sure, i think it naturally boxes me in. One fun thing is to always try to working outside of boxes though... and i think people have gotten a little too concerened about things like genres and labels. I'm hoping this record is additive to my body of work and makes me a more interesting person to pay attention to.
Tags:
Related posts tagged 'Relationship between art and life'
I separate their work completely from their transgressions. Everything about their work is extraordinary. Everything about their transgressions is utterly ordinary.
The situation certainly is. Half my family growing up were carers of some sort, mostly retirement homes (stroke, Alzheimers), and Derek is like my fictional superhero of an everyday gentle outsider. I suppose they're all little fables about kindness. And possibly, a love letter to my lovely, poor and humble family growing up.
Monuments Men has a great script and a fascinating story that no one has ever heard before. And there are a whole bunch of great actors in the movie. You hate to say that a film is an important film but I think it's a movie that people will say enlightened them about something that was forgotten, and it's a situation that exists around the world now. For example when we invaded Iraq, we weren't really taking care of business and a bunch of criminals went in and looted the museums. It's what's happening in Syria now. It's far worse than stealing gold or diamonds. It's stealing a culture, a mystery, and if those works of art are stolen, we are losing the ability to learn about culture and abou...
I think it's that Community and Rick and Morty don't punish obsession. I remember Megan Ganz coming to work on Community and she seemed kind of bummed out and told us that her therapist, having listened to all of her frustrations about working on Community, finally said, "but isn't it just a show?" And the reason Ganz was bummed out by that was because she knew right then and there that she now had to go and find another therapist. Nobody that worked on Community or that works on Rick and Morty has the capacity to regard the show as unimportant - people that feel that way quit - and I think you can feel through the screen that if you were to approach someone working on Rick and Morty with a ...
I definitely play up certain parts of my personality and exaggerate vulnerabilities I have for the sake of comedy. I feel like the Nathan on the show has a much tougher time reading social cues and is way less self aware than the real me. He's also much more confident. So yeah, it's different, but at the same time it's not like in my real life I'm strollin' around scorin' babes. It all comes from a real place. A lot of the time I feel like I'm emulating a younger version of myself.
i don't talk in person the way i do on stage because it's a performance and it's disstilled and the language is more deliberate. I make the same kind of jokes with my friends and family for sure and i have safe relationships where I can float a crazy or wrong idea and find out where it goes just as a life excercize and some times those things end up on stage.
I guess the most detail I can go into with recounting my life would be, I'm having fun. I believe art is using shock and awe to give you a slice or microcosm of what life is. My albums are what life seems like to me:fair, unfair, whatever. I don't want to be a "rap star". I want people to be me for however long the album is when they listen to it. There are a lot of questions on the EP and Culdesac that you should be asking yourself/I ask myself. But....yeah.
creatively you use all the same tools. you tend to steer towards people you like being around... you try to make it the best thing possible given your restraints... i guess framing it for people is the most challenging part
I don't have a source except I keep thinking of things to say, so far. I don't really relate to the idea of "unacceptable". comedy is talking about anything. So... I do that.
There was a world of junkies and winos, pool hustlers and prostitutes, women and family screaming inside my head, trying to be heard. The longer I kept them bottled up, the harder they tried to escape.
it all comes in seasons and waves. the best we can hope it when we are called on, we are in a creative season! and if we're not, sometimes that panic of a deadline is enough to snap me out of it. but it's all self love. if youre blocked, love youself anyway. it's a better strategy and will make it go away faster than being hard on yourself. take a nap! take a walk! take a drive! watch a movie! it's all writing. just in your subconscious
Each year I'm getting more and more joy out of the process than the outcome...that may be because I've been fortunate to have great outcomes and are taking them for granted but I like to think I'm remapping my neurology and interpreting certain experiences differently. I like talking to other people about how to tackle a story. If I were a character in a movie, my "arc" would definitely have something to do with a journey from isolation to collaboration. In other words, as I near my retirement, my real joy has become exploiting younger writers.
Self-expression is a hallmark of an artist, of art, to get something off one’s chest, to sing one’s song. So that element is present in all art. And comedy, although it is not one of the fine arts—it’s a vulgar art, it’s one of the people’s arts, it’s the spoken word, the writing that goes into it is an art form—it’s certainly artistry. So self-expression is the key to even standing up and saying, "Hey, listen to me." Self-expression can be based on looking at the world and making observations about it or not. Comedy can also be based on describing one’s inner self—doing anecdotes, talking about your own fears. Woody Allen taps into a lot of self-analysis in his comedy. But I don’t think the...
Get familiar with the BURN of the learning curve and just accept that the only way to get better at anything is to fail over and over and over. I saw this video of this amazing archer and he was shooting arrows through tubes and quarters and making these amazing shots and someone next to him said "Lucky shot!" and he said "The more I practice the luckier I get!"
There is no line that I know in terms of what's "too far," whether that means too sentimental or too ...I don't know, controversial or confessional....a "boundary" is an artificial construct, we have to create boundaries when they involve other people, precisely because it makes empirical something that would otherwise be frustratingly subjective (like that neighbor that just kind of 'feels like' their yard extends into yours, in which case you have to go to city hall and pull out a map with lines on it). In matters of creativity - when you're sitting and writing dialogue by yourself, there's no lines needed because you're not having to function in cooperation, your job in creation, I think,...
Your dreams are very well written. I know this, without knowing any of you. People turn anxieties, crises and longing, love, regret and guilt into beautiful rich stories in their dreams. What is it that allows us the creative freedom in our dreams that we don’t have in our waking lives? I don’t know, but I suspect part of it is that in our dreams we are not constricted by worry about how we will appear to others. It’s a private conversation with ourselves, and if we’re worried about it, this becomes part of the dream. I think if we were better able to approach our work this way, the results would be different.
Tim Heidecker