Romano, being myself. Imagine me crying on TV. That wouldn’t work. I did an audition once where my dad died in the script, and I was like ‘uh, dad, you’re dead.’ They were like ‘get out of here.’

someone asked "what movie was the most fun to act in" and deleted their comment, so here goes: Well, I did a film with Jim Jarmusch called Broken Flowers, but I really enjoyed that movie. I enjoyed the script that he wrote. He asked me if I could do a movie, and I said "I gotta stay home, but if you make a movie that i could shoot within one hour of my house, I'll do it." So he found those locations. And I did the movie. And when it was done, I thought "this movie is so good, I thought I should stop." I didn't think I could do any better than Broken Flowers, it's a film that is completely realized, and beautiful, and I thought I had done all I could do to it as an actor. And then 6-7 mont...[Read more]

I think I am sometimes a poster child for arrested development in terms of I'm fascinated with toys and games. And I'm spontaneous. But no food fights. I'm gluten free. No, not really.

The Injury was my favorite episode. It was such freewheeling comic mayhem but so grounded at the same time.

And how was it making out with Natalie? I mean... when you have a kissing scene in a film it's not something you think about as a kissing thing. You have all these crew around. But she's a lovely kisser, very polite. But here's a little-known fact: there's one person in the world that both Ashton and I have kissed, and that's Natalie Portman.

The scripts is one of the greatest conceptual scripts I've ever seen. It's a script that was so unique, so original, and yet it got not acclaim. To me it was no question that it was the greatest script of the year. To this day people are talking about it, but they forget no one paid any attention to it at the time. The execution of the script, there were great people in it. It was a difficult movie to shoot because we shot in winter outdoors. If you ever get to go to Puxatawney, you should go, it is one of the few things that is BETTER than advertised. It's really something to see. But doing the movie, shooting the scenes over and over, it's like an acting challenge. It's like doing a play a...[Read more]

i would use that money to maybe produce shows and perform as much as possible. reading books by Keith Johnstone or Del Close could give you some theory, but nothing will teach you like the stage and performing as much as you can! Watch great improv, it will help you do great improv. Maybe take the team to chicago for a few shows? That will be hugely helpful! Good luck

90% improvised and about 10% scripted. we sort of write out a storyline, and then we do our own dialogue.

The second rule of improvisation is to not only say “yes” but “yes and” … you’re supposed to agree and then add something of your own … “if I start a scene and say “it’s so hot in here” and you just say “yeah”, we’re kind of at a standstill … to me, “yes and” means don’t be afraid to contribute, it’s your responsibility to contribute … always make sure you are adding something to the discussion … your initiations are worthwhile …

the poker scene in season 1 was very written but then i let the guys go off and fuck around. i used some of that. I don't generally let people improvise though. That works for shows where you have two cameras that are just sort of following the action. i shoot my show like a movie and it would be all fucked up if folks just said things.

I started to take improv classes with Washington Improv Theater at the exact same time I started going around to open mics in DC to watch and if lucky perform. Took about a month of watching before I really got to get on the microphone at any of the shows. So that month of foundations of improv learning with the great Dave Johnson really influenced my approach to standup. Not that I wanted to get up and improvise but the moments of not being funny on stage was easier to cope with after having learned to relax and build from nothing in class.

When I first started taking improv classes (2003), I never used my own voice once in a scene. I really didn't feel comfortable doing that. I was a distinct character in every improv scene I did until I moved to NYC and started taking UCB classes (2008). So all of that character practice was great, but dropping them was also huge for me because it was easier for my performance style to translate to TV work.

The next rule is “make statements” which is a positive way of saying don’t ask questions all the time … if we’re in a scene and I say “who are you?” or “where are we?” or “what’s in that box?”, I am putting all of the pressure on you to come up with the answers … in other words, whatever the problem, be part of the solution … don’t just sit around raising questions and putting up obstacles.

The first rule of improvisation is “agree” always agree and say “yes” … when you are improvising this means you are required to agree with whatever your partner has created … so if we’re improvising and I say “freeze I have a gun” and you say “that’s not a gun, it’s your finger” our improvised scene has ground to a halt … now in real life you are obviously not going to agree with everything everyone always says but the “rule of agreement” gets you to at least start from an open minded place … start with a “yes” and see where that takes you … as an improvisor I always find it jarring in real life when I meet someone who’s first answer is “no” …