It hasn't changed at all. I have an idea, I act it out in my head, and then put it into a dictaphone, usually playing all the parts. The only thing that's changed is expectation. It was nice to come from nowhere. But you just have to put all of that out of your mind, and write like this is your first breakthrough job. And always write about what you know.
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Related posts tagged 'Success'
I am amazed at my career trajectory. Very seriously. I am a midwestern guy from a family where television and showbiz were not valued in any way and the whole notion of being a part of this business was very strange and hard to conceive of. Having said all of that, I love sketch comedy but I always thought I might actually have more to offer as a performer, in a slightly dramatic context. My favorite sketch performers; Chris Farley, David Cross, Dana Carvey, have a simpler, more likable energy than I do. I can't believe anyone "likes" me. But please, keep putting up with me!
What a disgusting question! How dare you ask what I've splurged on!
Oh sorry... I see what you mean.
I donated my money to an orphanage. (Only joking - I bought a mansion in the country. I must go there someday.)
[not remembering his own success] is good, because what that’s allowed me to do is have a vantage point about my own life that’s accessible to people still. I could see a guy walking down the street and be like, Even though I’m famous, I got more in common with this guy than, like, Brad Pitt. You know what I mean? Like, as a comedian, there’s a certain closeness you need with people. I listen to some of Richard Pryor’s shows as an adult, and it’s more remarkable—moments when he’s talking about freebasing and Jim Brown, staging interventions, and just these kinds of bits. Or the one where he says, "He took me in the basement and showed me the monster." I mean, I get chills thinking about that...
You know, at 14 years old, you don't really contemplate success and that aspect of work, you kinda do things because it's fun to do. We had an amazing crew and cast, and I had the best 8 years of my life on the show. It's not something you can force, it's either something that happens or doesn't. Yeah!
I don't really think about it. I do my act and tell my stories and the rest just happens. I've done with varying degrees of success and failure and been okay with all of them so I don't worry about how I'm doing i just do what i'm doing.
Well, obviously, I don't really know about jobs I didn't get. And entertainment is much more lenient, liberal and understanding about mental health issues than any other industry. (My manager said when I called him from the psych ward- "Oh! I have two other clients with bipolar- call me when you feel better!") If it has, I don't care- I didn't have much to lose by being open about it and it turns out, weirdly, it's been a cash cow, haha.
But I also had this thing where, when I was growing up, I got picked on a lot and I also beat some kids up. [Laughs.] I had a nice balance. I also felt like a freak because of how I looked. And I thought that if I became a comedian, people would see me on stage and go, “Oh, he’s a great, funny guy,” and then everyone would stop fucking with me. I thought that becoming a comic was going to fix these other problems. Of course, it didn’t. I just believed that it would for 15 years.
I still have the same freedom because i don't care, when I'm writing, that I"m famous. It doesn't help or hurt.
When we did Freaks and Geeks I remember sitting around Seth Rogen and Jason Segel, the four of us was just like, THIS IS IT! WE MADE IT! HOLLYWOOD HERER WE COME! Even though that show was so good, when it first came out a not a lot of people watched it, so we kind of had that moment and it kind of was taken away, and then it was given back to us when it played reruns
Actually most comedians who's success really sticks come to it late in life. It takes a long time to make a really successful comedian and I've known that from the start, truly. I always expected that I'd work in obscurity for a long long time. It's waht it takes and to me it was worth it. I have also alway found new and fun ways to make a living, writing for others, ect.
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Related posts tagged 'Writing'
I got started in comedy writing because i would write serious things and people laughed. My advice is growing up exactly like me with my brain and body.
9am. Wake up, turn on some music I like, put on a pot of coffee, and sit down to start writing! A few productive hours and then a break for lunch, and then a couple of more hours if possible: sounds like a plan! 9:15am-4:30pm: Read, text, look up stuff on the internet, read, text, look up stuff on the internet, in a trance cycle 4:30pm: Think "Jesus Christ, have I really done NOTHING all day?!? The day is almost fucking over! I am really fucking worthless." 4:30pm-7:30pm: Write like a maniac. 7:30pm: Decide, "okay, at least I got SOMETHING done today. Tomorrow, I'm going wake up early, be at my desk by 9, and really make up for lost time. REPEAT
I've been run ragged with press for the special lately, but when I'm home and in a routine, I make coffee, eggs, etc and try to write. Treat it like a job.
Q: The greatest comedic novels (Don Quixote, Tristram Shandy, Pale Fire, Based on a True Story) all make heavy use of metafictional elements. I'm leaving out A Confederacy of Dunces because I hated that book. Anyway, were you consciously drawing upon that tradition in BoaTS? Or did the story you wanted to tell naturally take you in the direction of metafiction? I ask because you have claimed to hate meta.
A: I love all those books. I do hate meta but I was forced into by the scriptures of convention. I was hired to write a memoir, but secretly wrote a novel so I had to use the techniques of meta to mask it. I did it so well the New York Times called it a nonfiction.
This is Harold Pinter: ‘A writer’s life is a highly vulnerable, almost naked activity. We don’t have to weep about that, the writer makes his choice and is stuck with it. But it is true to say that you are open to all the winds, some of them icy indeed. You are out on your own, out on a limb, you find no shelter, no protection, unless you lie. In which case, of course, you have constructed your own protection and, it could be argued, become a politician.’
I still have the same freedom because i don't care, when I'm writing, that I"m famous. It doesn't help or hurt.
It [writing a speech] is very much like when I have a job writing a screenplay. I think I wanted to do something true and I wanted to do something helpful. What complicates it, in addition to the fact that that’s a hard thing to figure out, is that I also struggle with wanting you to like me. In my fantasy I leave here and people are saying, ‘Great speech!’ you know, and, ‘Not only is he a great writer but boy, I really learned something tonight, he really brought it!’ So as much as I know that this neediness of mine exists, I also have a difficult time extricating myself from it, or even fully recognizing it when it’s happening.
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