His relationship with the guys on the Grown Ups films

We are all very, very good friends. And have the best time on those movies. It's very genuine and we all crack each other up.

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I would not go on twitter I would just approach the comic after the set and say something. But I knew he was leaving as I went on.... The point is, Dane Cook and I are cool. We talked it out and we are cool now and I've had a few good conversations. He and I basically put it this way: You're a comedian and I'm a comedian, I may not respect your comedy but I respect that you are a comedian. And that goes for me too.
No! I had Bill tied up with a phone cord, so he can't swing a golf club at me anymore, hahaha! He invites me to play golf with him, but he's so good, I don't even see him after the first hole - he's usually WAY at the 9th hole, too far for me to catch up! We're friends. I think he's remarkable - and by the way, I just St. Vincent with Billy in it, and I thought That's an Oscar caliber performance, really great. So it's nice to see his growth, and it's nice not to have to smell his breath.
It was probably about 2009. I was getting a little bit of work in New York, but still day jobbing it, still nothing going for me. I was doing a comedy club and she happened to walk in on the one bit that worked. She came in the green room and said, “Hey, I like your vibe. I think we would work well together.” She was nobody at the time. I was like, “I’ll take any work I can get.” We took the train to Hofstra and had dinner with her mom. I was kissing her ass the whole time because she was a bigger comedian who was helping me out. We hit it off and she gave me a bunch of dates and that was it. We went all over the country. I watched her blow up, do TV shows, get on the Charlie Sheen roast, Co...
Norm is awesome. I was a huge fan of his when I was growing up, and still am. He always supported my web show and is one of the great stand up comics ever. Go see him live if you ever get a chance.
At the end of the day when Duncan and I sit down and have these podcasts it's just two comics trying to make sense of shit and bouncing ideas of each other and out to you folks. I try to emphasise things that I've found to be true in my own life, and things that have resonated with me, and Duncan does the same, but we're really just two stoned comedians shooting the shit. All of us, you folks included, everyone that is really pondering the mysteries of life - we're all doing the same shit. We're thinking, pondering, dissecting - and hopefully extracting something out of these conversations that we can hold onto, like some sort of a psychic shield protecting you from worthless thoughts. Dunca...
Tina Fey had probably the biggest influence on me other than my parents. She's just not afraid. I loved watching her work cause she was so brave. I was really scared when I got to 30 Rock, she was like "I don't give a fuck. Be you. If it's funny, it's in the script." and And watching 30 Rock, there's so much Tina there that it made me see how I should start being me more too. Started putting out more music and started not being as afraid to be me. Tina is a true gangsta. She don't give a FUUUUUUUCCCCKKKKKK. I put her against any chick in the game. EDIT: "Against ANYONE in the game." She'd destory anything. If she started rapping, I'd quit. I don't want that.
Oh... My favorite memory is Gilda eating EVERY KNOWN candy you could buy in a candy store - she LOVED that. And she also, I have to say, was a great, great physical comedian. one of the funniest things i ever saw was a scene with her and Belushi, they had known each other before at Second City, and in this particular sketch, he's directing her and a man in a movie, and something goes wrong with the man, his lines or something, John would yell "CUT!" and he'd go talk to the guy, but if anything went wrong with Gilda, he'd slap her as hard as he could, and she'd go plunging to the wall, and she'd make it look like she was hit with a brick...She was SO good at making you believe in Gilda, as a...
Chris was always doing that bit to me at work. We shared an office, and you had to walk through our office to get to Chris Rock & Adam Sandler's office, so these 2 microscopic offices were back to back, and Chris' desk was behind mine, and he didn't really know how to write, or read, really (kidding!) but he would come in bored, because I would have to write my sketches to try to get on but they would always let him on, so he would get behind me and be bored, everyone would write him sketches, and he would say "Davey… turn around" and I said "if this is Fat Guy in a Little Coat I'm not turning around, it's not funny anymore." And he would say "no, i've got a whole new thing I'm doing." And ...
Louis CK once told me to never let go of a bit. I tend to throw away a lot of ideas if they're not working, but now I think I'm going to go back to stuff I once believed in, and see if I still find it funny and can maybe re-shape it into something good.
I’m sure it was sincere. But it was artificially generated. The same thing happened to me. I can remember sitting next to Johnny Carson for the first time, and I’m thinking, Holy God, this is like looking at Abraham Lincoln. You’ve seen him forever on the $5 bill. And now all of a sudden he’s here. And that was too much for me. I’m not saying it happened in like measurement, but I understand the dynamic.
We like to tell each other about bits after they've been developed a bit. Usually it's because we are excited about the bit. But we generally don't share new bits/premises for fear of crossover and both of us are very private in our "incubation" phase. I hadn't heard any of Tom's stuff until his last taping in Denver. It's also more fun that way. We collaborate a lot of YMH so that's the space where we come together.
I nervously ran a bit by Louis CK and he said, “it’s a funny idea but who cares? Every bit is funnier if it’s personal. Make it more about you.”