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There was a world of junkies and winos, pool hustlers and prostitutes, women and family screaming inside my head, trying to be heard. The longer I kept them bottled up, the harder they tried to escape.
I wasn’t much taller than my daddy’s shin when I found I could break people up. A little dog wandered by and poo-pooed in our yard. I got up, ran to my grandmother, and slipped in the dog poop. It made Mama and the rest laugh. I was really onto something then. So I did it a second time.
“Look at that boy! He’s crazy!”
That was my first joke.
All in poop.
And I been covered in it ever since.
Late night with David Letterman, certainly. I still use a lot of the techniques in writing taught by Bob on Mr. Show, even though they're tonally very different shows.
plotting can be tough because you're never quite sure you're doing it right - it's usually kind of like an exploration. You try something, and figure out what it needs. For instance, one episode we were plotting last night, I felt like it was all things happening, and no emotional connection from our charaters. So we figured out what my own personal connection to the plot would be, and that actually helped us figure out the things that would happen more easily. It's also helpful if your characters can have opposite points of view about what's occuring.
To motivate, I would try to outline as much as you can before you ever start writing a line of dialogue. If you're having trouble plotting, ...
sometimes it just naturally goes in directions people didn't expect - i'm thinking of pam murphy and will hines on a recent episode. when we take a break, I'll usually ask, "Is there somewhere else you were thinking of going with it, and can i lead you back there?" Most improvisers don't care about where it ends up, because the journey is more important than the destination.
I think everyone gets tired of who they are, or their own brains sometimes. I think the important thing is to keep pushing through into unexplored territories - new ways to express ideas or new jokes. that's when I feel really good- hitting on something new.
sort of answered above, but PFT and i discussed, and i really wanted the show not to be so impenetrable, you know? Like, this is the first time people are listening, so why can't I show them the difficulty involved in putting together this show, so they can appreciate it? It's like how Bernie Brillstein advised bob and david to come out as themselves at the top of Mr. Show - then people could appreciate how they were doing all the characters.
Each season has had its difficulties in producing them - and let me just say that I am really proud of the episodes in the second half of season three. I think they're super funny. There is a story to why I think they're a little inconsistent in production:
For season two, we wrote all 20 episodes before we started shooting, and we shot them all out of sequence. I think the christmas episode with Zach was one of the first ones we shot, and I know the Halloween ep with Pee-wee was in our second week. So we really got to figure out an order after the fact that made sense.
For season three, we had an earlier premiere date, but we started at the same time. So, even though we still wrote everyth...
I am currently reading almost everything I can - loving Spider-Man and Silver Surfer by Slott; bummed Fables is coming to an end; stuff by Jason Aaron is great, just read Ant-Man by Nick Spencer right before this started, and it really had that Superior Foes of Spider-Man feel. Currently re-reading Hickman's FF, which is so complex and well-thought-out, it frightens me from ever attempting something similar.
Having sex with girls, I think?
i think we are "on" on the show. it can be exhausting to be like that 100 percent of the time. We usually take it down a notch or two in private.
I decided to do it because it seemed easy enough to start. But it's kind of a grind booking guests. I do enjoy the conversations, though.
I try to sit down and write, but I don't do that a lot. I tend to think of an idea, then work it out on stage. But I should do more homework.
Really fun, and kind of surreal. I remember Garry Shandling coming up to me after we filmed a take. He had a note for me, but made a point of saying "only do this if you think it's funny." I was impressed by that.
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