There was a world of junkies and winos, pool hustlers and prostitutes, women and family screaming inside my head, trying to be heard. The longer I kept them bottled up, the harder they tried to escape.
Get familiar with the BURN of the learning curve and just accept that the only way to get better at anything is to fail over and over and over. I saw this video of this amazing archer and he was shooting arrows through tubes and quarters and making these amazing shots and someone next to him said "Lucky shot!" and he said "The more I practice the luckier I get!"
[In reply to Louis CK, who was leading a discussion about the importance of maintaining a physical training routine and its relation to comedy]
Louis,
I concur that poor health leads to sloth and effects your creativity. Repeating any behavior continually will effect your writing as it gives you nothing new to say. I do drugs, yes I do but I only do them socially. Its the fact that I talk openly about it that gives the impression that there is a frequency. I’ve probably done mushrooms 6 times this year, acid once (poor quality), coke maybe 5 or 6 times, and about three xanax a week to sleep. I dont smoke pot.
So smokes and drink are about my only habits and the cigarettes certainly n...
That would be me, Robert, when I was EPing Dana Carvey's prime time variety show in 1996. We wanted to to do cartoons on the show, and pretty much anything that make it feel different than SNL. The great writer and deviant Dino Stamatopoulos pitched me something entirely different - what if characters like Wallace and Gromit were clearly having a sexual relationship? I didn't know much about what would be acceptable to the ABC audience watching after Home Improvement but I correctly identified that as unacceptable. Anyway, for some reason, the AGD idea just came to me at the end of that conversation. What if we did two superheroes and everyone suspects they're gay? It was always more about t...
Self-expression is a hallmark of an artist, of art, to get something off one’s chest, to sing one’s song. So that element is present in all art. And comedy, although it is not one of the fine arts—it’s a vulgar art, it’s one of the people’s arts, it’s the spoken word, the writing that goes into it is an art form—it’s certainly artistry. So self-expression is the key to even standing up and saying, "Hey, listen to me." Self-expression can be based on looking at the world and making observations about it or not. Comedy can also be based on describing one’s inner self—doing anecdotes, talking about your own fears. Woody Allen taps into a lot of self-analysis in his comedy. But I don’t think the...
sure, i think it naturally boxes me in. One fun thing is to always try to working outside of boxes though... and i think people have gotten a little too concerened about things like genres and labels. I'm hoping this record is additive to my body of work and makes me a more interesting person to pay attention to.
I don't have a source except I keep thinking of things to say, so far. I don't really relate to the idea of "unacceptable". comedy is talking about anything. So... I do that.
I was just on twitter talking about Roseanne because she gave mea first job, and I thought of her and Chappelle who I have both worked with, and who have both been called "Difficult" or "crazy." And that word crazy when it's applied to an entertainer can torpedo their career. One time I was on a show, and I wanted to get Burt Reynolds to play my father, and the director said "You don't want Burt Reynolds, he's crazy." I said "I don't want you to be my director. I want Burt Reynolds." So crazy just means creative. And difficult just means hardworking, and opinionated. And Roseanne was a victim to this specifically because she was a woman, which is very sad. But that's all I was saying.
creatively you use all the same tools. you tend to steer towards people you like being around... you try to make it the best thing possible given your restraints... i guess framing it for people is the most challenging part
Your dreams are very well written. I know this, without knowing any of you. People turn anxieties, crises and longing, love, regret and guilt into beautiful rich stories in their dreams. What is it that allows us the creative freedom in our dreams that we don’t have in our waking lives? I don’t know, but I suspect part of it is that in our dreams we are not constricted by worry about how we will appear to others. It’s a private conversation with ourselves, and if we’re worried about it, this becomes part of the dream. I think if we were better able to approach our work this way, the results would be different.
There is no line that I know in terms of what's "too far," whether that means too sentimental or too ...I don't know, controversial or confessional....a "boundary" is an artificial construct, we have to create boundaries when they involve other people, precisely because it makes empirical something that would otherwise be frustratingly subjective (like that neighbor that just kind of 'feels like' their yard extends into yours, in which case you have to go to city hall and pull out a map with lines on it). In matters of creativity - when you're sitting and writing dialogue by yourself, there's no lines needed because you're not having to function in cooperation, your job in creation, I think,...
it all comes in seasons and waves. the best we can hope it when we are called on, we are in a creative season! and if we're not, sometimes that panic of a deadline is enough to snap me out of it. but it's all self love. if youre blocked, love youself anyway. it's a better strategy and will make it go away faster than being hard on yourself. take a nap! take a walk! take a drive! watch a movie! it's all writing. just in your subconscious
If you ask yourself, `Is there anything I can do to get a laugh?’ you can find a lot of things.
And usually they’re things that other people have found. But if you take something that’s never going to work and you go, `Wow, I wonder if there’s any way I can get somebody to laugh at this?’ it’s a great challenge.
I think everyone gets tired of who they are, or their own brains sometimes. I think the important thing is to keep pushing through into unexplored territories - new ways to express ideas or new jokes. that's when I feel really good- hitting on something new.
Each year I'm getting more and more joy out of the process than the outcome...that may be because I've been fortunate to have great outcomes and are taking them for granted but I like to think I'm remapping my neurology and interpreting certain experiences differently. I like talking to other people about how to tackle a story. If I were a character in a movie, my "arc" would definitely have something to do with a journey from isolation to collaboration. In other words, as I near my retirement, my real joy has become exploiting younger writers.
Richard Pryor