My brother Brian was my first great influence. He made much of what I am possible. To this day, if I have a question about something ethical or about being an actor or entertainer or a person or something like that, he's a person who helped form me. Shooting scenes with him is delightful. The idea that the two of us get to entertain is a kick.
I had a good time working on Dogma, with Kevin and the guys. The only thing I remember about it was being naked for a LOOONG time on the ground... I fall out of the sky naked, so...
We have a zero tolerance policy. If the kids or their parents aren't cool with what we do then they can't work on the show. Not trying to be dicks or anything, but we put it out there so we don't have to watch our mouths at all. You'd be surprised at how cool most people are.
And how was it making out with Natalie? I mean... when you have a kissing scene in a film it's not something you think about as a kissing thing. You have all these crew around. But she's a lovely kisser, very polite.
But here's a little-known fact: there's one person in the world that both Ashton and I have kissed, and that's Natalie Portman.
Sean Bean was great! Huge fan of Game of Thrones! So bummed Ned Stark got murdered! So happy to work with Ned Stark! He's the chillest person ever. He's like... just a normal British guy whom you can just shoot the shit with.
It's a challenge. From the first time I played the role I was amazed at the amount of talking the character does, and in order to know those speeches I have learned about reading them over and over and deconstructing them a little, something most comic sketches do not require. But it's very rewarding. A character like Cal Mackenzie Goldberg who I play in "Let's Do This!" (please do check it out on Adult Swim.com) is a more heightened character who I can improvise in. Saul takes some contemplation.
NO I do not improvise on the set of Breaking Bad. I don't need to. I approach it as a classically trained actor. I watch James Lipton interview someone, then I read the script, then I memorize the script, then I watch more James Lipton, then I put my make-ups on, then I take them off, then I act my pants off. Then, in post, they put pants back on me. The expense of putting pants back on me in post is killing the show. Send me pants, save Breaking Bad!
It was incredible. I have a movie coming out called The King of Staten Island. Steve plays my superior in a fire house. He was such a nice guy. We were trying to be respectful but eventually asked him a ton of questions about Reservoir Dogs. He's just one of those guys that can raise half an eyebrow and steal the whole scene. I've seen everything he's ever done. He's had one of the greatest careers in Hollywood. Amount of work and level of quality.
The scripts is one of the greatest conceptual scripts I've ever seen. It's a script that was so unique, so original, and yet it got not acclaim. To me it was no question that it was the greatest script of the year. To this day people are talking about it, but they forget no one paid any attention to it at the time. The execution of the script, there were great people in it. It was a difficult movie to shoot because we shot in winter outdoors. If you ever get to go to Puxatawney, you should go, it is one of the few things that is BETTER than advertised. It's really something to see. But doing the movie, shooting the scenes over and over, it's like an acting challenge. It's like doing a play a...
Absolutely. Weirder still was that my brain, slowly bleeding from a minor hemorrhage caused by an AVM (different from an AMA) was causing me to go insane, so that added to the madness. You truly don't even question your sanity when you are losing it. It's such a bizarre thing....
I loved making FLETCH. Probably was my second most favorite movie to make, just because I was allowed to make up so much of the dialogue. I can't even remember learning any dialogue! I was just given the right by Michael Ritchie, a terrific director who's passed away, I'm sad to say, but he let me just go. And that's why I had such a good time doing it, and you know, looking back on that, I don't think I've ever been funnier in some ways!
I tried not to ever think of it as replacing Steve Carell. No character or person is replaceable. Everyone is different and we all bring our own set of strengths, skills, and foibles to the table. That mindset was really liberating and allowed me to focus simply on Andy and how he, as a character, would adjust to the new job. And that was definitely a big challenge. But a really fun and exciting one.
BLACK SWAN used to be the most physically demanding part I'd ever done, until JUPITER ASCENDING. We trained for 3 months before production, and I learned how to be in en pointe, and how to be a ballerina. And then for JUPITER, you do maximum amounts of wirework training every day. So for BLACK SWAN, I trained by dancing every day for 3 months, and learning how to get en pointe in 3 months. Ultimately, it was all about learning how to pretend to be a ballerina. And I mimicked my ballet instructor more than anything.
I've always been a fan of sci-fi. And so when the opportunity to work with the Wachowskis on a sci-fi film that is a fully original concept, that was really intriguing to both Channing and myself. And it's one of the first times you get to see the female be a heroine, versus a damsel in distress. She kicks ass, which is always a rarity in the industry. In sci-fi films, it's uncommon for the woman to be the badass. But the Lara Croft movies, Aliens... the fact you can count it is a problem versus all the action films where the heroes are always men.
It's hard to pick, it's like saying pick your favorite child, I can't. I like doing both comedies and dramas, so it's very difficult to say which one I prefer. I've been very blessed to have had the chance to explore such a variety of characters.
I love playing a variety of characters, and really enjoy getting into the skin and brain of them. So getting to do those movies in the same year was particularly rewarding. They were months apart, and required completely different preparation. I actually had to get ground and mechanical instrument training for Knockaround Guys, since I had to convincingly be a pilot- I even had to operate the brakes on our landing. One of the most terrifying and empowering moments of my life. With Rat Race, I got to have silly fun with some of my favorite stars (including Breckin) and Jerry Zucker- who's responsible for some of my favorite things like Top Secret, Airplane, and Police Squad. It was a great ye...
I think playing Oliver Sachs in Awakenings was a gift because I got to meet him, and got to explore the human brain from the inside out. Because Oliver writes about human behavior subjectively and that for me was the beginning of a fascination with human behavior.
The Joe Dirt wig was itchy. And one time, I walked away from the set at a TV studio when we were doing some Dennis Miller stuff, and I got lost, and I had my janitor's uniform on, and the security guard wouldn't let me back into where I was supposed to go, and I didn't have a cell phone, so I had to sit there for 15 minutes until some PA came to look for me, and I had to explain to them that I was dressed as a janitor with a wig on, and that was an actual story, that sounds fake but it was funny to me. Long story short: I loved the wig, I thought it was hilarious, it was hard to wear all summer but it cracks me up. I think it's in some vault somewhere in the Smithsonian right now, surrounded...
Rainn Wilson