The tricky part about answering this, is that it is a bit of both. It was totally not set up. And was I mad, yes and no. I was mad that he wrecked my desk, but I was happy that he gave me an excuse to get mad at my guest on TV. I am always nice to my guests. But I love it when things go wrong on television. So I was kind of playing the character of the angry TV host. Because it is funny watching somebody get mad. People don't understand what happened there and give me some grief about it, saying that I should have just let him cut the desk and smiled. But the thing is, that would not have been nearly as funny.
Related posts tagged 'Being on TV'
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Related posts tagged 'Being on TV'
Oh. Well I thought a Minute with Stan Hooper was the best thing I ever did outside of stand up comedy. But Fox didn't stay with the show. It was a show that was intended to turn very dark, like at the end of the first season, it was set up like a homespun show, and then at the end of the first season my wife was going to be slaughtered by the town barber that we'd come to love as a kind of a funny old fella. Anyways, turned out he was a psychosexual sadist. but they never let us get to the end. So you never got to see my plan.
And I'm not saying anything against psychosexual sadists. I just think oftentimes you know, they'll slaughter innocents and I'm no fan of that.
It was! Bob and Dave both worked on The Ben Stiller Show and we were all so excited to come watch when they created Mr. Show, a true work of genius.
Hardwick is amazing. He is down to earth and cool and funny and has well coiffed hair. It's cool there. We sort of hang out and joke around and do makeup and then go on and try and get some laughs. It definitely does not feel like you are on tv. Which I like.
I said fuck on Saturday Night Live and I thought I'd be fired for it. I wasn't really embarrassed about it but I'm surprised I didn't say it a million times since it's live TV.
Who was it that said: If nominated, I will not run, if Elected, I will not serve? Whoever it was, they were an idiot. If nominated, I will run, and if elected, I will serve.
But as we know, television is not a democracy but an oligarchy. They don't hire a lot of guys who run around saying oligarchy. Many times a boss will call me and say "I'll have to let you go" and I'll say "Why" and they'll say "Well you sell more than everybody else at the plant, but you've been saying Oligarchy in the break room too much at lunch. In fact the suggestion box is filled with pieces of paper that complain about that." And I'll say "well sir, Oligarchy, holy fuck" and then I know it's time to pack up my duf...
I am ridiculously lucky to be included in Breaking Bad, a truly amazing show. I'm just glad I'm not fucking it up for everyone. When people think my presence actually helps the show, well, that's just "honey on a walnut" to me...is that the phrase?...no, wait, now I got it, that's just "an altoid on a pretzel" to me. It's a good thing.
The first time I did it when I was 20 was sweet because I got to leave college and miss a week of school. And I met a lot of comedians of whom I was a huge fan because I was competing against them. Which is ridiculous because I had been doing it for less than a year and a half. But i had fun and became good friends with a lot of comedians I still know today like Tig and Doug Benson and Brendan Walsh.
In the beginning, you think, I can’t wait to get on television. I’m going to straighten it out. Then people will be saying, “God bless you, Dave Letterman, we have been waiting for somebody to take care of television.” That’s how you feel. And now, I don’t feel that way.
I like animated shows better because I hate living people who act. They always make fun of my crooked teeth.
Related posts tagged 'Performing'
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Related posts tagged 'Performing'
I think just reminding myself to quit thinking that there’s some kind of perfect show to capture; to remind myself constantly that it is comedy and mistakes are funny. Anything that is too perfect—it kind of becomes too sterile and then it does not feel genuine. If it doesn’t feel genuine then there’s no possible way people are going to feel they saw you.
I’ve definitely seen some crazy shit. I saw this one show where a guy goes up and somehow picks himself up in a plastic garbage bag. It was so upsetting. I’ve also seen a guy in L.A. jump up and land on thumbtacks. Someone from Chicago, Ian Abramson, did sort of break the mold of a stand-up comic—he found himself performing on Conan, and he did his bit where he wears a shock collar.
It was pretty crazy. I already had a whole rhythm to my week as a writer, so it took a while to change it up and focus more on performing than on writing. Here's what helped a ton: Rob Klein and Bryan Tucker took over most of the Head Writer job and they're two of the funniest writers I've ever met. Rob and Bryan and I write a lot together for the show. Also Dennis McNicholas who used to be one of the head writers with Tina Fey and Adam McKay started producing WU last year and that was awesome. And our WU writers are the best and made our jobs a lot more fun: Pete Schultz (Leslie calls him "Franklin), Josh Patten (Leslie calls him "Clarence"), Katie Rich (Leslie calls her "Rachel"), and Mega...
It’s a weird balance of listening to yourself, so you can kind of be driving the car, but also listening to the audience so you can also see the road. Whenever I have a bad set it’s usually because I’m not doing one of those things at all. I’m either not paying attention to the crowd or I was over-confident with what I was going to do. Whenever there’s a night where I’m dialed in and I have the most fun, it’s usually because I’m right fifty-fifty on listening to the crowd and myself.
i would say do it. i would say be brave. you only lose by not trying, you dont lose if you dont achieve fame or glory.
I’ve learned that if I foul it up, if I pause wrong or stumble over a word, the joke doesn’t go as good, and sometimes it doesn’t even go at all. It’s so much about timing. If there’s a three-second gap and I don’t say the next joke, I can lose the whole thing.
It really is a lesson I realized early on: You better know what you’re gonna say and say it the right way. Even if I wasn’t doing one-liners, even if it more traditional, telling stories, I’d still have to say it in the exact right way. It’s just how my brain works. I’m lucky all of this just meshed, you know? I didn’t decide to talk like this or sound like this. The surreal jokes and the voice just worked together. It was all by acci...
I purposely do something on air that I haven't planned to get me out of my head. It's like tricking your brain. It makes me feel like I screwed up so I can except that I screwed up and relax.
One thing I learned from The Office is that the line between funny and dramatic is paper-thin (no pun intended) and often non-existent. If you ground a performance in truth, it can be both as funny and as dramatic as can be. I think no one embodied that lesson better than Steve Carell.
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