People say, “You’re going to get married, and you’re going to have a kid, and then you’re going to be happy and you’re not going to have any material.” I’ve been telling guys that what really happens is, once you get that happiness there’s this whole new fear that you’re going to lose it. Stephen King cannot fuck with the things that you think could happen to your kids. I’ve learned how to deal with those thoughts, and I know the tricks to get me out of depression: playing drums, working out, playing with my daughter, trying something new.
I'm pretty happy being me.
That's not to say I don't have my own little demons, but I don't foresee myself going anyplace dark right now.
My kids save me from that stuff. I'm good.
I'm consistently happy but when I did panel on Conan the other day, that felt really amazing. I've done so much stand up on late night shows so walking over and sitting down was really cool. It felt like a nice progression. I wasn't nervous at first but when I sat down, it was weird. I was thinking "Whoa this dude is super close. This is crazy"
Well, I think being happy with what you have is very important. But more important than that is not to be happy with what you DON'T have. Like not to make what you don't have happy. So be happy with what you have, and never be happy with what you don't have.
Let what you have make you happy. But never let what you DON'T have make you happy.
Let's do a sudoku and figure it out.
You gotta stop lying. You know… I mean it’s difficult to tell the truth, but you gotta start telling the truth cause it kills you, it takes something out of you when you’re…. a phony. You know, I’d rather die than to be phony really, cause… it kills me. And I’m…there’s nothing worse... like I’m depressed, but I’m not suicidal. Do you know how like… horrible it is just being to… to want to kill yourself but you just can’t, you won’t kill yourself? Do you understand what that is? So I had to figure out a way how to make myself happy….and that’s not to lie.
I would let that bad feeling drag me down to the bottom of the lake and I’d lay down there. The only thing that would pull me out of it would be getting a new chunk of material. And to get a new chunk of material you have to go out into the world. But when you’re in that funk you don’t want to go out and then you get writer’s block. When I was younger I even used to think all that clichéd sad-clown shit. Now I don’t want to fucking be that guy. I want to be the happy guy, which believe it or not, I am.
I don't know exactly. I think it was Chris Kattan and myself just acting stupid in my apartment when we wrote that sketch for the Groundlings show that we were in at the time. It's also what happens when the beat of any Haddaway song hits your ear.
plotting can be tough because you're never quite sure you're doing it right - it's usually kind of like an exploration. You try something, and figure out what it needs. For instance, one episode we were plotting last night, I felt like it was all things happening, and no emotional connection from our charaters. So we figured out what my own personal connection to the plot would be, and that actually helped us figure out the things that would happen more easily. It's also helpful if your characters can have opposite points of view about what's occuring.
To motivate, I would try to outline as much as you can before you ever start writing a line of dialogue. If you're having trouble plotting, ...
We like to tell each other about bits after they've been developed a bit. Usually it's because we are excited about the bit. But we generally don't share new bits/premises for fear of crossover and both of us are very private in our "incubation" phase. I hadn't heard any of Tom's stuff until his last taping in Denver. It's also more fun that way. We collaborate a lot of YMH so that's the space where we come together.
I like the very moment when you think of a great idea. I also like the first time you show an audience the film, but only if it works. That also can be the worst moment of your life.
There's no rhyme or reason. I take an idea or story and write it or try it on stage. I'll remember what worked and try to fix what didn't. The length of time varies based on the bit.
It’s just a series of steps that take place haphazardly. The file cabinet contains most of the things that are sort of in waiting, ready to be transformed into a usable language, you know? That’s the holding pen. The observations keep coming and the comparisons that the observations represent that are, you know you have a world view and it’s like your matrix and so, when you see things happen, you’re comparing those things to what you already know and how you already feel. That produces your impression. So those are things I write down, those impressions that I get from the world. So, some of them are in half form states, some of them are just ideas, just highlight, the key words, patterns, ...
I wish I could. i have a lot of journals with one page half written in.
I sometimes will write myself a quick email on my bb when I think of something.
i usually just think of one funny grain of the character's identity and let it build from there. with hoho, for instance, i just wanted to be an elf who delivers toys to naughty kids.
All of my jokes happened to me. Sometimes I will change details (names or where I saw something happen - saying "someone I dated" instead of "my current boyfriend" etc) to protect people I have relationships with but the material is true.
Bill Burr