Advice for the lazy aspiring writer

keep sleeping.....then get off the couch.

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Related posts tagged 'Writing'

I finished writing my book, and I started writing another book, because I think I like writing books. I'm writing a children's book, Victoria, and it's about a boy, you know how all little children are different? You know how the beautiful thing is about little children are all being different? Well this is about a little boy who is the same. That's what the book's about. And I think there's a bidding war right now, but I believe it will be either Harper Collins or self-published. So down to us two.

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I am painfully conscious of the harm that occurs when participating in the media with unclear intentions. I do not want to be a salesman, I do not want to scream, ‘Buy me!’ or, ‘Watch me!’ And I don’t want to do that tonight. What I’m trying to express – what I’d like to express – is the notion that, by being honest, thoughtful and aware of the existence of other living beings, a change can begin to happen in how we think of ourselves and the world, and ourselves in the world. We are not the passive audience for this big, messed up power play. We don’t have to be. We can say who we are, we can assert our right to existence, we can say to the bullies and conmen, the people who try to shame u...
I think any writing benefits you. I'm writing every day even though it's not necessarily stand up writing. Just sit down, try not to be distracted and write.
it all comes in seasons and waves. the best we can hope it when we are called on, we are in a creative season! and if we're not, sometimes that panic of a deadline is enough to snap me out of it. but it's all self love. if youre blocked, love youself anyway. it's a better strategy and will make it go away faster than being hard on yourself. take a nap! take a walk! take a drive! watch a movie! it's all writing. just in your subconscious
I just find the more personal and brutally honest you are, the more people connect with your material - be it standup or narrative.
9am. Wake up, turn on some music I like, put on a pot of coffee, and sit down to start writing! A few productive hours and then a break for lunch, and then a couple of more hours if possible: sounds like a plan! 9:15am-4:30pm: Read, text, look up stuff on the internet, read, text, look up stuff on the internet, in a trance cycle 4:30pm: Think "Jesus Christ, have I really done NOTHING all day?!? The day is almost fucking over! I am really fucking worthless." 4:30pm-7:30pm: Write like a maniac. 7:30pm: Decide, "okay, at least I got SOMETHING done today. Tomorrow, I'm going wake up early, be at my desk by 9, and really make up for lost time. REPEAT
It's like talking but without the immediate regret afterwards

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It [writing a speech] is very much like when I have a job writing a screenplay. I think I wanted to do something true and I wanted to do something helpful. What complicates it, in addition to the fact that that’s a hard thing to figure out, is that I also struggle with wanting you to like me. In my fantasy I leave here and people are saying, ‘Great speech!’ you know, and, ‘Not only is he a great writer but boy, I really learned something tonight, he really brought it!’ So as much as I know that this neediness of mine exists, I also have a difficult time extricating myself from it, or even fully recognizing it when it’s happening.
It hasn't changed at all. I have an idea, I act it out in my head, and then put it into a dictaphone, usually playing all the parts. The only thing that's changed is expectation. It was nice to come from nowhere. But you just have to put all of that out of your mind, and write like this is your first breakthrough job. And always write about what you know.
plotting can be tough because you're never quite sure you're doing it right - it's usually kind of like an exploration. You try something, and figure out what it needs. For instance, one episode we were plotting last night, I felt like it was all things happening, and no emotional connection from our charaters. So we figured out what my own personal connection to the plot would be, and that actually helped us figure out the things that would happen more easily. It's also helpful if your characters can have opposite points of view about what's occuring. To motivate, I would try to outline as much as you can before you ever start writing a line of dialogue. If you're having trouble plotting, ...
Question: how do you organize and develop your material and various jokes? Do you have notebooks full of detailed notes and jokes, or do you just sketch them out and wing it on stage? Answer: I believe in detailed notes and jokes, and also winging it onstage. But, not for your first open mic. For your first open mic, my advice to you would be to make sure you have what you're gonna do memorized, to the point that one of your friends can gently slap you across the face, and you'll still be able to get it out of your mouth.
I don't have any real alterations I'd make, like "oh, I put the threshold in the wrong place," but I do have a much simpler view of the circular story model, based on years of breaking well over a hundred stories with it...little tricks that make viewing a story even easier and I guess a little less out-and-out hero's journeyish in favor of something more fundamentally geometrical. I'm hoping to share these discoveries in some part of the book I'm writing for Doubleday, in the chapter between the shit from my childhood nobody cares about and the Chevy Chase stuff I forced everyone to care about.
Q: The greatest comedic novels (Don Quixote, Tristram Shandy, Pale Fire, Based on a True Story) all make heavy use of metafictional elements. I'm leaving out A Confederacy of Dunces because I hated that book. Anyway, were you consciously drawing upon that tradition in BoaTS? Or did the story you wanted to tell naturally take you in the direction of metafiction? I ask because you have claimed to hate meta. A: I love all those books. I do hate meta but I was forced into by the scriptures of convention. I was hired to write a memoir, but secretly wrote a novel so I had to use the techniques of meta to mask it. I did it so well the New York Times called it a nonfiction.

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i felt compelled to share my mental health challenges to help take the shame and stigma off it, but i couldn't do it on stage-was just too insecure and nervous. i wanted to write the book that i wish had been available to me when i was suffering--self help books are usually very boring and i wanted to write a cool, funny one! i also wrote about getting my ear getting bitten off and almost getting arrested in guatemala which i couldn't really do while making eye contact with humans
They were all fun for different reasons. Sometimes when writing the history of UCB or the times at SNL were fun, because they reminded me of all those stories, and I would start laughing thinking of all the ridiculous people I surrounded myself with. I was just texting with Fred Armisen, and telling him that i wrote nice things about him int he book, and he was very touched, and then I reminded him that his lawyers made me do it, and I said "His lawyers will sue you if you don't write nice things about him in your book."

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After a few days you'll have a chain. Just keep at it and the chain will grow longer every day. You'll like seeing that chain, especially when you get a few weeks under your belt. Your only job is to not break the chain.

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Writing a script is different because you have to write from different perspectives other than your own. I had to write lines for my fictional wife, Leif, Artie [characters in his HBO show Crashing]... you have to imagine more than just your own opinions. A very good excercise just in general!