i think we're all in character, as exaggerated versions of ourselves.
Related posts tagged 'Relationship between art and life'
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Related posts tagged 'Relationship between art and life'
sure, i think it naturally boxes me in. One fun thing is to always try to working outside of boxes though... and i think people have gotten a little too concerened about things like genres and labels. I'm hoping this record is additive to my body of work and makes me a more interesting person to pay attention to.
Monuments Men has a great script and a fascinating story that no one has ever heard before. And there are a whole bunch of great actors in the movie. You hate to say that a film is an important film but I think it's a movie that people will say enlightened them about something that was forgotten, and it's a situation that exists around the world now. For example when we invaded Iraq, we weren't really taking care of business and a bunch of criminals went in and looted the museums. It's what's happening in Syria now. It's far worse than stealing gold or diamonds. It's stealing a culture, a mystery, and if those works of art are stolen, we are losing the ability to learn about culture and abou...
I guess the most detail I can go into with recounting my life would be, I'm having fun. I believe art is using shock and awe to give you a slice or microcosm of what life is. My albums are what life seems like to me:fair, unfair, whatever. I don't want to be a "rap star". I want people to be me for however long the album is when they listen to it. There are a lot of questions on the EP and Culdesac that you should be asking yourself/I ask myself. But....yeah.
I think it's that Community and Rick and Morty don't punish obsession. I remember Megan Ganz coming to work on Community and she seemed kind of bummed out and told us that her therapist, having listened to all of her frustrations about working on Community, finally said, "but isn't it just a show?" And the reason Ganz was bummed out by that was because she knew right then and there that she now had to go and find another therapist. Nobody that worked on Community or that works on Rick and Morty has the capacity to regard the show as unimportant - people that feel that way quit - and I think you can feel through the screen that if you were to approach someone working on Rick and Morty with a ...
I separate their work completely from their transgressions. Everything about their work is extraordinary. Everything about their transgressions is utterly ordinary.
The situation certainly is. Half my family growing up were carers of some sort, mostly retirement homes (stroke, Alzheimers), and Derek is like my fictional superhero of an everyday gentle outsider. I suppose they're all little fables about kindness. And possibly, a love letter to my lovely, poor and humble family growing up.
I definitely play up certain parts of my personality and exaggerate vulnerabilities I have for the sake of comedy. I feel like the Nathan on the show has a much tougher time reading social cues and is way less self aware than the real me. He's also much more confident. So yeah, it's different, but at the same time it's not like in my real life I'm strollin' around scorin' babes. It all comes from a real place. A lot of the time I feel like I'm emulating a younger version of myself.
i don't talk in person the way i do on stage because it's a performance and it's disstilled and the language is more deliberate. I make the same kind of jokes with my friends and family for sure and i have safe relationships where I can float a crazy or wrong idea and find out where it goes just as a life excercize and some times those things end up on stage.
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Related posts tagged 'Performing'
We shot video for many many years. When I would edit the videos and see myself cracking up it ruined the bit. So I got good at keeping a straight face. Practice.
I’ve learned that if I foul it up, if I pause wrong or stumble over a word, the joke doesn’t go as good, and sometimes it doesn’t even go at all. It’s so much about timing. If there’s a three-second gap and I don’t say the next joke, I can lose the whole thing.
It really is a lesson I realized early on: You better know what you’re gonna say and say it the right way. Even if I wasn’t doing one-liners, even if it more traditional, telling stories, I’d still have to say it in the exact right way. It’s just how my brain works. I’m lucky all of this just meshed, you know? I didn’t decide to talk like this or sound like this. The surreal jokes and the voice just worked together. It was all by acci...
The thing that I love about Scott is that he is not an agent of chaos, but he is an agent of mischief. He loves to paint other people into a corner. And it’s fun, it’s really fun. You know, there are times when it’s frustrating because you might have a thing that you wanted to do but now because you did screw up a word or something, he jumps on that — but, you know, everyone is in agreement. ... It’s entirely up to the improviser, to the guest, to say, 'You know what, yes, I am going to go along with this idea, this very challenging idea that he has pushed me into, because it’ll be fun to try to get out of it. It’ll be fun to try to make sense of this.'
And, ultimately, that’s one of the th...
One thing I learned from The Office is that the line between funny and dramatic is paper-thin (no pun intended) and often non-existent. If you ground a performance in truth, it can be both as funny and as dramatic as can be. I think no one embodied that lesson better than Steve Carell.
It's slightly annoying. I've been high on camera ONCE in my entire career and it didn't work out well at all. besides that, the most I've had before being on TV is one or two drinks. It's weird when people just ASSUME that I'm high because I'm not yelling. I've never been high on Eric Andre show. It was just one episode of Broad City where I was pretty stoned. I kept fucking my lines up. If you've seen me on the road doing stand up, I've never been high. I've done stand up high a couple times in NYC and that's it.
It always was and it still is. … For most standups, you have to be in the moment because anything can happen in the room. … Your job as the comedian is to let everyone know that everything’s gonna be OK. The most extreme example is like if someone had a heart attack — which has happened to me and other people that I know. It’s crazy. But you’re the one on stage, you have lights pointed at you, and you have a microphone, and you have to say OK, 'Well, we’re going to deal with this and everything’s going to be fine.'
I’ve definitely seen some crazy shit. I saw this one show where a guy goes up and somehow picks himself up in a plastic garbage bag. It was so upsetting. I’ve also seen a guy in L.A. jump up and land on thumbtacks. Someone from Chicago, Ian Abramson, did sort of break the mold of a stand-up comic—he found himself performing on Conan, and he did his bit where he wears a shock collar.
Definitely. I kind of hate when I hear a performer who says they "never get nervous." I just don't believe that.
It was my first sketch I did on SNL. It was mind-boggling because you had two conversations going at the same time and it was SNL and it was live and oh, please don't remind me...
It was pretty crazy. I already had a whole rhythm to my week as a writer, so it took a while to change it up and focus more on performing than on writing. Here's what helped a ton: Rob Klein and Bryan Tucker took over most of the Head Writer job and they're two of the funniest writers I've ever met. Rob and Bryan and I write a lot together for the show. Also Dennis McNicholas who used to be one of the head writers with Tina Fey and Adam McKay started producing WU last year and that was awesome. And our WU writers are the best and made our jobs a lot more fun: Pete Schultz (Leslie calls him "Franklin), Josh Patten (Leslie calls him "Clarence"), Katie Rich (Leslie calls her "Rachel"), and Mega...
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