Process of coming up with songs

Our process is... we rarely ever start with lyrics... it often begins with us jamming (or jammin') on some riff and then we start singing a melody that fits the music... and whatever words come out that's 90% of what we go with. We got a rule that we can't revise lyrics cuz we think it's funny. DO YOU?!!!

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The Yeezus tour was one of the best shows I've seen in my life. great production. A mountain. White Jesus. Dancers. Hit songs.
Q: I know your brother is a huge Phish fan (he posts on a Phish message board I regularly post on) and I was wondering if you had any thoughts on the band A: YES I know all about the PT board hahaha. I like a few Phish songs but I'm sure they're the lamest ones to real fans, because they're the radio songs! "Farmhouse" and another one I can't remember because I don't ever listen to Phish. :) But I like how into them their fans are and I respect my brother's taste in music!
producing the music is maybe my favorite part of the whole thing. I go into a studio with Matt Kelmer and a handful of great musicians that work under the title "Sweet pro" and we just fuck around. I get to cheat and make music without the training. I ask them for different moods and sounds and they try it. or we'll say let's go with cello and piano for a while and try a few things there. The cello player, wish i fucking knew his name, is tremendous. he creates whole pieces by himself and I use them ALL.
I have been to a few Phish shows over the years, and my friends in high school were (and continue to be) really into them. Mike Gordon actually wrote back to me about it, which made me look really cool to my high school buddies.

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I started playing bass in high school. I've played bass and sang in a few bands! Who were the LUCKY ONES that got to see...? Suzanne (1997-2000) - Le Mars, Iowa The Subordinates (2000-2001) - Iowa City, Iowa My Business Failed in Three Weeks (2001-2004) - Iowa City, Iowa Don't Stop or We'll Die - City of Dreams, California

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I don’t go, “I’m gonna write a joke.” I just go through the world and see stuff. It’s like I exercised the part of my mind of noticing things, to the point where I’m now noticing things without even trying to notice them.
plotting can be tough because you're never quite sure you're doing it right - it's usually kind of like an exploration. You try something, and figure out what it needs. For instance, one episode we were plotting last night, I felt like it was all things happening, and no emotional connection from our charaters. So we figured out what my own personal connection to the plot would be, and that actually helped us figure out the things that would happen more easily. It's also helpful if your characters can have opposite points of view about what's occuring. To motivate, I would try to outline as much as you can before you ever start writing a line of dialogue. If you're having trouble plotting, ...
I don’t think my personal story, what’s actually happened in my life, is that interesting to anyone, but I think the feelings we all go through that are universal to the human experience are stories that I’m probably interested in delving into. I think that we all become a little more attuned to the effects that our words have on other people. I think Between Two Ferns and my history with shows like Mr. Show [with Bob and David], we embraced button-pushing and trying to find where the line is, and the line continually moves, which is a great thing. I think as long as it has some sort of attempt at artistry in it, it can be good to kind of try to go up to that line or even cross the line, and...
I think everyone gets tired of who they are, or their own brains sometimes. I think the important thing is to keep pushing through into unexplored territories - new ways to express ideas or new jokes. that's when I feel really good- hitting on something new.
Initially they came in and I was just doing the scripted lines and I asked "Do you mind if I try something?" and then 18 hours of recording later, they had the genie. I just started playing, and they said "just go with it, go with it, go with it." So I improvised the character. I think that in the end, there were something like 40 different voices that I did for that role.
i usually just think of one funny grain of the character's identity and let it build from there. with hoho, for instance, i just wanted to be an elf who delivers toys to naughty kids.
All of my jokes happened to me. Sometimes I will change details (names or where I saw something happen - saying "someone I dated" instead of "my current boyfriend" etc) to protect people I have relationships with but the material is true.
You know, you’re very funny. But these people have no time for your cleverness. Just get to the point. (advice told to John by Ross Bennett)
I come up with a few bits on TEAS a lot of the time, those are my genuine reactions to what's happening. He does some weird stuff on that show and it throws me off sometimes.