I loved them. So much. I love Eric Andre. He is a lunatic too. One of the few legit ones. I missed his birthday and it is a major regret this year. He's a ton of fun. I called him before the show and said "I'm gonna do something really fucking crazy on the show. I'm not going to tell you what it is but I wanted to give you the heads up." He said "Okay cool, I'll go nuts too." I loved it. A lot. So I always welcome him in any situation to do whatever the fuck he wants. I've riffed against crazier things than he could ever bring to the table.
Related posts tagged 'Working with other comedians'
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Related posts tagged 'Working with other comedians'
Well, I always felt especially bad that Charlie was disappointed by the show because he uprooted from LA and was definitely expected the show to be innovative and groundbreaking. Now, lots of people think it was, and if you check it out, there are plenty of sketches like Grandma the Clown, First Ladies as Dogs, Waiters Who Get Nauseated by Food, The Stupid Pranksters, and, yeah, the first Ace and Gary cartoon, and I'd say those and others were smart and original. We also had a legendary star performer who did amazing impressions and had beloved characters. So writing to the star's strengths, which included writing for his Regis, Perot etc. was always going to be an important ingredient. I ki...
One time Bob despised a sketch of mine so much at a readthru, he told me what was wrong with it for a full ten minutes before concluding, "So I guess I'm saying I hate this sketch and it's trying to kill me," as he dropped it on the ground.
The thing that I love about Scott is that he is not an agent of chaos, but he is an agent of mischief. He loves to paint other people into a corner. And it’s fun, it’s really fun. You know, there are times when it’s frustrating because you might have a thing that you wanted to do but now because you did screw up a word or something, he jumps on that — but, you know, everyone is in agreement. ... It’s entirely up to the improviser, to the guest, to say, 'You know what, yes, I am going to go along with this idea, this very challenging idea that he has pushed me into, because it’ll be fun to try to get out of it. It’ll be fun to try to make sense of this.'
And, ultimately, that’s one of the th...
Christopher Walken was great, and he always had funny things to say. He worked on a movie called MOUSE TRAP and explained how it's different working with an actor dog than an actor mouse. It was one of the best conversations I've ever been involved with.
Best job ever. The excitement of starting a whole new show to replace my hero Letterman's, of doing it with one of my best friends hosting it, and working with hilarious young writers, it far outweighed how hard it was and how many people tore into it. Too many memories to list but Louis CK used to throw shit out the 30 Rock window a lot. He would throw money, and attach a note to it - stuff like "You fucking pathetic moron." So we got to watch people scurry to pick up dollar bills and the read the note. Even though they were ant-sized, their body language was enough to have us laughing for hours.
Only worked with him that one day on Chappelle. I really loved Patrice. But he had complicated energy. I sort of diffused on chappelle by whispering to him, "I know you don't listening to people, but..." And he was like, "Nahh...Where'd you hear that?" Meanwhile, he hated listening to people. One things about Patrice: He's the only person in my entire life who ever called me on the phone out of the blue just to tell me he thought I was funny. Another thing: I wanted to act in a pilot I co-wrote and was directing with Dov Davidoff. This is in 2009. I call Patrice. I go, "Dude, I want you to be in this pilot. But are you gonna be a pain in the ass?" He's like, "Neal, how the fuck you gonna cal...
Being on Curb was the most fun I've ever had other than watching my twin boys clown around for me. It was like comedy fantasy camp. Larry David is another mega-hero for me. I auditioned and got cast as Yari, the vaguely foreign softball coach/mechanic. But I didn't know until I showed up for the shoot that they wanted me to do a speech to the team. So I asked Larry Charles, the director, if it's okay to curse. And he gave me the answer I wanted to hear. So I had about ten minutes to write a couple of things down that made me laugh. Then we shot it and Larry didn't know what was coming. I've heard he's an easy laugher but still, seeing him crack up felt like alley-ooping to Michael Jordan. I'...
One of the best times I've ever had making a movie. Kind of hard not to have fun with that crew. Anything Craig Robinson says makes me laugh. I think Channing Tatum is most like his character.
I had an easy time working with him because I wasn't in many shows and got to go home early when he was being an asshole.
I would LOVE to tour with Kevin, that would be a lot of fun. I don't know what we would call it. It would probably NOT be "Between a Rock and a Hart Place." But if Kevin wants to tour, I'd get ready.
Adam is the greatest guy I've ever worked with, kind, honest, never withholding affection or anger in the best way possible. But he's also as funny as anyone I know; he was easily one of the most inventive writers in my time at SNL (see: Herlihy Boy, his early Update appearances, his early Canteen Boys - not the Baldwin one). And yes, being around him is the best because he's not only funny but he makes you feel like you can do anything.
Hardwick is amazing. He is down to earth and cool and funny and has well coiffed hair. It's cool there. We sort of hang out and joke around and do makeup and then go on and try and get some laughs. It definitely does not feel like you are on tv. Which I like.
Farley offstage was everything you would expect him to be. Fun loving, reckless and often inappropriate. We had a thing -- If he was getting out of hand I would raise my eyebrows and he would respond with, "What? Take it down a notch?" Miss him.
I wouldn't want to ruin someone else's act. I have to say when I was on Lucky Louie I loved acting with Pamela Adlon. That was like being a comedy team. She had all the skills.
That was on Louie ck's first short film called "Caesar's Salad" I played the part of "crazy pumpkin head" where I charged a group of people with a knife. Nick was one of them. We used a real knife and I dropped it on nick's foot in the scene. Went through his shoe and everything. He had to go the hospital. But he did get a bit out of it.
It did, in that I met people I respect and continue to work with, like John Mulaney, Mike Birbiglia, Alison Becker, Brian Donovan, Ed Herro, etcetera.
Like working with your grandpa. You have to yell a lot, lot of stories about the good old days, but you love him in the end.
Bill Burr is as funny as you would imagine, but he is also a very serious actor who was not afraid to show a kind, sweet, vulnerable side in the film. I think people will be blown away by his performance.
Pendleton is exactly the way you would hope him to be if you're a fan of his work. Imagine being some kind of potion vendor in a fantasy world and one day a famous powerful wizard sends you a message that says "I enjoy your potions!" Then imagine that wizard invites you into his tower of sorcery and for a couple of years you get to help him and his sorcerer friends cast powerful spells that you sort of imagined were possible but had never witnessed yourself. Add two of the cutest pug-dogs on earth to the creatures living in the tower and That's what it's like working with Pendleton Ward.
It was very fun. Amy is a joy to watch work. I learned a lot from seeing her on set. She is involved with every part of the shoot and she is extremely upbeat and charismatic at 5'oclock in the morning even if she didn't want to be because she knew it was important for everyone involved in the shoot.
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