I think everyone gets tired of who they are, or their own brains sometimes. I think the important thing is to keep pushing through into unexplored territories - new ways to express ideas or new jokes. that's when I feel really good- hitting on something new.
George Carlin said that comedy comes from looking around and saying, “There’s something wrong here.” It’s that and the twinkle feeling when an idea hits you. Something hits you then you write it out and tweak it on stage. Sometimes it works, but usually it doesn’t. And you repeat that over and over again.
I like the very moment when you think of a great idea. I also like the first time you show an audience the film, but only if it works. That also can be the worst moment of your life.
It’s just a series of steps that take place haphazardly. The file cabinet contains most of the things that are sort of in waiting, ready to be transformed into a usable language, you know? That’s the holding pen. The observations keep coming and the comparisons that the observations represent that are, you know you have a world view and it’s like your matrix and so, when you see things happen, you’re comparing those things to what you already know and how you already feel. That produces your impression. So those are things I write down, those impressions that I get from the world. So, some of them are in half form states, some of them are just ideas, just highlight, the key words, patterns, ...
Question: Peter and Nancy are my favorite characters on the show. What was the inspiration for Peter's pasta addiction and will they go anymore adventures like starting a B&B??
Answer: That came from a real dinner that Carrie and I had in Los Angeles. And we were looking at the menu, and we just thought "well obviously we can't order pasta, so I guess we have to order this." So we started talking about, why do we have to avoid pasta so much? So it was more that we were weighing the difference between the difference between enjoying life and really living, or ordering salmon.
Intuition mostly. I trust the writers I work with and my own instincts. If we all feel like something is hilarious or fresh, I have to assume it is. And those are the things that tend to be well received.
Initially they came in and I was just doing the scripted lines and I asked "Do you mind if I try something?" and then 18 hours of recording later, they had the genie. I just started playing, and they said "just go with it, go with it, go with it." So I improvised the character. I think that in the end, there were something like 40 different voices that I did for that role.
Question: how do you organize and develop your material and various jokes? Do you have notebooks full of detailed notes and jokes, or do you just sketch them out and wing it on stage?
Answer: I believe in detailed notes and jokes, and also winging it onstage. But, not for your first open mic. For your first open mic, my advice to you would be to make sure you have what you're gonna do memorized, to the point that one of your friends can gently slap you across the face, and you'll still be able to get it out of your mouth.
All of my jokes happened to me. Sometimes I will change details (names or where I saw something happen - saying "someone I dated" instead of "my current boyfriend" etc) to protect people I have relationships with but the material is true.
I don’t go, “I’m gonna write a joke.” I just go through the world and see stuff. It’s like I exercised the part of my mind of noticing things, to the point where I’m now noticing things without even trying to notice them.
I tend to assume vodka and I know it seems unlikely that Rick wouldn't use sci-fi tech to somehow augment whatever he drinks but I think in rick's mind part of the "addiction" to the flask of good old fashioned booze is that it anchors his identity, and I think he knows that if he augmented the booze or the flask, then why not just whip up a very rudimentary nanobiotic alcohol dispenser in his body or inject himself with a plasma component that just amounts to always having a certain blood alcohol level, and I think the reason he doesn't do that is because he's a little afraid he'll lose sight of who he is
Get familiar with the BURN of the learning curve and just accept that the only way to get better at anything is to fail over and over and over. I saw this video of this amazing archer and he was shooting arrows through tubes and quarters and making these amazing shots and someone next to him said "Lucky shot!" and he said "The more I practice the luckier I get!"
I don't have a source except I keep thinking of things to say, so far. I don't really relate to the idea of "unacceptable". comedy is talking about anything. So... I do that.
I was just on twitter talking about Roseanne because she gave mea first job, and I thought of her and Chappelle who I have both worked with, and who have both been called "Difficult" or "crazy." And that word crazy when it's applied to an entertainer can torpedo their career. One time I was on a show, and I wanted to get Burt Reynolds to play my father, and the director said "You don't want Burt Reynolds, he's crazy." I said "I don't want you to be my director. I want Burt Reynolds." So crazy just means creative. And difficult just means hardworking, and opinionated. And Roseanne was a victim to this specifically because she was a woman, which is very sad. But that's all I was saying.
There was a world of junkies and winos, pool hustlers and prostitutes, women and family screaming inside my head, trying to be heard. The longer I kept them bottled up, the harder they tried to escape.
[In reply to Louis CK, who was leading a discussion about the importance of maintaining a physical training routine and its relation to comedy]
Louis,
I concur that poor health leads to sloth and effects your creativity. Repeating any behavior continually will effect your writing as it gives you nothing new to say. I do drugs, yes I do but I only do them socially. Its the fact that I talk openly about it that gives the impression that there is a frequency. I’ve probably done mushrooms 6 times this year, acid once (poor quality), coke maybe 5 or 6 times, and about three xanax a week to sleep. I dont smoke pot.
So smokes and drink are about my only habits and the cigarettes certainly n...
That would be me, Robert, when I was EPing Dana Carvey's prime time variety show in 1996. We wanted to to do cartoons on the show, and pretty much anything that make it feel different than SNL. The great writer and deviant Dino Stamatopoulos pitched me something entirely different - what if characters like Wallace and Gromit were clearly having a sexual relationship? I didn't know much about what would be acceptable to the ABC audience watching after Home Improvement but I correctly identified that as unacceptable. Anyway, for some reason, the AGD idea just came to me at the end of that conversation. What if we did two superheroes and everyone suspects they're gay? It was always more about t...
If you ask yourself, `Is there anything I can do to get a laugh?’ you can find a lot of things.
And usually they’re things that other people have found. But if you take something that’s never going to work and you go, `Wow, I wonder if there’s any way I can get somebody to laugh at this?’ it’s a great challenge.
There is no line that I know in terms of what's "too far," whether that means too sentimental or too ...I don't know, controversial or confessional....a "boundary" is an artificial construct, we have to create boundaries when they involve other people, precisely because it makes empirical something that would otherwise be frustratingly subjective (like that neighbor that just kind of 'feels like' their yard extends into yours, in which case you have to go to city hall and pull out a map with lines on it). In matters of creativity - when you're sitting and writing dialogue by yourself, there's no lines needed because you're not having to function in cooperation, your job in creation, I think,...
Scott Aukerman