That would be me, Robert, when I was EPing Dana Carvey's prime time variety show in 1996. We wanted to to do cartoons on the show, and pretty much anything that make it feel different than SNL. The great writer and deviant Dino Stamatopoulos pitched me something entirely different - what if characters like Wallace and Gromit were clearly having a sexual relationship? I didn't know much about what would be acceptable to the ABC audience watching after Home Improvement but I correctly identified that as unacceptable. Anyway, for some reason, the AGD idea just came to me at the end of that conversation. What if we did two superheroes and everyone suspects they're gay? It was always more about t...
[In reply to Louis CK, who was leading a discussion about the importance of maintaining a physical training routine and its relation to comedy]
Louis,
I concur that poor health leads to sloth and effects your creativity. Repeating any behavior continually will effect your writing as it gives you nothing new to say. I do drugs, yes I do but I only do them socially. Its the fact that I talk openly about it that gives the impression that there is a frequency. I’ve probably done mushrooms 6 times this year, acid once (poor quality), coke maybe 5 or 6 times, and about three xanax a week to sleep. I dont smoke pot.
So smokes and drink are about my only habits and the cigarettes certainly n...
Get familiar with the BURN of the learning curve and just accept that the only way to get better at anything is to fail over and over and over. I saw this video of this amazing archer and he was shooting arrows through tubes and quarters and making these amazing shots and someone next to him said "Lucky shot!" and he said "The more I practice the luckier I get!"
I think everyone gets tired of who they are, or their own brains sometimes. I think the important thing is to keep pushing through into unexplored territories - new ways to express ideas or new jokes. that's when I feel really good- hitting on something new.
it all comes in seasons and waves. the best we can hope it when we are called on, we are in a creative season! and if we're not, sometimes that panic of a deadline is enough to snap me out of it. but it's all self love. if youre blocked, love youself anyway. it's a better strategy and will make it go away faster than being hard on yourself. take a nap! take a walk! take a drive! watch a movie! it's all writing. just in your subconscious
Self-expression is a hallmark of an artist, of art, to get something off one’s chest, to sing one’s song. So that element is present in all art. And comedy, although it is not one of the fine arts—it’s a vulgar art, it’s one of the people’s arts, it’s the spoken word, the writing that goes into it is an art form—it’s certainly artistry. So self-expression is the key to even standing up and saying, "Hey, listen to me." Self-expression can be based on looking at the world and making observations about it or not. Comedy can also be based on describing one’s inner self—doing anecdotes, talking about your own fears. Woody Allen taps into a lot of self-analysis in his comedy. But I don’t think the...
If you ask yourself, `Is there anything I can do to get a laugh?’ you can find a lot of things.
And usually they’re things that other people have found. But if you take something that’s never going to work and you go, `Wow, I wonder if there’s any way I can get somebody to laugh at this?’ it’s a great challenge.
I don't have a source except I keep thinking of things to say, so far. I don't really relate to the idea of "unacceptable". comedy is talking about anything. So... I do that.
I was just on twitter talking about Roseanne because she gave mea first job, and I thought of her and Chappelle who I have both worked with, and who have both been called "Difficult" or "crazy." And that word crazy when it's applied to an entertainer can torpedo their career. One time I was on a show, and I wanted to get Burt Reynolds to play my father, and the director said "You don't want Burt Reynolds, he's crazy." I said "I don't want you to be my director. I want Burt Reynolds." So crazy just means creative. And difficult just means hardworking, and opinionated. And Roseanne was a victim to this specifically because she was a woman, which is very sad. But that's all I was saying.
creatively you use all the same tools. you tend to steer towards people you like being around... you try to make it the best thing possible given your restraints... i guess framing it for people is the most challenging part
Question: Peter and Nancy are my favorite characters on the show. What was the inspiration for Peter's pasta addiction and will they go anymore adventures like starting a B&B??
Answer: That came from a real dinner that Carrie and I had in Los Angeles. And we were looking at the menu, and we just thought "well obviously we can't order pasta, so I guess we have to order this." So we started talking about, why do we have to avoid pasta so much? So it was more that we were weighing the difference between the difference between enjoying life and really living, or ordering salmon.
I don't know exactly. I think it was Chris Kattan and myself just acting stupid in my apartment when we wrote that sketch for the Groundlings show that we were in at the time. It's also what happens when the beat of any Haddaway song hits your ear.
Question: how do you organize and develop your material and various jokes? Do you have notebooks full of detailed notes and jokes, or do you just sketch them out and wing it on stage?
Answer: I believe in detailed notes and jokes, and also winging it onstage. But, not for your first open mic. For your first open mic, my advice to you would be to make sure you have what you're gonna do memorized, to the point that one of your friends can gently slap you across the face, and you'll still be able to get it out of your mouth.
All of my jokes happened to me. Sometimes I will change details (names or where I saw something happen - saying "someone I dated" instead of "my current boyfriend" etc) to protect people I have relationships with but the material is true.
Larry David and I discovered that we were both obsessed with superman and admired him and also found him very funny at the same time, so that is why he came up a lot. Are you related to the hot dog Kobayashi in Coney Island?
I like the very moment when you think of a great idea. I also like the first time you show an audience the film, but only if it works. That also can be the worst moment of your life.
Initially they came in and I was just doing the scripted lines and I asked "Do you mind if I try something?" and then 18 hours of recording later, they had the genie. I just started playing, and they said "just go with it, go with it, go with it." So I improvised the character. I think that in the end, there were something like 40 different voices that I did for that role.
The first time we did it, Fred just starting doing that voice ("Whaaaaaat are you doing here?!") and Kristen and I were like "What?" It was so funny. I hadn't heard him do it before. Man o man it made me laugh. Then it became a game of who could stretch out the vowels in their sentences the most. It got crazy.
Intuition mostly. I trust the writers I work with and my own instincts. If we all feel like something is hilarious or fresh, I have to assume it is. And those are the things that tend to be well received.
Robert Smigel